Hamlet’s characterization have had an apparent fluctuation ever since he encountered his father’s ghost. His relationship with the male figures in his life seemed to be the most significant in the play. For example, Hamlet’s hateful relationship with Claudius over the years is the biggest theme in the play. As he aboard a revenge seeking journey to the truth of his father 's murder. Hamlet’s relationship with Claudius wasn 't the only significant male interaction Hamlet has conjured, but, Also his really close bond with Horatio, his best friend. Through Shakespeare 's use of characterization and metaphor, one can visualize Hamlet’s actions as homosexual. Hamlet 's relationship with Claudius is certainly troubled from the beginning as Hamlet and Claudius regard each other with such deep suspicion. However, hamlet 's obsession begins to increase, which shown through his rash and impulsive behavior: when he acts upon his thought, it is with surprising swiftness and little or no premeditation, as when he stabs Polonius through a curtain without even checking to see who he is (3.4.20-30). Reading through the contemporary lens, A reader can assume that Hamlet’s lack of patience and his will to act without thought, could symbolize hamlet’s rath of sexual frustration. Thomas fo...
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...me this argument; through Hamlet’s characterization and misogynistic relations. If one is truly to interpret Hamlet through a contemporary lens,they must be able to see his disgust for women, recognize his love for men and uncover his relationship with Horatio. They must determine his attitude, watch his actions, and listen to the words of Hamlet to fully comprehend who Hamlet is. For some, it is required that they leave their comfort zone to accept Hamlet for what he is, regardless. Hamlet is homosexual, and he does not believe he could handle existence any other way. As the idea conveniently strolls into his relationship with his father, the violence that Hamlet is called upon to effect in the father’s name is what spells the sacrifice of those feminine qualities of talkative inaction. Some critics even have regarded it as Hamlet’s most ingratiating characteristic.
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