Henrik Ibsen’s A Doll’s House is often proclaimed as one of his more “realistic” plays that that is famous for its controversial themes and outrageously new outlook on life in this time period and examines the social facade, pretence and hypocrisy within society through Torvald’s and Nora’s marriage. However, considering the portrayal of Nora and the exposure of society’s deepest, darkest secrets that provoked an extreme response from the performance’s original audience, perhaps Ibsen’s realist play should be considered as “antirealism” due to the unthinkable direction Ibsen took the play in within it’s final scenes. The ending to the play is often classified as anti-realist due to how very unrealistic that scenario would be for that time era, causing an uproar from critics and society. Ibsen uses A Doll’s House as a way to uncover and reveal to the audiences the corruption and dynamiter of all social and economic deceit and dishonesty, that happened throughout society and within families behind closed doors.
In Ibsen’s play, A Doll 's House, the title itself is a symbol of the dependent and the dehumanized role of the wife within ...
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When Nora closed behind her in the final moments of the play she closes the door on her marriage, her children and the life that she once lived in the "doll 's house." Her choice to leave was correct and opened up so many possibilities for not only her but many other women. While Ibsen 's play is realistic through the realistic use of language and setting, A Doll’s House is also an antirealist play due to situations within that are unrealistic. Ibsen succeeded, as he wanted to reveal the truth, he wanted to remove the blindfolds from in front of the audiences eyes and show them the ugly unspeakable side to reality. A Doll’s House is a powerful play. The symbolise in it is poignant and reflects the meaning of the play beautifully, that women can be independent and that no matter who it is, it is important to remain true to yourself
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