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Essay on restoration of historical buildings
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The first step in regenerating the historic fabric, must be recognizing the existence values and desire to protect them. Restoration process begins with cognition of opportunities and advantages of each neighborhood, and understanding of different aspect of neighborhood distressed. These days one of the problems face to regenerating historic fabrics is juxtaposition of valuable buildings with abandoned and deteriorated buildings and areas that causes damage to this valuable buildings.
The abandoned areas are a threat to revive the historical fabrics, but with clever arrangements this treat can be converted to be an opportunities for brown developing. Analysis of approaches in designing in these desolate lands is the subject of this research.
This thesis lies in understanding the obvious and hidden values in historic center of thehran, and analize the new building built in this area, and trying to find the best approach for design in this fabric with cultural and historical value, so with maintaining the obvious and hidden values and accepting new role and strengthen and updating previous role, still be able to continue living.
Any intervention in the physical structure of the historic fabric will change irreversibility the history of it forever. So its necessary to planned for the cities that have the ability to change and provide continuity with the past.
Design approach that is adopted in the historic fabric, should be an approach to improvement.
New construction must preserve value the previous buildings, and also should be representing the architecture belonging to its time. As the maintenance and protection of existing buildings in the historic fabric keep intact the form and space of historic urban, new construction sho...
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...of the research. Design a questionnaire and evaluate responses given to it, toward rates of people believes in structure feature neighborhood and sense of location identities is part of research. The main feature of this research is choosing an inductive approach. Deep analysis of interviews, with the aim of understanding the main issues, needs and long-term interactive process. Thus, with combining different data sources the effect of new buildings on the historic fabrics can be described.
Works Cited
-Hamidi, M (1997) ‘Urban structure in Tehran’ (in Persian), Tehran University, iran.
-Imamuddin, A. and Longeteig, K. (eds) (1990) ‘Architectural and urban conservation in the Islamic world Aga Khan Trust for Culture’, Dhaka, Bangladesh.
- Izadi, MA.(1991) ‘analyses experience of urban regeneration in iran’(in Persian), haft shahr journal. No.3, pp.32-42.
Both the Chuorinkan house and the Koganei house are in the To kyo suburbs and were designed at about the same time. Though they differ structurally and visually, they represent one approach to the problems they involve. The starting points of both are deliberate quotations and reorganizations of architectural compositional elements that can be called representative of the early modern period. I have used the same kind of design approach in other works. For example quotations from motifs used by Le Corbusier and Charles Rennie Mackintosh are found in the interior of PMT Building No. 1 (JA, September, 1978). Project W and PMT Building No. 2 entail reorganizations of elements from Le Corbusier's La Roche-Jeanneret House in Paris. And the facade of the Osaka PMT factory quotes the facade of Le Corbusier’s Villa Stein, at Garches. The aims behind quoting and reorganizing operations of this kind are (1) producing the effect of collages of heterogeneous elements and (2) visual ization of surface elements. Though the Chuorinkan house resembles PMT Building No. 1 in that its facade consists o...
The role of the city is to be the center of economic, political, and cultural movement. Cities have a dense population compared to the area, so careful planning must go into its development. In the U.S. alone, 55% of the population lives in cities with more than 1,000,000 people, 78% in cities with more than 100,000, and less that 3% live in agricultural areas (Angotti, Tomas. 1993). Since it is so crucial for a city with countless numbers of inhabitants to work properly, there has to be certain building types to facilitate the lives of the people. One of the most important building types is the temple. Temples through out time usually work very similarly urbanistically in the sense that they are centers of religious practice and located in key areas. A temple is a symbol of the culture; it represents the people’s beliefs and how devoted they are to them. Temples have usually been elaborate and large scale; examples of this include the Temple of Kukulkán in Chichén Itzá, Mexico, and the Mother Church in Boston, Massachusetts. The Temple of Kukulkán and the Mother Church in Boston are strikingly similar in many ways, including architecturally and how they are used by the people of the city.
