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creation stories and myths
arcumentative about hawaii history
hawaiian history paper
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As every other culture, Hawaii has its own myths and stories. Holo Mai Pele tells the creation myth of Hawaii and this myth holds the same stature for Hawaiians as Genesis for Western (Christian) cultures and Ramayana for Hinduism. Holo Mai Pele is an epic saga of the Hawaiian god of volcano Pele, and her sister Hi'iaka. The major themes present in the story are sibling rivalry, love, conflict and creation. Simultaneously, it tells a story of an individual's journey to her self-awareness and reclaiming her status as a deity. The purpose of Holo Mai Pele is to keep the Hawaiian myth alive in order to pass it down to future generations. The poetic aspects of the play make it easier to remember and interesting to perform.
The sisters show the very classical conflicts that arise between siblings. Pele being older than Hi'iaka assumes that she has the right to make decisions for herself and her sister. When Hi'iaka is young and naive, she follows her sister without questioning her authority. Afterwards as Hi'iaka grows older, her attitude towards Pele changes. Pele's temperament and her destruction of the things that Hi'iaka loved is very typical to what the world is witnessing among siblings nowadays. Occasionally, siblings completely avoid each other and forget that they are brothers or sisters. For example, famous Anglo-American actresses Olivia de Havilland and Joan Fontaine had a very furious relationship and the sisters completely stopped talking to each other (Higham). The Ambani Brothers, Anil Ambani and Mukesh Ambani, two of the richest business tycoons in the world have been known for a bitter rivalry and their attempts to become wealthier than the other. Siblings frequently try to get ahead of each other by destroying what...
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...reation in the form of songs and chanting. This makes it possible to perform in front of an audience. The Hula, also known as Hi'iaka’s song and dance, is used in performing plays such as Holo Mai Pele and in displaying other aspects of Hawaiian culture. It has always been used to promote Hawaiian culture. Holo Mai Pele has been performed many times and recordings of the performances are widely available in Hawaiian Libraries as well as on the internet. This way Holo Mai Pele has played an important role in transferring the major aspects of Hawaiian culture to future generations.
Works Cited
Kanahele, Pua Kanakaʻole. "The Pele Family." Holo Mai Pele. Honolulu, Hawaiʻi: Pacific Islanders in Communications, 2001. Xii. Print.
Higham, Charles. Sisters: The Story of Olivia De Haviland and Joan Fontaine. Coward McCann, May 1984, 257 pages. Web. 26 May 2013.
It seems that every sibling doesn’t always have a great relationship with their older or younger siblings. In the movie “Real Women Have Curves”, we have two sisters, Anna and Estella,who seem not to get along in the beginning because of their differences, but at the end they become the best of friends because they have similar dreams and learn to support each other. The advantage of Anna and Estella’s relationship is that they benefit from each other. The whole story is that you don’t always realize how much you have in common with your siblings until you realize that you have similar dreams and can be there for each other.
On the big island of Hawaii lays many secrets of traditional Hawaii that have long been forgotten by the republic that took over Hawaii after the Kona period. But many people still live up to these traditions in their homes and not wanting to overlook where their original family had come from. These traditions are based on stories and prayers that respect the primary four gods that make up the world. These gods help the people of Hawaii in succeeding the best out of life and honor them in returning them appraisal. One of these four gods is Ku, the God of war. He is the most fearful and brutal God that conspired war and violence. Many strong leaders worshipped him in hopes of bringing them glory and succeeding in war. One leader built a temple dedicated to Ku in hopes of uniting all of the Hawaiian Islands. On this temple stood a sculpture that would hold the spirit of the god called Kuka-ili-moku the war god figure. This 9 foot tall wooden sculpture is from Hawai’i and was probably created around AD 1790-1810. It is currently held in the British Museum in London. It is one out of many ti’i figures coming from the Polynesian islands. These ti’i figures are fairly common among Hawai’i islands and are believed that ancestor and godly spirits consume in them. Kuka-ili-moku the war god figure helps influence the people of Hawaii based on its structural body, it’s legend and story.
Since Sister was affected the most by certain actions of the family, Welty narrated this short story through Sister’s point of view to show how the function of the family declined through these actions. Sister was greatly affected when her sister broke the bonds of sisterhood by stealing her boyfriend and marrying him. Secondly, Sister was affected by the favoritism shown by her family towards her younger sister. Since her sister was favored more than her, this caused her to be jealous of her sister. For example, Sister shows a lot of jealousy by the tone she uses when describing what Stella-Rondo did with the bracelet that their grandfather gave her. Sister’s description was, “She’d always had anything in the world she wanted and then she’d throw it away. Papa-Daddy gave her this gorgeous Add-a-Pearl necklace when sh...
Hawai`i was changed forever after Queen Ka`ahumanu lived from 1768-1832. As a woman in a place where gentlemen took precedence, Ka`ahumanu strived for justice all her life. Her indignant beliefs of the Hawaiian religion that limited her gave her fuel to make change. Jane Silverman, a present-day historian, noted, "There was a hunger in her much deeper; the hunger to control." When she saw the opportunity to be at the top of the kingdom, she seized it without delay. She used her power to influence the Hawaiian people into believing her judgments of the Hawaiian religion. Her first move was to break the system that placed those limits on her. When people from the outside world arrived, she sought their faith to replace those ancient rules. Toward the end of her life, she established formal laws to engrave her ideas into the Hawaiian people and prevent them from reverting back to the Hawaiian ways. Queen Ka`ahumanu contributed to the downfall of Hawaiian society because she dismantled the kapu system, supported the American Christian missionaries, and made a new set of laws that banned many Hawaiian customs.
