Gothic Elements in Wuthering Heights by Emily Brontë

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Gothic Elements in Brontë’s “Wuthering Heights”

The aim of this paper is to provide an overview of the most prominent Gothic Elements found in Emily Brontë’s novel Wuthering Heights. Due to the fact that the number of these elements and the significance and timelessness of the novel itself by far surmount the limitations of this assignment I shall focus mainly on two major components of Wuthering Heights that could be explored in the light of being Gothic. Those are the novel’s setting (both exterior and interior) and a particular type of love that occurs between the two main characters, Heathcliff and Catherine Earnshaw. In order to do so, I must first offer a short explanation of the term Gothic and how it applies to this novel; secondly, I shall glimpse into Emily Brontë’s life (her life and her life-work being so closely entwined). Thirdly, I shall pay my full attention to the setting of the novel and love story that takes place in it because, in my humble opinion, the peculiar combination of these two elements along with its upside-down and unconventional concept of morality gives this novel its life-force and timeless appeal. To put it simply, it eternalizes Wuthering Heights and makes it one of the greatest and most baffling English novels of all times.
The online edition of Encyclopedia Britannica defines Gothic literature as “pseudomedieval fiction”, filled with the atmosphere of mystery, terror and abuse, with its heyday in the 1790s, but with many revivals in following centuries. According to EB this fashion in literature started in England with Horace Walpole’s Castle of Otranto (1765), but “continued to haunt the fictions of such major writers as the Brontë sisters […]”. Having in mind that Wuthering Heights were ...

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