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Sugar Plantation history in Hawai`i
Sugar Plantation history in Hawai`i
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Across the world, in every nation, are people who are considered to be cultural treasures. They cherish the land, the people, and tradition; but are humble and modest people. In Hawai‘i there are a handful of people that can even be considered of this prestige. James is one of these people. Due to his involvement with Hawaiian culture and history, and through his museum and his books, James is to be considered one of these cultural treasures. From the date of his birth, James has lived on the island of O‘ahu. He’s seen Hawai‘i through the times of the sugar plantations to the bombing of Pearl Harbor. By explaining his life from his birth to the present, it can be proven even though he is one of the many people of his generation he is a cultural treasure.
James’ background is one of the many things that set him apart from other cultural treasures. He has had such a huge part in the history of Hawai‘i, particularly the parts considered negligible by most people. James was one of the thousands of people that worked in the Waialua Sugar plantations. According to an online article, “The mill was producing eight percent of sugar in Hawaii…However, the plantation was unable to increase the tons of sugar per acre yields The Waialua Sugar Mill finally closed in October, 1996 due to profit concerns and was the last sugar plantation on the island of Oahu to close.” (Waialua) James had spent years loyally working at the plantation until a few years before it shut down.
Even in the short time he had worked there, it had left a huge mark on his life. James stated, “well, I was good at mathematics, when I was 13 years old the school recognized that when I was in the seventh grade. So the plantation offered me a job in the engineering department...
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...oking at the past. For someone who has spent their whole life looking forward toward the future, he never forgets look back and realize the importance of the past and sees how it can change the future.
Works Cited
Cook, Chris. "News." News. N.p., 4 Apr. 2013. Web. 28 Jan. 2014.
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"Cultural Treasure: James Gim Yei Ho." Telephone interview. 30 Jan. 2014.
Gee, Pat. "Chinatown Museum Is Moving." Honolulu Star-Bulletin Hawaii News. Honolulu Star-Bulletin, 7 Oct. 2001. Web. 31 Jan. 2014.
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Mohr, James C. Plague and Fire: The Burning of Honolulu's Chinatown. New York:
Oxford UP, 2005. Print.
"Waialua Sugar Mill." Wikipedia. Wikimedia Foundation, 12 Nov. 2013. Web. 28 Jan.
2014. .
James Earl Jones’s early life was difficult, and he was a part of the Great Migration. He was born in Arkabutla, Mississippi in 1931. Jones was raised by his maternal grandparents, for his father had left his mother when Jones was very young. She too left him at a young age, but visited from time to time. “I rejoiced in her visits, yet her impending departure brought me to grief” (Jones 18). Jones’s grief was routed in a feeling of abandonment. His did not see his father for many years, and his mother’s visits were infrequent, but his grandparents were very loving, and he would respect them as his parents (Jones 21). His attachment to his grandparents profoundly affected his life when he was nearly abandoned again. At age 5, his grandparents decided to move north to Michigan, and on the way they stopped by Memphis, Tennessee where they attempted to leave Jones with his paternal grandmother. ...
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Sonia P. Juvik, James O. Juvik. Atlas of Hawaii. 3rd Edition. Hilo: University of Hawai'i Press, 1998.
Lois-Ann Yamanaka’s fictional novel Heads by Harry is a remarkably raw and exciting read that dives the reader into the lives of the working class people of Hilo during the 1970’s and 1980’s. Based on the life of Antoinette “Toni” Yagyuu, a Japanese-American girl who grew up in Hilo, Yamanaka’s novel does an exceptionally well job capturing the lives, personalities, and hardships many of these people faced during this time. She creates a ‘secondary world’ that is reflective of the Hilo in the 70’s and 80’s and brings it to life through the geography and experiences she depicts within the novel (Kneale, 2003). As the daughter of a local taxidermist and school teacher, Toni, the protagonist of the novel, finds herself trying to meet the expectations of her father and also finds herself in the shadow of her older extravagant brother Sheldon and her beautiful and smart younger sister Bunny. As the story progresses with its interesting and alluring plot with many references to Hilo’s landscape, readers are introduced to a Hilo that many visitors and new comers to the island may find shocking and unusual. Contrary to the Hawaii that is often depicted in movies and magazines as a paradise with white sandy beaches and friendly welcoming people, Yamanaka’s novel depicts local life with gruesome activities such as hunting for wild animals, partying, drinking, drug use and family quarrels. Yamanaka indeed delivers a compelling story with her novel Heads by Harry where regardless if you are a local or not, one can relate to the ups, downs and experiences of the characters.
Brown, DeSoto. "Beautiful, Romantic Hawaii: How the Fantasy Image Came to Be." The Journal of Decorative and Propaganda Arts. 20 (1994): 252-271.
Jovik, Sonia P. and James O. Jovik. (1997). “History.” Atlas of Hawaii. Honolulu: University of Hawaii Press, p.408.
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Kristiana Kahakauwila's, a local Hawaiian brought up in California, perspective view of Hawaii is not the one we visually outwardly recognize and perceive in a tourist brochure, but paints a vivid picture of a modern, cutting edge Hawai`i. The short story "This Is Paradise", the ironically titled debut story accumulation, by Kahakauwila, tell the story of a group narrative that enacts a bit like a Greek ensemble of voices: the local working class women of Waikiki, who proximately observe and verbally meddle and confront a careless, puerile youthful tourist, named Susan, who is attracted to the more foreboding side of the city's nightlife. In this designation story, Susan is quieted into innocent separated by her paradisiacal circumventions, lulled into poor, unsafe naïve culls. Kahakauwila closes her story on a dismal somber note, where the chorus, do to little too late of what would have been ideal, to the impairment of all. Stereotype, territorial, acceptance, and unity, delineates and depicts the circadian lives of Hawaiian native locals, and the relationships with the neglectful, candid tourists, all while investigating and exploring the pressure tension intrinsically in racial and class division, and the wide hole in recognition between the battle between the traditional Hawaiian societal culture and the cutting edge modern world infringing on its shores.
James Howard Meredith was raised with nine brothers and sisters on the farm so that they were away from all of the racism that was going on at the time. One day Meredith took a train back to Mississippi from Chicago, Illinois. When the two siblings arrived at a train station in Memphis, Tennessee, Meredith was forced by a white man to give up the seat in th...
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