Materiality is a critical feature in all of his projects, and in this case, the architect did not only blend the building with the landscape, by sinking it carefully into the slope, but he also uses genuine local materials to give the space atmospheric ideals. Always working towards a consistent visual appearance, Zumthor uses this quality factor in the interior building method. Using a system of specifically, almost scientifically, arrangem...
II. Today, I want to tell you about why it is important to preserve an old building related with the
Items displayed in museums hold historical significance and are representative of society’s culture. Preserving valuable collections for education and enjoyment is a primary role of museums. While fulfilling this role, the architecture of the museum is also an important factor. Historical buildings are converted into museums and architects must consider the use of the space and the museum’s purpose during their initial design. Other museums are built with a clear purpose in mind. As museums are designed, many characteristics are determined. Display and storage spaces as well as visitor services impacts museum’s functionality. Based on the function of a museum, architectural requirements are different.
The paper tries to identify the techniques applied in postmodern architecture in the similarities to traditionalism that leads to the revision of old knowledge and revival of traditional forms through tangible or intangible activities. The
The Parthenon and the Selimye Mosque have been described as perfect examples of architecture within their respective empires. Both of these structures, while outwardly serving religious roles within their empires also delivered potent political messages. At a surface glance, these two structures actually share many similarities despite the vast differences in size and physical structure. The Parthenon dominates the city of Athens from on top of the Acropolis, its stark white columns draw attention to its perch above the city. Likewise, the Selimye Mosque sits on a raised platform with its imposing minarets emphasizing the size and grandiosity of the structure’s dome.
In order to create innovative public architecture, considered to be the most civic, costly, time intensive and physical of the arts, the project holds a degree of risk, strife, and negotiation . Overcoming these tasks and creating worthy public architecture is a challenge designers try to accomplish, but are rarely successful. The people involved in a potential public building, can be larger than the building itself. Public architecture tries to please all, even the doubters and critics, but because of the all these factors, a building is closer to failing than succeeding.
There were also considerations taken for the wind, climate and culture of the people in India. This is an example of regionalism in design. The structure of the design was centred around the iterations of the roof. Corbusier wanted the plan to be open more than anything else, and the structure was reiterated many times to achieve this.
The purpose of the new designs were to create functionality, use a limited amount of materials, and to reject history’s use of ornaments (Lumen). Although the real desire for modern architecture came after World War I, advancements were paving
Vernacular architecture is a nineteenth-century invention but it still occupies a marginal position even in a time of rapid technological development and globalization. Today, as culture and tradition are becoming less place-rooted and more information-based in the twenty-first century, main problem about the meaning and function of vernacular traditions therefore arise. Will vernacular traditions be affected by the cultural, ecological and technological changes? What part they will play in them? Will they be able to adapt or response in order to come to terms with the new cultural and ecological circumstances, or will they be forced to disappear? Can certain changes more easily be incorporated than others, and will there be cultural or regional
The following essay is going to talk about history of Fatima Mansion and the regeneration process in the area, which has been involved in specific state supported regeneration plans since the 1980’s. It will also examine how the regeneration process was implemented. The essay will analyse the Fatima mansions regeneration through examining physical and social investments.
Architectural style is regularly a paramount key to seeing how a group or neighborhood has developed. Throughout the nineteenth century, when large portions of the United States' living arrangements were constructed, most architectural styles being used were initially created in the prosperous trade urban communities in the United States or Europe (Adam, 2008, pg 75). As styles took hold in new parts of the United States experiencing monetary development, nearby architects and expert manufacturers started fusing trademark characteristics into the outline
The book as a description of modern architecture, its styles and influence succeeds but falls short as a prescriptive methodology. His work is still recalled for the need by modernists to categorize everything into neat little boxes, not necessarily for the sake of uniformity, but for sake of some ambiguity. The ambiguity may be the triumph of this book as post modern architecture era is supposed to create more questions than the answers.
A city has to be beautiful, though the definition of “beauty” is so vague. The beauty can be physical, such as enjoyable parks, streetscapes, architectural facades, the sky fragment through freeways and trees; or it can be the beauty of livelihood, people, and history. As landscape architects, we are creating beautiful things or turning the unpleasant memorial.