Unit #1 – The Fundamentals
Summary #1: The Introduction of Temples and Foreign Influence, and the role of the Architect
Upon the end of the Dark Ages, the Hellenic civilization began to form, introducing temples as the main architectural focus of that era (Lawrence, 58). Despite forming after the Hellenic period, temples were influenced by a variety of factors, including the home plans of the Dark Ages (58). Temples served as a home for deities, a structure for them to visit, rather than what we would normally think of as a house of worship (58). Furthermore, alongside the focus on temples, the role of an architect was thoroughly introduced as Coulton distinguished Greek architects from modern-day architects. By his definition, architects of the Greek civilization played a more active role in the building of their design, focusing on the minute details that would not fall under the responsibilities of a modern-day architect (Coulton, 15).
As Lawrence details the occurrences of the Dark Age, one begins to appreciate the introduction of temples in ancient-Greek society, as it represents a new beginning. It is interesting to read that “in the Bronze Age, there had been no temples” (Lawrence, 61). It is further impressive to have an introduction of an era that was capable of producing such a magnitude of impressive architecture following a rapid decline of knowledge. Although not a temple, Lefkandi in Euboia requires mentioning in this summary due to its impressive size (62). As Lawrence explains, the architectural form of this building is closely associated with buildings in later Greek times, due to the similarity of later temples based on its shape and features (62). Alongside the introduction of temples, the Orders were ...
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...sed by the Egyptians, including pulleys and winches (48). Coulton believes that one of the most important similarities between Greek and Egyptian techniques of style surrounding “the finishing process” for the walls of their monuments (49).
The first selection of reading for this Greek Architecture class helped introduce the theme of this unit: “the Fundamentals”, as it introduced Hellenic civilization and its focus on temples, discussed the influences from various cultures and era’s, while detailing the fundamental role of the architect. These basics will help explain many aspects of Greek Architecture down the line, as the topics of this course become more detailed and more elaborate. Lawrence and Coulton have an impressive amount of knowledge regarding the topic, and their points of view allow for a diverse interpretation of the work we will be studying.
When studying an ancient culture, it is important for one to comprehend the many unique elements that make up that culture. The study of architecture enables historians to deepen their understanding of a culture and identify the modern influences of that society. Architecture is an essential aspect of ancient Greek culture and its long lasting influence is evident in most cities today. The Greek Revival style dominated American architecture during the nineteenth century. Many prosperous citizens believed that the ancient Greece architecture embodied the spirit of democracy. When analyzing the architecture of New York City, one will find many examples of Greek Revival architecture, the most notable examples being the Old Custom House on 28 Wall Street, the first National City Bank building on 55 Wall Street, and Saint Peter’s Church at 22 Barclay Street.
"Unhandled Exception." Ancient Greece - History, Mythology, Art, War, Culture, Society, and Architecture. 2008. Web. 27 Feb. 2011. .
The ancient Greeks developed a system of orders which were known as columns. There were three different types of columns and each had they own special twist, both structurally and appearance wise. The three orders consisted of the Doric order, Ionic order and the Corinthian order. One shocking fact was that the Romans used the Corinthian columns more than the Greeks did and they were the one that came up with them. Each order could be found in many different parts of ancient Greece. The columns were put into use by creating ancient temples. Since Greek life was mainly focused around religion, their temples were very big and beautiful (“Ancient Greece” 1).
One reason why Greek architecture flourished was because of the rules and regulations established in Washington DC, starting in the late nineteenth century. In 1910, the Height of Buildings Act was passed, which said that buildings could not exceed 130 feet in height, or be any wider than the street that they were on, plus twenty feet. These restrictions fostered the design of Greek architecture. This height restriction eliminated the building of skyscrapers, which was becoming popular at this time. Since Greek Architecture was tailored more towards shorter structures than large, tall buildings, it found a hom...
One of the great things about America is the fact that it echoes previous centuries in ways that not many people would expect. Due to its diversity, it is thought of as a melting pot because it is filled with all kinds of culture and people from all over the world. But instead of this stereotypical metaphor, America can be thought of as the place where world architecture has not died, but instead has continued to thrive in a way that makes it suitable towards modern expectations. Greek architecture has been one of the most commonly used within this context. Although it emerged almost 3,000 years ago, the application of their architecture is still widely used today in places that aren’t Europe. We can see evidence of this through America’s government and financial buildings such as the Georgia’s Chamber of Commerce, the Capitol and even more commonly known, the White House. The White House is a major symbol of the United States and when bystanders observe its white walls, they not only a building of high status among the American people, but they also catch a glimpse into the past of centuries worth of influential architecture.
...ns greatest treasures.? These architectural areas have provided insight into the culture, religion, and government of ancient Athens.? The Agora has become a symbol of civic space, and has influenced how modern architects plan public areas.? It has also provided scholars with understanding of religious and cultural aspects of Greek life.? The Acropolis has served as symbol of the power of both Athens of religion in Greek life.? This structure has unlocked questions about art and architecture, and it continues to symbolize perfection.? Together, these ancient sites unlock the mysterious of ancient Athens.?
