Deadly and helpful, science is a dual-edged sword. Nathaniel Hawthorne is one of the first to emphasize this through his literary works. “Rappaccini's Daughter” and “The Birthmark” are two of his works where he teaches this lesson through the trials of his characters. Focusing on the motif of the “mad scientist”, Hawthorne brings to light the points that people struggle with humanity, learning to love themselves and others, and that science can be more harmful then helpful. Humanity is defined as the quality of being humane. This is something that people struggle with on a day to day basis. Hawthorne shows these struggles through his characters. Giovanni, the main character in “Rappaccini's Daughter”, shows this through being shallow in his love for Beatrice. Throughout their relationship, Giovanni faces the reality that there is something wrong with Beatrice. He begins to have suspicions that she is poisonous like the flowers in the garden, and this begins to taint the love he has for her: “At such times, he was startled at the horrible suspicions that rose, monster-like, out of the caverns of his heart, and stared him in the face; his love grew thin and faint as the morning-mist; his doubts alone had substance” (1346). Ultimately, Giovanni is left to grieve the death of Beatrice because he did not trust Beatrice, and allows doubt to overcome him. Other literary critics have found this to be truth as well, such as the literary critique on “Rappaccini's Daughter”. Katherine Snipes, the author of Masterplots II: Short Story Series, Revised Edition, writes, “Giovanni falls from grace not entirely through the machinations of a satanic scientist. ...He falls not because of Beatrice's evil nature, but because of his own shallow capac... ... middle of paper ... ...reader who takes the time to pick up these works and peruse them shall find a gem worth more then any physical item waiting for them. Works Cited Eckstein, Barbara. “Hawthorne's “The Birthmark”: Science and Romance as Belief.” Studies in Short Fiction 26.4 (1989): 511-519. Literary Reference Center. Web. 20 November 2011. Hawthorne, Nathaniel. “Rappaccini's Daughter.” The Norton Anthology: American Literature 7th ed. Vol. B. Ed. Nina Baym. New York: Norton, 2007. 1332-1352. Print. Hawthorne, Nathaniel. “The Birthmark.” Ed. Nina Baym. 1320-1332. Print. Snipes, Katherine. “Rappaccini's Daughter.” Masterplots II: Short Story Series, Revised Edition 2004: 1-3. Literary Reference Center. Web. 20 November 2011. Snipes, Katherine. “The Birthmark.” Masterplots II: Short Story Series, Revised Edition 2004: 1-2. Literary Reference Center. Web. 20 November 2011.
In the short story, “The Birthmark” Nathaniel Hawthorne uses the characters, foreshadowing, symbolism, and other rhetorical devices to alert people of the consequences of man having the power to control and alter nature. Additionally, through his skillful usage of diction, Hawthorne warns of the effects of seeking perfection through science. In “The Birthmark”, Aylmer, a man devoted entirely to science, marries Georgiana, a beautiful young woman with a single imperfection. Georgiana’s imperfection bears the resemblance of a tiny crimson hand and is visible on her left cheek. The birthmark becomes the object of Aylmer’s obsession and he resolves to use his scientific prowess to correct “what Nature left imperfect in her fairest work.” He succeeds in removing the birthmark; however, he unfortunately causes his wife’s death in the process. Through “The Birthmark”, Hawthorne suggests that nothing paradisiacal can exist on this earth, and that being imperfect is just part of being human.
Hawthorne's "The Birth-Mark" deals with the discrepancy between the strength of nature and the strength of science. Hawthorne's protagonist, Alymer, represents the world of science, whereas the strength of nature is represented by the birth-mark on Alymer's wife Georgiana's face. Alymer becomes obsessed with her birth-mark and, using his scientific knowledge, attempts to remove it. In this essay, I will show that Alymer's obsession results from his scientifically influenced way of thinking in categories, and also from his arrogant perfectionism, two character traits which are shown in this excerpt from the text. These character traits interfere with his moral conscientiousness and eventually caquse his downfall at the end of the story.
In Nathaniel Hawthorne’s short story “The Birth-Mark,” Aylmer, a married scientist, believes himself to be above nature. Acting on these beliefs, he prepares
The words “beautiful” and “perfect” are both vague yet relative concepts as they are defined from person to person. In Hawthorne’s “The Birth Mark,” imperfections perceived by one are also seen as defining in beauty by another. Perfection, as sought by Aylmer, became an obsession which in the end required Georgiana to undergo a process of transmutation to become perfect and therefore a more desirable human being in Aylmer’s eyes. The concept of “bodily perfection” remains the same today as it was in Hawthorne’s time: beauty is in the eye of the beholder, but it is who the beholder is that is of greatest importance when determining the value of the opinion being shared. For Georgiana, Aylmer’s happiness, or lack thereof, defined the way in
In Nathanial Hawthorne’s “The Birth-Mark,” Aylmer, a crazed, “mad-scientist,” seeks to remove the scarlet handprint birthmark from his wife, Georgiana’s cheek. From the opening of the work, the third person narrator describes Aylmer’s obsession with science and the adverse effects it has had on his social life. Aylmer is tied up in this battle within himself and with his assigned association between the natural and the spiritual world. He wishes to have as much control over these colliding worlds as possible, granting himself god-like power and control in the process. In the art of manipulating nature through science, Aylmer believes he is able to alter the spiritual aspects of the natural as well. Aylmer’s focus on spirituality is Hawthorne’s way of commenting on mankind’s fixation on sin and redemption.