Many can identify with what it means to be a sibling. Whether you are the oldest, youngest, or somewhere in between, you can most likely relate to the individual struggle within one. Being the oldest may carry the burden of responsibility and a sense of duty, and the youngest may feel a sense of entitlement. Whichever place one holds may depend on the person. Mai Lee Chai’s “Saving Sourdi” tells the story of two sisters who came to America with the hope of finding freedom. The two girls found anything but that. The younger sister Nea, takes the unusual role of the guardian, while the older sister Sourdi is atypically being cared for by Nea.
Bib4: Unknown. "Jodi Picoult's "My Sister's Keeper"." SIRS Renaissance. 18 Apr 2006: n.p. SIRS Renaissance. Web. 17 Feb 2011
1.) How did the arrival of American missionaries in Hawaii affect the lives of Native Hawaiians?
Ancient Hawaiian system have very stick laws, they call it Kapu. They think their Gods
While walking down the beach, the white, warm sand mushes between your toes. The sun’s radiant rays beam off your glowing skin. The sound of waves crashing blocks out the external world. There is no other place like the gorgeous tropical islands of Hawaii. The wide range of flowers, cuisine, and wildlife makes it one of the most picturesque places on Earth. It also leads the United States with the highest racial minority rate making it the most diverse state. However, there are numerous hidden dangers of Hawaii, and not all ethnic groups get along causing sharp tensions across the island.
Since 1840 the Hawaiian Islands have been an escape to a tropical paradise for millions of tourists. People all over the world encounter alluring, romanticized pictures of Hawai'i's lush, tropical vegetation, exotic animals, beautiful beaches, crystal clear water, and fantastical women. This is the Hawai'i tourists know. This is the Hawai’i they visit. However, this Hawai'i is a state of mind, a corporate-produced image existing on the surface. More precisely, it is an aftermath of relentless colonization of the islands' native inhabitants by the United States. These native Hawaiians experience a completely different Hawai'i from the paradise tourists enjoy. No one makes this as clear as Haunani-Kay Trask, a native Hawaiian author. In her book, From a Native Daughter: Colonialism and Sovereignty in Hawai'i and through her poetry in Light in the Crevice Never Seen, Trask provides an intimate account of the tourist industry's impact on native Hawaiian culture. She presents a negative perspective of the violence, pollution, commercial development, and cultural exploitation produced by the tourist industry. Trask unveils the cruel reality of suffering and struggling through a native Hawaiian discourse. Most of the world is unaware of this.
“If all of this seems long ago and far away, it is worth remembering that the past is never past.” (Faulkner cited in Ellison, P.274)
Hawai'i is a land full of diverse people and ideas, starting from the Polynesians who decided to cross the ocean to settle and form the traditions practiced today by the Hawaiians. Unlike many other states, the beliefs of Hawai'i have managed to stay alive. Its unique culture is what attracts tourists most. Many people see it as a vacation spot, full of fun attractions and say, “When I go to Hawai'i I'm going to get some Hawaiian tattoos, they look so cool!” or “I'm going to buy a hula skirt, they're really pretty!” But all those hula dances and tattoos are not just for show. People do not know that there is more to it than ink or hip swaying; behind every hula skirt and every tattoo there is a story. Hawai’i’s culture consists of the significance of its dances, tattoos, and traditions that give Hawaiians their unique lifestyle.
The bond between the Bennett sisters portrays the simplest form of relationships; each sister relies on her sisters to guide her through her conflicts. According to May, “The primary sibling relationship occurs in a social environment involving networks of human interaction in which pairs of siblings of varying significance typically frame the main action of the plot, providing a background of fraternal and sororal 'white noise' against which the main discourse is set forth” (336). The sisters posses different personalities; their personalities foreshadow the success of their future relationships. Jane, the oldest Bennett, presents herself as polite and shy, wh...
The Maori myth is a Polynesian story about the creation of the universe which according to Rosenberg was different from other creation myths because it begins with nothing and then progresses through a process of “nonbeing to thought to the creation of the universe and human beings” (351). Even though it may be different because it goes from “nonbeing to thought” instead of nothingness to a spoken word or action, it has many similarities to other creation myths in how it explains the origins of the Gods and how each one represents a natural event or aspect of nature and humanity. The myth begins with an “idea” that “was remembered” and then “became conscious” and then “a wish to create”, all of which created a “power to live and to grow, even in emptiness” (352). At this point there was still no being, only thought and desire which gives the idea that what is being addressed are the human attributes of feeling, sensing, desire and thought, this is where this story is different from other creation myths.
According to Maori legends and myths Te reo Maori is one of the treasures give to them by Tane, (God of the forest) when he climbed to the twelfth heavens to collect the three kete of knowledge that man-kind needed for survival (Pohatu, 2000). Te reo Maori is a unique identity of all Maori people, it is sacred and indigenous language because it was handed to them by their ancestors to be treasured, nurtured and encourage to positive influence the future generations (Barlow, 1991). In the Maori tradition they used Te reo to pass down their history, tell myths and legends, to korero through karakia, waiata and education from ear to ear (Pohatu, 2000). For instance the significance of Te reo Maori still can be seen when they have gathering at the Marae to welcome, waiata and do karakia before kai.