The end of the Geometric period resulted in the beginning of the Orientalizing Period, dated between 700-600 BC. Within this time frame, Greek introduced a new innovation, the Peripteral Temple. For many years prior, a row of colonnade was used on the interior primarily to hold up the roof of the building. In contrast, columns are seen being used on the outside, creating a visual wall around the building exposing parts of the interior. With in the temple existed the megaron style, carried forward from Bronze Age homes. It was also in eastern influenced period, the first real stone temples, and terra cotta roof tiles came to exist to hold the weight on these new stone temples. The population grew drastically, introducing new techniques and styles, which blended to form designs with balance and symmetry. It was during this period, two major Greek designs were developed, the Ionic and Doric order. (Pedley, 2012: pg. 180) The Doric order, being the first and most simple, consisted of baseless columns placed closely together as the Greeks did not know how much weight the shortened columns could hold. Reason behind this was the lack of length in the columns were believed to hold less weight and therefore forced into being placed closer together. This closely set arrangement created a very bold statement in the Doric temple. The Capital, which sat on top of the concaved shaped shaft, was left plain but when grouped alongside others, suggested a bold harmony. In contrast, the Ionic order was less bulky and more delicate than the Doric order. The top of the capital is decorated with two scrolls, also known as volutes, which could have resembled a shell or animal horns. Above the capital, held room for a surrounding frieze depictin...
Grecian architecture formed its own conventions in the ancient world, buildings in Greece were built with meticulous mathematic design. Great buildings were believed to be symmetrical, and perfectly proportioned [Document 7]. Another prominent aspect of ancient Greek architecture is the extensive use of columns. There were three basic types used, Doric which were plain capitals, ionic in which the capitals were fashioned after ram’s horns, and Corinthian which were made to mirror acanthus leaves.
The significance of monumental architecture lies not only in the function it is built to serve but also in the cultural values it represents. Monumental architecture is aesthetic as well as functional, and in its aesthetic aspects it is a form of cultural expression. In Bronze Age Mediterranean civilizations, the development of monumental architecture was influenced primarily by the political structure of the state. Perhaps the most disparate forms of monumental architecture in this region were developed in Pharaonic Egypt and Minoan Crete, reflecting the differences in their political systems. The socio-political structure of these two cultures can be sharply contrasted through an examination of a predominant type of monumental architecture found in each region.
"...the Egyptians made their complex heirachy of Gods, and their strange religion. In the service of that religion they made their architecture" (Romer: 75,1982).
Have you ever seen or visited the Capital building, Washington or amphitheater of Arlinton, Virginia or Cabin John bridge of Washington aqueduct? If an answer is yes, then have you ever think that how we come up with this type of buildings? These all buildings’ basic structures are based on the Greek and Roman cultures’ architecture. Historical records of Western culture in Europe begin with Ancient Greece and Ancient Rome. Roman culture was very inspired from the Greece culture and they had used very basic ideas to build buildings and temples, to portrait sculpture. They modernized and improved their architectures and sculptures in decorative way and made a separate image in the world.
...re that was most unique to the Early Dynastic period was the oval enclosure with a centralized platform to lend stability to the shrine. Storage were found near the enclosure. The Temple Oval at Khafaje best exemplifies the unique formation of the oval enclosure in the temples. This enclosure had a double perimeter wall present which was highly unusual for enclosures. Another oval temple was found that Tell al Ubaid, which had a rectangular platform in the center. In the front of this platform there were elaborate decorations, which were belived to have fallen from the façade of the temple which had stood on the platform. Besides these oval temples there were also plans of temples with a number of single or double roomed shrines, one noteworthy temple is from Tell Chuera in North Syria. This design plan yields a closer resemblance to the west and megaron buildings.
The world of Art and Architecture has continually provided the tools to communicate many differing concepts or ideas such as political ideologies like socialism to simple folk-tales or intricate narratives. The elements of Greek Art and Architecture and its direct connection to mythology is the main focus of this essay. I will present the comparison of a "new" representation of a Greek Temple used in the set design of, The Clash of the Titans; to the original where its influence is traced to the classic of all Greek Temples, the Parthenon. By illustrating this comparison of new to original, I hope to communicate the idea of how contemporary society has attempted to retell mythology through entertainment outlets.
In Ancient Greece, religion dominated their life, so it is understandable that their architecture would be dominated by their religion. Before Greece became many different city-states, they had kings, and they would build a room called a megaron to show they King’s authority. A typical megaron is a single chamber with a fire pit in the middle with a throne off to the side. This room opened up into a porch (portico) that had four columns in the front. After there were no more kings these megarons turned into temples. The fire pit, which turned into some type of altar or a place to show a sacrifice for that god, was now outside in front of the temple. The altar was now outside so people could see you make these sacrifices to their gods. The first Greek temples were made out of wood and were long rectangular buildings with a porch all the way around which was supported by columns made from tree trunks. A Greek temple consists of five basic parts: the pediment, entablature, columns, base, and the cella, or the inner sanctum. The pediment is triangular and would have a type of sculpture or ornament known as acreteria on each corner. An entablature consists of three parts: the cornice, frieze, and architrave, which holds up the pediment. The columns are the support between the entablature and the base. The base usually consists of three steps. The cella is the inner sanctum, which has different rooms with more columns for support. Each temple would have a cella but they were not identical.
One of the greatest cultural successes of Ancient Egypt was certainly in their architecture related with religion. Fumeaux mention, "Temples, tombs and pyramids - all have witnessed this earth for thousands of years. What better than to say that these architectural achievements show us that Egypt's greatest virtue lay in its architecture"[1]