Nathaniel Hawthorne was an extraordinary writer, who used real life experiences in every one of his stories. However, growing up in a Puritan society during a reformation gave Hawthorne a distorted view on God’s character. Hawthorne was intelligent, but by no means a people person, which created a pathway for him to become an author. There were a few key points in his life growing in a religion zealous society that lead him to abandon his faith. Hence, the short story of “Young Goodman Brown” representing that humans are cynical and evil, and the dangers of losing your faith in God.
Nathaniel Hawthorns short stories, such as, Dr. Heidegger’s Experiment, Rappaccini’s Daughter and The Birthmark all have an underlying meaning and demonstrate a similar recurring theme. Hawthorne uses his stories to clarify his beliefs on the competition between nature, religion, and science in everyday life. In all three of his short stories he refuses the concept of science coming before religion or nature. Hawthorne clearly thought if nature or religion was tampered with using science it could only end badly, but more specifically with death. In each of his stories there is a scientific experiment that defies both nature and religion ending harmfully. Nathaniel Hawthorne’s beliefs conclude that God and nature to ultimately be more powerful then science.
Nathaniel Hawthorne's knowledge of Puritanism and his close relationship with the religion has impacted his views on those in the society. Hawthorne is critical of the Puritans and he thinks that they are hypocrites for having rules and morals that they do not follow. He sees the underlying sin that others may not. Through his many writings he makes known to his readers that everyone is guilty of sin. The Puritan's main goal was to save themselves from the sin in the world, but Nathaniel Hawthorne portrays their morals and society as troublesome through his works, "Young Goodman Brown," "The Minister's Black Veil," and The Scarlet Letter.
Just as Georgiana died when the hand that nature gave her was severed from her being, so too will we suffer if we sever ourselves too far from nature. At this moment in history, with climate change, pollution and population on an exponential rise, Hawthorne’s story is as relevant as ever. It reminds us that while science can serve us as a tool, it can neither bring us perfection nor sever us from the nature to which we belong and of which we are a part.
It would be no surprise if the uprising of positivism in Hawthorne’s time influenced him to write this story. The reader must keep in mind that Hawthorne wrote this story in a time where many perhaps frowned upon scientific research. If he would have written the story in this current time period, it might have been written differently. “The Birthmark” attacks science in a way by presenting it as an unstoppable force determined to find a solution and perfection to everything. Science cannot completely perfect nature but it can try to improve it.
Nathaniel Hawthorne’s “The Birthmark”, is the story of a crazed scientist whose strive for perfection not only leads to the death of his beautiful wife, but the attempt of man to have power over nature. It follows the story of Aylmer and his obsession with removing the birthmark off his beautiful wife, Georgiana. “His unnatural fixation to his wife’s birthmark even consumes him in his sleep as he dreams of cutting it off much like scraping an apple off its skin.” (Snodgrass 29). This narrative explores the themes of perfection, and the conflict between science and the natural world.
"The Minister's Black Veil" by Nathaniel Hawthorne is a short story that was first published in the 1836 edition of the Token and Atlantic Souvenir and reappeared over time in Twice-Told Tales, a collection of short stories by Nathaniel Hawthorne. The short story narrates the events following Reverend Mr. Hooper's decision to begin wearing a black veil that obscures his full face, except for his mouth and chin. Mr. Hooper simply arrives one day at the meeting house wearing the semi-transparent black veil and refuses from then on to take it of, leading to the loss of his fiancée and isolation form the world. He is even buried in the black veil. Yet, what is important to note are Mr. Hooper's last words to those surrounding his deathbed. He tells them namely in anger that all of them wear black veils: “I look around me, and, lo! on every visage a Black Veil!”. This declaration underlines the meanings of the veil in the story as symbolic of sin, darkness, and the duality within human nature. Thus, "The Minister's Black Veil" by Nathaniel Hawthorne is a literary work of art that demonstrates the author's use of allegory to highlight the psychological angle of the story and characters.
Efficacy lies at the heart of human desires for immortality. Characters throughout literature and art are depicted as wanting to step aside and see what their world would be like without their individual contributions. The literary classic A Christmas Carol and the more recent, but ageless, film It’s Wonderful Life both use outside influences (three ghosts and Clarence the Angel, respectively) to demonstrate Scrooge’s and George Bailey’s significance to the lives of others. Differently, however, is the desire of Mr. Wakefield, himself, to actually step outside and beyond the boundaries of his existence to see his own significance in Nathaniel Hawthorne’s short story Wakefield. Furthermore, the characters of the two aforementioned works are enlightened through the importance of their actions and their lives. Wakefield is altered through his experience, but has no such consciousness of his transformation.
Nathaniel Hawthorne’s short story is a work of Romanticism. Giovanni exhibits the lure of the exotic especially in the descriptions and behaviors of the flowers. Also a theme of the story is solitary life rather than life in society. The descriptions of the flowers show an appreciation of nature. Gothic elements are present in the story; Beatrice is a mysterious character, but she provokes passionate feelings in Giovanni which is a Romantic trait. Beatrice and the flowers luring Giovanni is the same as the new girl sparking interest in the two boys, showing that Romanticism is a part of human nature.
Frankenstein is a young scientist who is blinded by the fame and dangers of the knowledge of creation. "So much has been done," exclaims Frankenstein after he hears a lecture on famous scientists. "More, far more, will I achieve: treading in the steps already marked, I will pioneer a new way, explore unk...