Essay on The Great Gatsby By F. Scott Fitzgerald

Essay on The Great Gatsby By F. Scott Fitzgerald

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Social occasions in the form of parties and galas are some of the most common depictions of communion in texts. Some of the most famous and revealing party scenes take place in F. Scott Fitzgerald’s The Great Gatsby. The novel takes place in a period of disillusionment and extravagance followed immediately after the Great War. In fact, Fitzgerald actually experienced the extravagance of the society around him firsthand. During 1923, the period in which he began writing The Great Gatsby, Fitzgerald lived in Long Island, but soon ended up moving to France due to discontent with the society there (Tredell 7). Through the character interactions and depictions of the various gatherings, Fitzgerald makes the idea of a wasteful and hollow society evident. Not only that, but these parties allow for Jay Gatsby to create a false high class image in order to fit into this society, and Nick Carraway to feel accepted into the society, thus highlighting their respective faults.
In many respects, Gatsby’s parties reflect the state of the world around him, and also the emptiness of the 1920s’ zeitgeist. Carraway describes the atmosphere as “spilled with prodigality” (Fitzgerald 44). Gatsby’s fills his parties with wasteful extravagances like alcohol, and his efforts toward love end up as futile. The people, instead of appreciating Gatsby, backhandedly gossip about his past as a German spy, and simply partake in the alcohol being served (Fitzgerald 48). Instead of representing the upper echelon’s of 1920s’ society, in contrast to the poor, the party-goers appear weak, superficial, and unworthy of such acclaim, especially when given their tendency to gossip. With this depiction of the partiers, Fitzgerald showcases the hollow nature of 1920s socie...


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...as time drags on. In the end, Stanley attempts to strangle Meg and the drum ends up breaking. With the breaking of the drum ends the false reality that Meg and Stanley could have a happy mother-son type of relationship. Meg could never take on the role of a mother for Stanley, as she has no experience with motherhood, or any biological connection to him. However, that’s not simply the end to the troubles found in the text as it ignores the existence of the other characters: Goldberg, McCann, and Lulu. The characters themselves live in a false perception of happy family life. The highly sexualized conversations of Lulu and Goldberg & Meg and McCann without their male friends with them emphasizes the lack of any true familial connection. Overall, Pinter exposes the falsities within the familial life of the text and reveals the true unhappiness lying beneath the facade.

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