Firstly, how the character Myrtle Wilson is constructed reveals new, sensuous attitudes females of the early 20th century were adopting. In the text, narrator Nick Carraway describes that Myrtle “carried her flesh sensuously as some women can” (page 28), therefore implying that Myrtle Wilson is very in touch with her sexuality and knows how to present her body in a manner that would tempt men. Furthermore, when Myrtle’s sister, Catherine, notes to Nick that, “its really [Tom’s wife] that’s keeping [Tom and Myrtle] apart” (page 36), it showcases to the reader that Tom Buchanan is yearning for a woman he can not entirely have; the thought of Myrtle tempts and excites him, but he is aware that she will never completely be his woman. This idea is further reiterates Myrtle Wilson’s seductive nature in the text. Men are so fascinated by her that they are willing to be unfaithful to their spouses to be in her presence. However, it seems as if Fitzgerald does not foreground Myrtle’s behavior as positive. In the vicinity of the Valley of Ashes, where Myrtle resides, lay the tired eyes of Doctor T.J. Eckleberg, staring down at the society before him. When George Wilson exclaims that, “God sees everything” (page 152), it could be implied that he is talking about the eyes of T.J Eckleberg that are staring down, unsatisfied, at the cor...
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...– down the track. Overall, Daisy Buchanan is a character constructed to be heavily loyal and obedient to her spouse; however, it is clear that Fitzgerald views her nature negatively, by using the colour yellow to illustrate to the audience her fate if she continues to live this way.
In the novel, The Great Gatsby, by F Scott Fitzgerald, female characters are constructed to showcase various attitudes held by society at the time. Characters such as Myrtle Wilson, Jordan Baker and Daisy Buchanan are created to showcase a seductive representation of women, an independent representation and an obedient representation of women, respectively. But however, it is clear that Fitzgerald believes there are negative aspects to all three of these types of women, by utilising symbols, name choice and colour as a tool for the audience to view these females increasingly negatively.
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