Hiroshi Sugimoto is a Japanese photographer born in Tokyo in 1948. Upon graduating from Saint Paul’s University in Tokyo with a degree in Sociology and Politics and moved to Los Angeles in 1970 and attended the Art Centre College of Design. He moved to New York in 1974 after receiving his Bachelors degree and now lives in Tokyo and in New York. He divides his work into photographic series, each representing a certain theme. He is most famous for his seascapes, movie theaters, natural history dioramas and portraits, and waxworks series. He explores the idea of photography and time, and uses photography as a way to record science and history alongside the idea of indescribable human nature. His aim when creating portraits is to make them as lifelike as possible so the viewer reconsiders what it is to be alive.
Julian Opie is a contemporary English artist born in London in 1958. He graduated from Goldsmiths College in 1982 and now lives and works in London. His work consists on using computer software to reduce complex photographs or short films and turn them into figurative and basic cartoon art. He is known for his Imagine You Are series (where he demonstrates how daily activities can be represented by simple reductions) and for his depiction of cartoon-esque pole dancers, and for his minimalistic portraits, which sometimes turn into series where he draws the same person repeatedly adding new details (sunglasses, necklaces…). He finds it easier to draw women than men and when making portraits he goes by trial and error.
Hiroshi Sugimoto’s portrait representations of Henry VII and his wives are photographs of wax figures and are part of his series “Portraits”. Although he wasn’t photographing real models, he managed...
... middle of paper ...
...i Sugimoto: Portraits." Medium Aevum. N.p., n.d. Web. 12 Dec. 2013. .
"Hiroshi Sugimoto: Portraits." Fraenkel Gallery. N.p., n.d. Web. 9 Dec. 2013. .
"Julian Opie." Lisson Gallery. N.p., n.d. Web. 9 Dec. 2013. .
"Julian Opie." MetroArtWork. N.p., n.d. Web. 9 Dec. 2013. .
"Lewis Hine." International Center of Photography. N.p., n.d. Web. 12 Dec. 2013. .
"Paintings." Keith Haring. N.p., n.d. Web. 11 Dec. 2013. .
"Steven, schoolboy 1. 2002." Julian Opie. N.p., n.d. Web. 12 Dec. 2013. .
It is hard to piece together the beliefs that a Realist person has versus the beliefs of a Transcendentalist has. The book contains both philosophies about them but the book itself portrays more of a Transcendentalist feel to it. The author portrays himself as a Realist, he may be known to write about nature, outdoors, but he has a different outlook. In the book, Into the Wild written by Jon Krakauer talks about a young man named Chris McCandless who decides to walk alone into the wilderness in Alaska to invent a new life for himself. He then struggles to make it out on his own and his body is found inside a bus. While both philosophies of Realism and Transcendental exist in Into the Wild, Realism is the real focus for Jon Krakauer.
Although Winterhalter never received high praise from serious critics, his portraits were prized for their subtle intimacy. His popularity among royal and aristocratic patrons came from his ability to create the image his sitters wanted to project. According to Ormond, “He breathed life into the tired and debased conventions of Royal imagery”(51).
Since 1790, the United States started to granted limited naturalization to immigrants of free white persons through the Naturalization Act of 1790 and established racial qualification to national citizenships. Immigrants regardless of who they were need to prove that they were of white race. This lead to the moment when defining who was white was through either scientific method or common knowledge. Into the early 19th and late 20th century, there were numerous of terms to include whiteness and non-racial qualification for immigration to the United States. As immigrants try to show how they were white, there were court cases, Takao Ozawa v. United States, 260 U.S. 178 (1922) and United States v. Bhagat Singh Thind, 261 U.S. 204 (1923), which
I observed a very unique series of photographs by Vik Muniz called Seeing is Believing. Vik Muniz’s images are not simply photography but are pictures of complicated pieces of art he has produced at earlier times. Utilizing an array of unorthodox materials including granulated sugar, chocolate syrup, sewing thread, cotton, wire, and soil Muniz first creates an image, sculpturally manipulates it and then photographs it. Muniz’s pictures include portraits, landscapes, x-rays, and historical images.
