Hip hop music has gone through many changes since the 1980’s and continues to change today with new artists, styles, and sounds. Over the past forty years hip hop music has been a way for fans to relate to artist through their songs because many hip hop artist lived and experience the same things that their fans did. Hip hop has changed over the years because of changes and improvement of the average American. Hip hop music reflects on the current situation in American life and over the past forty years hip hop changes with the current times and views of hip hop fans in America. The improvement of more Americans since the 1980’s has help grow the access to hip hop music as well as the popularity of hip hop music and artists. In the 1980’s …show more content…
Many artist and groups in hip hop groups like N.W.A and Ice-T had ties to gang activities and spoke violence in their songs. Many hip hop groups during this time played songs that were considered to be “gangsta rap” songs. Gangsta rap was not only about the music but it was about the lifestyle and “thug’ attitude. “Between 1984 and 1994 the homicide rate for black males aged 18 to 24 doubled compared to years prior” (Robinson). Violence and police brutality towards blacks was big in hip hop during the 1980’s and 1990’s, like it is today. Many black hip hop artist and fans felt that they were being targeted and treated differently by police compared to whites in American because of their skin color and what neighborhood they lived in. In 1988 N.W.A song Fuck The Police came out and the song title speaks for itself in how N.W.A felt towards the police, “I’m brown and not the other color so police think they have the authority to kill a minority”. This song spoke to minorities in America who felt this way towards …show more content…
Hip hop music can been listened to anywhere and can be listen to by anyone who has the internet and is able to. Popular hip hop artist today like Kendrick Lamar, ASAP Rocky, Jay Z and Kanye West are able to have their music played and their styles, beliefs, and attitudes be heard and seen where ever a fan chooses to do so. Fans can follow hip hop artist daily through social media sites like Facebook and twitter and hip hop artists are able to gain popularity faster than ever before. Hip hop today still acts as a format for artist to show support towards problems in American society. For example hip hop artists like Kanye West and Kid Cudi have shown support for blacks in America, with campaigns and slogans like, Black Lives Matter and I Can’t Breath that are protest against police killing innocent black
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
Hip-hop music is a popular type of music admired highly across the globe for its famous style, art and mode of expression. This highly admired music genre can include love, broken families, racism, hard times, sexism and adversity as its main theme. It has the power of evoking a different kind of mirth and sentiment in you. When it is sung at its full peach with a DJ, the listeners become ecstatic. If you are music lover or fond of pop song, you are sure to reach a different kind of state- a state of forgetfulness that is far ahead of the common ebullience of life and rustic mirth.
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
Hip-Hop is produced on the role of coercion and power. The diversity of the culture supposes to create meaning not chaos. Social order is maintained by domination, and the power of the song lyrics. The black youth is more likely to be victimized by crime than any other group. Hip-Hop influence the music that we listen to that a new artist can directly affect how we dress, talk, dance and etc. For example, “prison inspired hip-hop styles like sagging black pants and oversized t-shirts” (Baxter & Marina 2008, 110). Sending a culture shock across the country, some may believe it could be a good thing and others may believe it could be a detriment to our youth and
The hip-hop community has been greatly influenced by the Black Arts Era. Both groups have addressed social, political issue as well as giving voice to the emotional discord of the black man. These groups push the boundaries using words meant to inflame the black man and shock the Caucasians.
This essay will explore authenticity in hip hop and if it matters in hip hop in the 21st century Definitions of authenticity in regards to hip hop.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Hip Hop’s according to James McBride article “Hip Hop Planet” is a singular and different form of music that brings with it a message that only those who pay close attention to it understand it. Many who dislike this form of music would state that it is one “without melody, sensibility, instruments, verse, or harmony and doesn’t even seem to be music” (McBride, pg. 1). Though Hip Hop has proven why it deserves to be called music. In going into depth on its values and origins one understands why it is so popular among young people and why it has kept on evolving among the years instead of dying. Many of Hip Hop values that make it unique and different from other forms of music would be that it makes “visible the inner culture of Americas greatest social problem, its legacy of slavery, has taken the dream deferred to a global scale” (McBride, pg. 8). Hip Hop also “is a music that defies definition, yet defines our collective societies in immeasurable ways” (McBride, pg. 2). The
Has Hip-Hop given us a warning of change or is it simply a part of musical evolution? In “Hip Hop Planet” by James Mcbride he argues that hip hop is destructive to our society. Hip hop provides a variety of beats, intense rhymes, and yet provocative language. The author has many negative views on the genre but sees some positive influence. With this said, his warning to our future generations can be challenged. Hip hop can have a negative impact on young adults but it also provides large amounts of support to people who struggle with similar complications.
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
For the past four decades, African-Americans have been highly visible in the realms of popular culture through the legacy of the hip hop nation. Hip hop culture has vast and complex formations across the country and the globe, but popular representations are most frequently tied to the “culture of poverty” and violence that many social scientists have claimed exists within poor, urban, African-American communities (Ensminger 1). The diseased language of discourse surrounding the “tangle of pathology” that pervades hyper-visible misrepresentations of particular black communities and black expressive cultures are frequently utilized to dehumanize and devalue the black lived experience. This has produced a narrow scope through which blackness is represented and understood, as well as a lingering effect in African-American self-perception that is both disempowering and limiting to self-expression. In 2003, James Spooner disrupted popular representation by examining the marginalized experience of African-Americans in the predominantly white punk scene, while also expanding the category for black cultural expression in his documentary Afro-Punk: The ‘Rock n Roll Nigger’ Experience. Today, Afro-Punk (AP) embodies an online cultural movement that represents what afropunk.com refers to as “the other black experience.” From the general AP website, to Instagram and Twitter accounts, to an active Facebook page with almost a hundred thousand likes, this small but growing community has moved beyond the confines of the punk music genre and become a cultural movement which celebrates “the creativity and freedom of spirit in alternative Black culture” by exhibiting music, art, film, fashion, and more (Afropunk, Facbeook.com). Guided by the punk pr...
Hip-hop is moving backwards in the sense that it is regaining its revolutionary and activist voice, as more independent artists are claiming control of the spotlight. Hip-hop is moving forward in the sense that it is no longer catering to one general sound, and corporate labels are losing their grip on the images that get displayed to the masses. Hip-hop is becoming more local. Hip-hop is becoming more about the experience, and less about what is hot and on the top 100 right now. Hip-hop is catering more to the individual’s unique taste, rather than mass-producing one sound and one message. Hip-hop, in the future, will be able to truly uphold its title as “the people’s genre” again. Hip-hop is being reborn, and being returned to a state that runs on artistic investment rather than commercial
Music is one of the most powerful and influential language which to many people in
Hip-hop music is portrayed by an entertainer rapping over a track that regularly comprises of loops or specimens of other music woven together (Selke INT). Hip-hop originally appeared in the Bronx around the 1970s and steadily turned into the predominant mainstream music structure by the 1990s, representing a multi-billion dollar industry today (Selke INT). Hip-hop music can additionally have some positive impacts. For example, its verbal imagination can motivate audience members to play with dialect, and acknowledge musicality and rhyme (Selke INT). Just like poetry, hip-hop can be a way of expressing oneself.