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Elements of a heros journey
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Heroes are goals for our own aspirations. Humanity is assembled around the necessity for role models and the transference down of information, this is how we learn. A hero is defined as someone with admirable traits or people who, in the face of danger or from a position of weakness, display courage or the will for self-sacrifice, whether it be moral in a literal or figurative approach. These notions of heroism are portrayed directly through the collection of relating texts, ‘The Epic of Gilgamesh,’ and ‘The Ballad of Mulan,’ and the film ‘Saving Private Ryan.’
A hero can be anyone. The modern day hero does not need physical strength or have super human powers, nor do they need to be of royal decent or obtain a high-flying place in the government. Bernard Malamud explains, “Without heroes, we are all plain people, and don't know how far we can go,” suggesting that heroes are simply role-models we use to learn from. The first introduction to the concept of the Heroes Journey was through Joseph Campbell. In his book ‘A Hero with a Thousand Faces,’ he brings to light the idea of studying the human impulse to create stories that draw on universal themes which is highlighted in his theory of the Heroes Journey. He explains, “A hero is someone who has given his or her life to something bigger than oneself,” which demonstrates the idea of portraying a hero as someone who gives without the need for repayment. Similarly the founder of analytical psychology, Carl Jung, talks about heroes in his essay ‘A Study in the Process of Individuation,’ through his concept of introversion and extraversion. According to him, archetypes are distinctive universal psychic temperaments, which form the substrate from which the basic themes of human life a...
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...n, the three Epic journeys, the ancient text, ‘The Epic of Gilgamesh,’ the influential poem, ‘The Ballad of Mulan,’ and the film, ‘Saving Private Ryan,’ directed by Steven Spielberg have complementarily proven that the statement ‘Humanity will always need a hero to respect and admire,’ is undoubtedly accurate. I have also used the information I have collected to provide sufficient evidence for my initial argument ‘Heroes are goals for our own aspirations. Humanity is assembled around the necessity for role models and the transference down of information, this is how we learn,’ through the breakdown of these three Epic Journeys, explaining that while heroes need to be admirable and respected characters, they can also be anyone, male, female, physically strong, or mentally strong, royal or not. Heroes are simply goals we set for ourselves to achieve the most we can.
In movies, novels, and life, people are named as heroes. The heroes we establish and the heroes we recognize, however, may not meet the criteria for a mythic hero. A mythic hero ventures forth on his journey, and comes forth from the hero’s path to greatness. Joseph Campbell, a mythologist who studied many of the great human myths and religious tales, realized, in studying these myths and tales, that there were certain steps that every hero went through. Campbell called this “The Hero’s Journey”; it is based on Carl Jung's idea that all human beings have an archetype.
Humanity has created this “universal story” of what a hero is, or at least the myth of it, time and again. Different tasks and encounters with a variety of villains all lead the hero to the prize, to a new life (Seger). This person deemed the hero is as ordinary as the next but what makes them different is the drastic test that they must face. Individuals admire this character because the hero stands for something, something bigger than themselves. Whether it be the compassionate act of Katniss Everdeen in The Hunger Games or the death of the oldest brother in Brother Bear, as an outsider, an individual sees the human side of these heroes and relates. Connor Lassiter from Unwind by Neal Shusterman is an ideal example of the myth due to the
" The hero within: Six archetypes we live by.
Hero is often a person who is admired or idealized for their outstanding courage and often bravery. In the story “Theseus” by Edith Hamilton, Theseus a young Athenian boy shows his heroic side by overcoming difficult tasks on his journey to save his people from the evil Minotaur. Theseus shows his bravery by entering the Labyrinth with only his hands and a ball of thread determined to kill the Minotaur and save his people. Theseus’ actions and heroic deeds shows that he's an epic hero with the fact that he tends to put others first before himself no matter the difficulty of the task.
What makes a man a hero? Where lies the line which when crossed changes a mortal man into a legend? Is it at the altar at Canterbury? in the Minotaur’s labyrinth? or is it an age or a time? Does a man become a hero when he transforms from a boy to an adult? or when he stops being a man and becomes a martyr? Where are the heroes of 1993? In whom do the children of this age believe? Like whom do they strive to be? Kennedy, Lennon, and even Superman are dead. World leaders are mockeries of real men, more like Pilates than Thomas Mores. Pop culture’s icons change daily. It is interesting that nearly 600 years ago someone was writing about heroism in a way that can be understood today. The poet of Sir Gawain and the Green Knight tells a tale in which a man is proven to be a hero through the seemingly un-heroic decisions made in the course of numerous tests. Sir Gawain is a hero for the 21st century. He is tried and trapped, he is inundated with opportunities to fail and yet he does not lose. More importantly though, in the end he learns an essential, inescapable fact about himself and human nature.
Hero is a word that is commonplace in our society. We seem to always be able to turn on the latest news story and find the newest local man who saved that beautiful kitten from that building that was burning down. When we say hero a vast array of different definitions come to people’s minds. Our definition of hero in our world is most definitely not a constant. In the Epic of Gilgamesh and the novel Monkey many would consider the main characters and their strongest companions nothing close to heroes but rather tyrants. I have to say that these people have defined hero too narrowly, and I must prove them of their folly. Monkey and Gilgamesh, despite the many sins they commit, highlight what it truly means to be a hero, reminding us to always aspire to greatness.
