The largest character difference is seen in Hamlet himself. In the original play, Hamlet comes off as being a sad man that whines about his situation. Shakespeare 's story perseverates on a sulking Hamlet. In contrast, Zeffirelli 's Hamlet is strong, regardless of his melancholy. He possesses a determination to ruin his uncle that differs from Shakespeare 's. In the written play, Hamlet 's procrastination of executing revenge shows signs of weakness because he is a hero whose actions are stunted by apprehension and self-pity. Meanwhile, Hamlet in Zeffirelli 's adaptation is more vigorous and resilient in his actions. The viewer gets a sense that Hamlet is not hesitating to act but rather that he is systematically trying to unravel his uncle.
Another difference in character interpretation is that of King Claudius and Queen Gertrude. In Zeffirelli 's view, the King and Queen cannot keep their passionate hands off...
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...no storyline to make his own version of the tragedy. The film 's perspective of Hamlet retaining inner strength even though he is confused about how to proceed makes the prince more of a hero in the viewer 's eyes. Also, a massive castle with the backdrop of a Scottish coastline, rolling hills, and a visible society help fabricate the allusion into reality. It is difficult to imagine these scenes when most of the written story 's action takes place inside of Elsinore Castle. The visual representation of Hamlet made it easier for Zeffirelli to enhance certain aspects of the story. Reading a play requires more effort to be absorbed into the world of the story. If the dramatic subtleties of the film were included in Shakespeare’s Hamlet, some of the emphasis of the characters might be lost on inessential details, resulting in an insignificant reaction from the reader.
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