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The decay of traditional moral in the great gatsby
Themes motifs in the great gatsby
The decay of traditional moral in the great gatsby
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Kai Kresek Pd. 2 An Analysis of the Great Gatsby F. Scott Fitzgerald’s modernist novel, The Great Gatsby, epitomises the spirit of an America that is both shadowed by the memories of World War One and shining with the superficial radiance of the Gilded Age. Through the use of the motif of birds throughout his book, Fitzgerald warns urgently of the dangers of mindless self-indulgence and limitless longing, destructive emotions that ran rampant through the lives of the people of his time. Much of the time, the motif of birds supports the theme that one cannot judge something by its appearance, a thought that supports much of what Fitzgerald develops. There is much symbolism surrounding birds and eggs and it is this symbolism that plays an enormous role in understanding the motivations of the novel’s primary characters, and thereby understanding the sentiments of an entire early 20th century society. The names of characters and places in the novel play are worth acknowledging as many are named after birds, allowing for a deeper analysis of their thoughts and actions. Additionally, a bird related allegory assists in the description of the author’s feelings towards the morals and values of the Gilded age. The symbolism lying behind the many aspects of birds also helps to define the novel as a whole and help readers understand the purpose of the work as a whole. This novel is extremely relevant for Americans of the present time as our society currently faces many of the same issues described in the book. Though this book was meant as a social commentary for a tumultuous past era, many of the issues it criticises are still alive today and through this novel, readers can find both reassurance and dubiety in the present and future st... ... middle of paper ... ...if of birds and the reoccurring theme that judgement should not be based on appearance alone serves to create a classic masterpiece that transcends time and reminds many generations of the fragility of humanity and how crucial it is to maintain an equilibrium in every facet of life. Works Cited 1. Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York: Scribner, 1996. Print. 2. Twain, Mark. "Revised Catechism." Collected Tales, Sketches, Speeches & Essays: 1891-1910. New York: Library of America, 1992. Print. 3. Santayana, George. Reason in Common Sense: Volume One of The Life of Reason. New York: Dover Publications, 1980. Print. 4. PBS. PBS. Web. 12 Mar. 2012. . 5. "History." Pigments through the Ages -. Web. 12 Mar. 2012. .
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The great Gatsby. New York, NY: Scribner, 1996. Print.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print.
In The Great Gatsby by F. Scott Fitzgerald, Nick’s unreliability as a narrator is blatantly evident, as his view of Gatsby’s actions seems to arbitrarily shift between disapproval and approval. Nick is an unreliable and hypocritical narrator who disputes his own background information and subjectively depicts Gatsby as a benevolent and charismatic host while ignoring his flaws and immorality from illegal activities. He refuses to seriously contemplate Gatsby’s negative attributes because of their strong mutual friendship and he is blinded by an unrealized faith in Gatsby. Furthermore, his multitude of discrepancies damage his ethos appeal and contribute to his lack of dependability.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. "Chapter 7." The Great Gatsby. New York, NY:
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print.
Bruccoli, Matthew J. Preface. The Great Gatsby. By F. Scott Fitzgerald. New York: Simon & Schuster, 1995. vii-xvi.
Works Cited Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, 1925. Print. The.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print
Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, 2004. Print. The.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner,1996. Print.
Jay Gatsby’s funeral is a small service, not because that 's what was intended, but because no one bothered to show up. Nick wanted to give Gatsby the popularity he desired, even in death, but only three people were present in the end. Gatsby’s father, Henry C. Gatz, shows up unexpectedly from Minnesota because he heard about the news in the papers. He believes that the man who shot his son must 've been mad, that no one in their right mind could commit such a horrible act. Daisy and Wolfsheim, the people closest to Gatsby in the book, do not attend. This exemplifies that it was always about wealth and social status for them, including Tom, and they never genuinely cared for Gatsby. Nick held up hope,
Fitzgerald, F. Scott. The Great Gatsby. Ed. Matthew J. Bruccoli, New York: Charles Scribner’s Sons, 1925
Works Cited Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, 2004. Print. The.