Likeness of No One: (Re) presenting the First Emperor’s Army. The Art Bulletin. Volume 77 (pp.115-132)
Benjamin, Walter, and J. A. Underwood. The Work of Art in the Age of Mechanical Reproduction. London: Penguin, 2008. Print.
the Baroque Equestrian Portrait." The Burlington Magazine 123.942 (1981): 528-37. JSTOR. Web. 09 Oct. 2011. http://www.jstor.org/stable/880474.
Through the exploration of this diverse range portraiture, the contrasting ideals of masculine and feminine beauty in the Renaissance have been explored. Yet overall, no matter what the gender orientation of the subject, it the discovery of such passionate and artistic talent presented which is essentially ‘beautiful’. Consequently, the grand appeal of such glorious images is still appreciated today, and will continue to delight viewers for generations to come.
Even thought during 15th century, Northern Europe experienced numerous alterations in representation of pictorial space, this paper will only address two of the major changes. They include “MAN IN A RED TURBAN” which was developed by Jan van Eyck in 1433 and “DIPTYCH OF MAARTEN CAN NIEUWENHOVE” developed by Hans Memling in 1487. In these two arts, the sculptors used colored pigments, drying oils such as walnut, linseed, and poopy-seed oil. The tools included wood panel, canvas, wall, brushes, and spatulas (Pearson, 2005; Fuga, 2006).
‘The representation of the human form likewise served to stress essential data about the subject. The shoulders are nearly in frontal view to show the width of the body and not obscure the far arm, while the chest was represented in profile to show its contour…....
The human form transcends throughout time persistently present in art. Dating all the way back to Paleolithic human beings our renderings of idealized forms have served many purposes. Though the Neolithic and Paleolithic purpose of these renderings is widely speculative the range of reason for these depictions ranges from idolization and worship to assertion of aristocratic and economic status even to simply serving as statements of self-expression. Amongst ruins and artifacts, sculptures of ancient cultures demonstrate the ways in which humans perceptions of what is aesthetically desirable have progressed. Two idealized sculptures the Woman from Willendorf and the Khafre statue with approximately 21,500 years separating their individual gestations this demonstrate the stylistic progression of idealized imagery through time.
In pursuit of the education and experience that will lead us to our chosen profession, it is important, if not vital, that we carefully choose a path that will take us where we want to go. As we journey down this path, we will most likely encounter obstacles or opportunities that will take us in different directions, possibly leaving us at the end of the trail in a place quite different from that which we set out for. Like us, both Edward Zigler and Howard Gardner set out on career paths that ended in much different places than those they anticipated, both for very different reasons.
On August 23, 1927, Nicola Sacco and Barolomeo Vanzetti were executed in one of the most controversial legal cases in American history. Two men were shot and robbed in Braintree, MA, and two poor Italian immigrants were arrested for the crime. Although neither Sacco nor Vanzetti had criminal records, they both had pistols on them at the time, and followed a violent anarchist leader. Following their arrest, the seven-year case on the crime would drive national and international protests demanding their exoneration. There were numerous elements in the trial that influenced the guilty verdicts for the men including, but not limited to, weak evidence. The Sacco Vanzetti trial displays the social injustices and prejudice in American society during the time. It is evident that even though they are innocent, the court used Sacco and Vanzetti as scapegoats in this crime because of their beliefs and background.
"Sarcophagus of the Spouses - Smarthistory." Smarthistory: a multimedia web-book about art and art history. N.p., n.d. Web. 16 Feb. 2014.
who are the controversy’s main characters? The three individuals who have played the most important roles in the controversy and whose names are repeatedly referred to in discussions of it are James Neel, Napoleon Chagnon, and Patrick Tierney. The late James Neel has been called by many the father of modern human genetics. He served on the University of Michigan’s faculty for more than forty years, becoming one of its most distinguished members. He was elected to the National Academy of Sciences as well as to the American Academy of Arts and Sciences and was awarded the National Medal of Science and the Smithsonian Institution Medal. Neel is perceived as the first scientist to recognize the genetic basis for sickle cell anemia. He conducted research on the aftereffects of atomic radiation with survivors of the Hiroshima and Nagasaki bombings of World War II in Japan. He also suggested not only