The History of Cameras Essay

The History of Cameras Essay

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Believe it or not, there was once a time when cameras didn’t exist. The technology that today we take for granted, was once the most greatest and inspiring invention ever made. Before the camera, the only way people were able to have a personal photograph of themselves done was to hire a professional painter to paint them while they posed for hours at a time. It was a tedious task but one that had to be done, and at the time it was the only way a person could have something to show for how they looked in the past. Of course hired painters were only for the wealthy and famous, there was no way a common man could ever document himself and his family through a portrait of themselves. Photography has changed and developed in so many ways since it was first created in the early 1800s and has become a widely well known and respected art form of freezing an image or a moment in time to create beautiful and timeless photographs. From the pin-hole to the digital camera, photography has only become easier for people to use, and taking photographs has become a past time. These days’ people take hundreds of photos at a time, since they now have the ability to view and delete, and re-take any photos they don’t like. However looking back, before the technological aspect of the camera was put together, throughout the photographic timeline, there are many different photographers who have skilfully captured so many special moments, and displayed them in the most creative ways.
One of those famous photographers now classified as a master of the art form, was Gyula Halász also known in the world of photography as Brassaї. Gyula Halász was born in September 1899 in Brasso, Hungary, now known as Romania to a Hungarian father and Armenian mother. In h...

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... taken in the moment, all natural, no posing allowed. The only type of photograph he cared for was the motionless pictures, not ones that were taken over and over of the same scene, but he felt that the photos he took would be better if they seemed more accidental, they would be more original and his. His inspiration was the public, and the way they presented themselves to the world. When he set up to take a picture in a cafe, he would wait for people to stop posing the way they felt they should for the camera, but instead waited for them to forget he was there and take the picture of the face they showed the world.
Brassaї had a way of seeing things for the way they are instead of the way other people want them to be seen. People were just people nothing more and nothing less were expected of them because they were beautiful to him just the way they are.

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