Head Trauma in Memento, a film by Christopher Nolan

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“I have this condition,” repeats Leonard Shelby, the leading character of Memento, a film by Christopher Nolan. In the psychological thriller, Leonard has a condition that does not allow him to make new memories. The condition was caused by head trauma; the result of trying to protect his wife from being killed by the thieves who broke into his house and raped his wife. He is doomed to a live a life by following mementos--- his pictures, notes, and tattoos. Leonard’s single life mission is to find and kill his wife’s murderer. However, his condition allows him to seek vengeance over and over again. As a result, there is not only a barrier between Leonard and reality, but also a barrier between Leonard and the understanding of himself. Rooted in this confusing film is an important philosophical study of identity. How does the ability to make memories contribute to the idea of one’s identity? Can Leonard have an identity if he has lost this ability? These questions can be explored through the perspectives of John Locke, David Hume, and Immanuel Kant. Their philosophical theories of identity and the self involve a close study of the conscious mind. However, when studying only this level of self, it is difficult to argue that Leonard has an identity. Leonard’s identity can best be supported when one also considers Sigmund Freud’s theory of a multilayered self, which allows one to look deeper, beyond the conscious level to what seethes underneath.
Before Freud, there was a lack of philosophical consideration for the unconscious---the foundational driver of one’s desires. However, to best look at Leonard’s identity in this Freudian light, one should trace the historical progression of the study of the multilayered s...

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...re the Leonard kills Teddy, for killing his wife or for possessing inconvenient truths, Teddy says, “so you lie to yourself to be happy. There's nothing wrong with that. We all do it.” Teddy is right---we all do it. While Leonard’s condition serves as an extra barrier to reality, it only enforces what is already in our human nature. According to Freud, it is human nature to protect ourselves from painful memories and feelings. Leonard’s condition and his manipulation of reality leaves him in an endless cycle of denial. He will never come to terms with what lurks in his unconscious, the pain that drives his new identity as a killer.

Works Cited

Chaffee, John. The Philosophers Way: Thinking Critically about Profound Ideas. Upper Saddle River: Pearson, 2012.
Memento. Directed by Christopher. 2000. Santa Monica: Summit Entertainment, 2001. DVD.

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