Tim O’Brien’s speech “Heroes” is a tribute to a distant friend that O’Brien perceives as his hero. The face of a hero is thought to be a strong, perhaps athletic, perhaps Almighty image in the public, yet O’Brien believes otherwise. He is not only praising and thanking Elroy Birdall, O’Brien is redefining the meaning of the word “hero” with the help of analogy, characterization, as well as imagery and juxtaposition.
Baltasar Gracian advised us all “Aspire rather to be a hero than merely appear one.” Being a hero is not defined by the number of people saved or by how extravagantly it is done, but rather by the nature of one’s heart. One character could save an entire town from a horrendous monster and another could simply save a friend from being shamed by his family, but both of these people would fall under the same category: a hero. Both Beowulf from Beowulf and Hassan from “The Kite Runner” exemplify what a hero truly is through their acts of courage, loyalty and selflessness.
Heroes are found everywhere in the world. They are seen in movies, on television, in books, and in reality. A hero can be anyone, from a friend to a fictional character. To be considered a hero, one must make selfless sacrifices, develop and learn, overcome challenges and temptations, and ultimately present their known world with a gift of any kind. Homer’s
A hero is a person who is admired for their courage, outstanding achievements or their noble qualities. An aspiring hero often has to go on a quest or journey to complete their destiny or goal. This journey can be found throughout countless pieces of literature. The study of hero myth narratives began in 1871 with anthropologist Edward Taylor, made observations of common patterns in plots of hero's journeys which talked about in his novel Introduction: In Quest of the Hero. Eventually hero myth pattern studies became well known and popularized by Joesph Campbell, who was influenced by Carl Jung's and his view of myth. In his 1949 novel, The Hero with a Thousand Faces, Campbell described this basic narrative pattern. He broke it into three main
The word "hero" is so often used to describe people who overcome great difficulties and rise to the challenge that is set before them without even considering the overwhelming odds they are up against. In our culture, heroes are glorified in literature and in the media in various shapes and forms. However, I believe that many of the greatest heroes in our society never receive the credit that they deserve, much less fame or publicity. I believe that a hero is simply someone who stands up for what he/she believes in. A person does not have to rush into a burning building and save someone's life to be a hero. Someone who is a true friend can be a hero. A hero is someone who makes a difference in the lives of others simply by his/her presence. In Tim O'Brien's novel, The Things They Carried, the true heroes stand out in my mind as those who were true friends and fought for what they believed in. These men and women faced the atrocities of war on a daily basis, as explained by critic David R. Jarraway's essay, "'Excremental Assault' in Tim O'Brien: Trauma and Recovery in Vietnam War Literature" and by Vietnam Veteran Jim Carter. Yet these characters became heroes not by going to drastic measures to do something that would draw attention to themselves, but by being true to their own beliefs and by making a difference to the people around them.
The concept of heroism is present in many literary works and encompasses various other aspects such as morality, selflessness, unity, peace, among others. Heroes present an image of individuals who sacrifice their own well-being for the greater good. In an attempt to describe a hero, Joseph Campbell asserts that a hero is someone who gives up his or her own life for something that is bigger than one is. However, he introduces the concept of two worlds, the ordinary, and the magical or supernatural worlds. A hero goes to the supernatural world and fights enemies who would otherwise endanger the lives of the community in the ordinary world. Various literary works have brought out clear images of heroes based on Campbell's description.
Who is your hero? Many of us can clearly picture our idea of our personal hero in our head, but is the person you consider to be a hero really a hero by definition? In Heroism: Why Heroes are Important, Scott LaBarge, a Classics and Philosophy Professor at Santa Clara University, awakens your thoughts on the word heroism and how it has changed since its origins in ancient Greece. Throughout his essay, he goes in depth into the term ‘hero’ and compares it to society’s take on heroes today. Although LaBarge uses examples to back up his stance that “Today, it is much harder to detach the concept of heroism from morality (LaBarge. 1),” his essay contains flaws and he contradicts his own words.
The definition of a hero is dependent on that society's beliefs, laws and taboos. There are heroes for all ages and for both men and women. Heroes have had changing roles since man wrote his story, and all have been the embodiment of each society, each civilization's ideals. Basketball superstar, Michael Jordan, largely affects the children of today that are enthralled with visions of hoop dreams. He inspires the young depraved ghetto child to rise up against his unfortunate circumstances. Possessing many noteworthy qualities, all heroes possess faults because they are human and all humans possess failings. Because heroes begin to fold and make mistakes as they are suddenly thrust into the awe inspired limelight, and because their pedestals are broken and discarded as the public craves to see the dirt underneath the hero. Heroes are a product of a society's perception of someone to be praised.
Are heroes important? This is the question that Scott LaBarge, a philosophy professor at Santa Clara University, tackles in his article “Heroism: Why Heroes are Important.” He encourages teachers, parents, and students to realize that heroes are tremendously significant in society by using references to factual and historical details, personal association, and various examples of different types of heroes. LaBarge effectively uses the rhetorical appeals of ethos, logos, and kairos to convince his audience that heroes are important.