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Recommended: Piracy in digital media
With the introduction of digital media, online piracy emerged as this era’s copyright infringement. Technology industries joined together in order to collaborate on ideas to stop piracy before it began to hurt their business. By these industries working together, they believed they could stop piracy on their own. Although in the last ten years, piracy has become prevalent around the world. The conversation about piracy has changed from once thinking that piracy was not a major problem to today’s realization that piracy is out of control.
In the early 2000’s, the Recording Industry Association of America (RIAA) joined together with the Business Software Alliance to come up with a solution to stop piracy without the intervention of new government legislation. The industries believed that the markets affected would fix themselves by addressing the issues brought forth by piracy. While they were not entirely opposed to the idea of government assistance, they believed that they were capable of beating piracy. (Harmon) At this time these major tech industries did not see piracy as that big of an issue. They saw it as a phase that would be over once the markets adjusted to the digital age.
The RIAA was hit hard in the early 2000’s when peer-to-peer (P2P) file sharing sites like Napster began to distribute music because of the demand created by the introduction of the MP3 player. The RIAA filed a lawsuit against Napster and the company was shut down in 2001. This was a major piracy site that was taken down with the system already in place allowing the RIAA to continue their business unaffected. Fast forward two years to when Harmon had written the article and the RIAA believed that by uniting the other industries affected, they alone c...
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...e markets would hit some rough spots, but that they would level out over time. They truly thought that if they worked together that the problem would go away without outside assistance. Sadly today’s ideology is that piracy is out of control and they need government assistance. The companies affected no longer have control of the situation and require that assistance to move forward.
Works Cited
Bilton, Nick. "Internet Pirates Will Always Win." Www.nytimes.com. The New York Times, 4 Aug. 2012. Web. 19 Jan. 2014. .
Harmon, Amy. "TECHNOLOGY; Music Industry Won't Seek Government Aid on Piracy." The New York Times. The New York Times, 15 Jan. 2003. Web. 20 Jan. 2014. .
The RIAA just wants the public to know that what is going on is not only wrong, but illegal. There are ways around it, use them. Singers and songwriters make something we consider to be highly valuable. You can listen to CD's in your house, in your car, and while working out. It is a very widely used form of entertainment. When you buy a CD you are getting your money's worth. Walking away from this article the reader has two choices; keep on downloading, risk getting caught and fined, depreciate the value of the music being made by forcing singers and songwriters to find day jobs, or stop downloading and buy the valuable music used greatly every day.
The Web. 26 Feb. 2014. http://www.theguardian.com/media/2012/oct/10/music-streaming-songwriters-youtube-pandora>. Luckerson, Victor. The "Business & Money" Business Money Revenue Piracy Down Has the Music Industry Finally Turned a Corner Comments.
“It is estimated that such illegal product costs the music industry more than 300 million dollars a year domestically.” This is why the Recording Industry Association of America (RIAA) is taking a strong stance against MP3 piracy. The damage done to the recording industry in lost profits, increased prices, and lost jobs is overwhelming. In an attempt to put a damper on file swapping, and recapture lost revenue the RIAA has been suing people ...
An option that copyright owners have considered toward protecting their works from circulating in P2P networks is to use a variety of technological tools to prevent piracy. Such tools would be capable of blocking, decoying and redirecting the connections of unauthorized copyrighted file transfers. However, federal and state laws such as the Computer Fraud and Abuse Act of ...
Witherbee, Amy, and Marlanda English. “Music Piracy Costs Billions.” Points of View Reference Senter. N.p., n.d. Web. 13 Mar. 2014.
Recently, there has been a series of copyright infringement litigations against Internet businesses that are involved with unauthorized distribution of music files. The US recording industry claims to lose three million dollars per year because of piracy. A report predicted an estimated 16 percent of all US music sales, or 985 million dollars would be lost due to online piracy by 2002 (Foege, 2000; cited from McCourt & Burkart, 2003) Even though this claim has to be taken with caution, as it is based on false assumption that if copyright laws were strictly enforced, audio pirates would become buyers, it is apparent that audio piracy grew to a worrisome level for the record industry. (Gayer & Shy, 2003)
It is first beneficial to know the definition of piracy. Piracy has been characterized multiple ways from multiple disciplines. For the purpose of this paper, I will apply the definition of piracy from the 1982 United ...
An “analyst” was quoted in the case (in 2002) as saying that “people will pay for music on the Internet, eventually.” This person was skeptical of the willingness of consumers to pay for
In this paper, I will attempt to describe the piracy problem in China, discuss how the Chinese government is dealing with it, present the global effect, and finally arrive at what would be an ethical solution to piracy fitting for China's situation.
Robbert Van Ooijen. "Why Piracy Is Good For Innovation." 'hypebot' N.p., n.d. Web. 23 Apr. 2014.
Although online file sharing debuted in 1999, lawmakers and copyright industries are just beginning to address the myriad questions the practice has generated. In At Issue: Internet Piracy, authors attempt to answer some of those questions.
Online piracy is a huge problem, one which costs the U.S. economy between $200 and $250 billion per year, and is responsible for the loss of 750,000 American jobs. These numbers seem huge: $250 billion per year loss would be almost $800 for every man, woman, and child in America. And 750,000 jobs – that’s twice the number of those employed in the entire motion picture industry in 2010 (Freakonomics). In 2010, the Government Accountability Office released a report noting that these figures “can be substantiated or traced back to an underlying data source or methodology,” which in English means these figures are legitimate and that piracy really does hurt our economy.
Moreover, hackers came up with new ways to remove the digital copyrights so the same as before one downloads music and distributes them around. The industry gets its revenue from selling this content, whether it’s online or in stores, this funds new projects and allows for better products in the future. The public should be aware of this, downloading the content for free, and not buying it will decrease revenue for the companies, stopping them from undertaking future projects. “Production companies should lower the price on their products, I can’t buy music for at least 20$ per album and DVDs for 30$, I only make 200$ per month,” said George Issa, a music fan who spends most of his nights downloading music from the internet, “when there is an album or movie that I really like, I try to buy it legally, I don’t think I am doing anything wrong, they are wrong making money off our backs,” he added.
It's important to understand the different software piracy channels, not just to comply with the law but also to protect against bigger economic problems like lost revenue...and lost jobs.
Music piracy is a developing problem that it affects the music industry in many different ways including being responsible for the unemployment of 750,000 workers, as well as a loss of $2,5 billion; therefore, I want to explore ‘To what extent has music piracy affected the music industry market in the United States over the last 10 years?’