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Cult definition essay
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Cult definition essay
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Cult films, what does it mean and what makes a film cult? Cult has been around for quite some time and the term has grown throughout the years in which it has been known. Although it has been out since the 90’s, many people are unsure of what cult is and how it is defined. In her article Cult Film or Cinephilia by Any Other Name, Elena Gorfinkel, a Professor in Cinema Studies, addresses and argues how the contemporary definition of cult is defined through the merge of cult and cinephilia. In addition to Gorfinkel’s article, Dan Bentley-Baker, a literature and film studies teacher at Florida International University, provides a more detailed list of characteristics found in cult cinema in his article What Is Cult Cinema? In this essay, I will be discussing how Gorfinkel utilizes the history and the present accessibility of cult and cinephilia in order to explain the merge of these two terms, Gorfinkel and Baker’s characteristics that are found in cult films, and how Wes Anderson and his movie The Royal Tenenbaums follow the characteristics of cult films.
In “Cult Film or Cinephilia by Any Other Name, Gorfinkel informs her audience how the history of cult and cinephilia merge together in order to provide what today’s contemporary definition of cult is, also with the help with today’s digital age. Gorfinkel’s intended audiences are scholars who have degrees in Cinema and aspiring graduate students wanting to focus on cinema. This is determined through the use of her vast cinematic vocabulary and also due to the fact that this article was presented at a conference. Gorfinkel begins her article by asking her audience what they feel came first, the cinephile or the cultist and goes further into the purpose of her article by stating th...
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...cult is important because as time progresses, the way these two terms merge will differ and the characteristics and definition of cult will also start to change. With a scholarly audience concerned about Cinema, the history of cult and cinephilia, along with the characteristics of cult will help these scholars have more of an understanding of cult films.
Works Cited
Bentley-Baker, Dan. "What Is Cult Cinema?." BLFJ Blog. Version Issue 69. N.p., n.d. Web. 19 Mar. 2014. .
Gorfinkel, Elena. “Cult Film or Cinephilia by Any Other Name.” RWS 200 Course Reader. San Diego: CalCopy, 2014. 30-35. Print
Lovullo, Michael. "SEC feature presentation: The Royal Tenenbaums." SEC feature presentation: The Royal Tenenbaums. N.p., n.d. Web. 20 Mar. 2014. .
Lewis, J. (2008). American Film: A History. New York, NY. W.W. Norton and Co. Inc. (p. 405,406,502).
For many decades, the cult phenomenon has fascinated the masses. A cult is an organization with deviant beliefs and practices, and is characterized by the apparent life-time membership of its participants. It seems to be very popular among troubled teenagers and adults. The psychology behind why some people are more susceptible to the charms and the lure of being in a cult is not very widely researched or understood. Many people are concerned with cultist behavior and the effect that they have on the individuals involved, believing that they have been “brainwashed” into this lifestyle. This paper deals with cult mentality and how people become involved in certain religious and secular cults. It will explore the personality traits of current and ex-cult members as well as look at case studies of members of particular cults. The format of this paper will first look at some preexisting dispositions, the psychological effects while in the cult, and any short term or long term effects upon leaving the cult, as well as some treatment options.
Maasik, Sonia, and J. Fisher Solomon. "The Offensive Movie Cliche That Won't die." Signs of life in the U.S.A.: readings on popular culture for writers. Boston: Bedford Books of St. Martin's Press, 1994. 407-411. Print.
Stone, Bryan P. Faith and Film: Theological Themes at the Cinema. St.Louis: Chalice Press, 2000.
For many years, cult leaders always had a psychological hold on their followers' minds. Whether it was to kill other people or to kill themselves, they did it without question. Some cult leaders used fear, violence and guilt as a means of a weapon to control the minds of their followers. Other cult leaders used persuasive and spiritual speeches that made their followers believe they were doing good and fulfilling God's plan. Because cult leaders are powerful through psychological offenses, the people that belong to their cults are brainwashed into doing things they wouldn't normally do in their right state of mind.
During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that, examining post classical at which time the relationship between them will become evident. It is my intention to reference films from both movements and also published texts relative to the subject matter. In order to illustrate the structures involved I will be writing about the subjects of genre and genre transformation, the representation of gender, postmodernism and the relationship between style, form and content.
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
Cults are organizations that generally portray their own types of religion and generate practices. Cults typically do not follow the common moral code of their surrounding societies. In other words, cults make their own society by drawing in members through close friends and family members. Organizations that have been targeted as cults include the Amway Motivational Organizations and Scientology. Not only are these organizations classified as a cult through their Pyramidal structure and regulation of member behaviors, but they are also classified as a cult through their psychological manipulation.
Gunning, Tom 2000, “The Cinema of Attraction: Early film, its spectator, and the avant-garde.” Film and theory: An anthology, Robert Stam & Toby Miller, Blackwell, pp 229-235.
Society strives to feel a sense of belonging. We want to be a part of something that shares the same beliefs as us. We spend our time trying to place ourselves in a group to satisfy these needs, whether it is in a hobby club, a group of friends, or religion. Some people go to more extreme measures and find this in what we call a cult. According to Henslin, a cult is a new or different religion whose teachings and practices put it at odds with the dominant culture and religion. (2013:405) Cults are often identified with the ideas of mass murder, deviant behaviors, unusual beliefs, and extremely devoted members. Cults are also highly known for their leaders. The leaders of cults usually are the ones that portray the image for the entire group. Successful cults take a strong-minded and, according to Max Weber, charismatic leader.
Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..
Sklar, Robert. Movie-made America: A Social History of American Movies. New York: Random House, 1975. Print.
A cult is a group of sadistic people that harm and take advantage of young, innocent people that are ripped away from their families and into a cold, dangerous world. There are many questions as to are cults really harmful. Cult leaders have many persuasive ways to trick you into believing their beliefs and their twisted ways of life. One common way that cult groups usually do is they pick out the most innocent and lonely victim. Then they make you feel comfortable and welcome and raise you on a pedestal, but then they start judging on how you choose to live and usually use religious ways to persuade you into their cult, tricking you into their society. Cult leaders frequently use brainwash and many other techniques that are psychologically damaging. In cults their victims are often tormented, brain washed, and eventually lose their sense of ownership to oneself. “Cults confine their members to follow strict rules that ultimately can cause loss of free choice or will, diminished intellectual ability, sense of humor, reduced capacity to form flexible and intimate relationships, poor judgment, physical deterioration, malnutrition, hallucinations, dissociation, guilt, identity diffusion, paranoia, and neurotic, psychotic, and suicidal tendencies.“(According to the Cult Information Centre) There are many cults and there are many different types of cults such as political, racial, and religion. Some of the most notorious clans that have had a major impact in our general public are the Manson Family, the Ku Klux Klan and the one most famous cult in our part of the Texas region was the Branch Davidians. All of these cults have one thing in common which is a belief that their cultures are more superior than other peers.
Barsam, Richard. Looking at Movies An Introduction to Film, Second Edition (Set with DVD). New York: W. W. Norton, 2006. Print.
Lyden, J. (2003). Film as religion: myths, morals, and rituals. New York, USA: NYU Press.