J.R.R Tolkien’s work of fiction The Lord of the Rings, have with the advent of Peter Jackson’s film adaptation brought the series to newfound heights of fame. As with many works of it’s kind, The Lord of the Rings depicts a battle between good and evil, with the main characters in the books striving to thwart evil’s plan. In many other works, the author’s personal belief system or worldview drives the narrative, with the message being paramount and the characters the vehicles of conveyance for the point of the story. C.S Lewis, a friend and contemporary of Tolkien’s, is a prime example of this. Lewis’ popular series The Chronicles of Narnia is an allegorical work, teaching Christian principles through the use of fiction. While raised as a Catholic himself, Tolkien does not explicitly promote his religious background, nor does he engage in allegory. However, Tolkien’s views of morality can be found throughout the work, specifically in the way in which evil is portrayed, the use of power and moral freedom of choice. Randel Helms writes in his book, Tolkien’s World, “Tolkien’s particular myth parallels his Christianity, … positioning a malevolent and corrupting outside influence, spiritual and probably eternal, against which man is doomed to fight, but which he has no hope of conquering” (67).
One of the ways Tolkien’s worldview is scene in his writing is in the total freedom of choice each character enjoys. Contrary to the Victorian era’s obsession with depicting good and evil two dimensionally, Tolkien imbues his characters with three-dimensional properties, allowing for all of his characters to choose. At a council meeting Elrond states “Nothing is evil in the beginning” (The Fellowship of the Ring 351). This belief is fund...
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...in the book of Genesis in the Christian bible. Evil, as presented by Tolkien, is not inherently powerful. Evil’s power is found in corrupting those with power already or in powerful positions within their society. Humility of thought and action are what separate the wielders of power in Tolkien’s books. This is no more evident than with the fall of Sarumon. Asked to step down from his tower, he refuses and is cast out of the wizard order he used to lead. Gandalf intones “he will not serve, only command (The Two Towers 588).
J.R.R Tolkien’s The Lord of the Rings is a peerless fantasy of epic proportions. While eschewing allegory in favor of an historical perspective, Tolkien has imprinted the work with many of his own closely held Catholic beliefs. In a lecture concerning Tolkien’s writing given to students at Villanova University, Dr. Tomas W. Smith put it this way
The first occurrence we have with the struggle of good vs. evil is the altercation with he trolls. During their journey they notice a faint light up ahead and send Bilbo to investigate it since he was considered the burglar. As Bilbo approaches he notices a group of trolls sitting around a fire. Bilbo tries to steal one of their money bags but in doing so alerts the attention of the trolls, and they capture Bilbo. As the trolls hold Bilbo hostage the dwarves start to come look for Bilbo who has not come back and the trolls hatch a plan to hide in the trees and capture each of the dwarves. In the process of the trolls figuring out what to do with their hostages, Gandalf appears and imitates one of the trolls and starts an argument between them, distracting them of the upcoming morning sun and therefore turning the trolls into stone. In this sequence good triumphed evil, the dwarves were doing nothing wrong just trying to find food, in doing so the evil trolls attacked them for nothing and were about to eat them.
From the beginning of creation to the fictitious lands created by J. R. R. Tolkien himself, the distinctions between good and evil rise from the shadows and into the light. Specifically, in the Confessions of St. Augustine all things created through the light of God are seen as wholly good, while the absence of such light and goodness is considered evil. Tolkien’s novel elaborates on the work of Augustine and establishes the differences between forces of good and evil in the land of Middle Earth. Augustine and Tolkien in their works Saint. Augustine Confessions and The Fellowship of the Ring address the issues that arise from an individual 's struggle to escape the temptations of evil and succumbing to their lust for power rather than asserting
The paper will begin with a look at the life of Tolkien. This will serve the purpose of providing some context for the novel. Looking into the life of Tolkien will also serve to give the reader some insight into the mind that gave birth to such a rich land and why the novel may have some importance for sufferers of mental illness. Next will likely be a short summation of the
J.R.R. Tolkien (1892-1973) gained a reputation during the 1960’s and 1970’s as a cult figure among youths disillusioned with war and the technological age. His continuing popularity evidences his ability to evoke the oppressive realities of modern life while drawing audiences into a fantasy world.
The Necromancer is one type of evil in The Hobbit, and he lives in Dul Guldur. Dul Guldur is an old, run down castle where the head of all the black magic (that happens in Middle Earth) lives. The Necromancer is an evil power or spirit that can communicate with the dead using an evil type of magic. Gandalf stated “I found him [Thrain] a prisoner in the dungeons of the Necromancer”(Pg.25), and that shows how evil the necromancer and Dul Guldur really is. In The Hobbit the Necromancer is a foreshadowing of the leader of all the evil in J.R.R Tolkien’s other book series T...
Kingship in J.R.R. Tolkien's The Lord of the Ringsand Peter Jackson's The Lord of the Rings." Tolkien Studies 6.1 (2009): 71-90. Project MUSE. Web. 30 Nov. 2013. .
Dictionary.com defines evil as “the wicked or immoral part of someone or something.” Within the novel, Grendel by John Gardner evil is inescapable as this topic is discussed throughout the novel. Though the story holds a resemblance to its inspiration of the epic Beowulf in its portrayal of Grendel, it fails to highlight the underlying evil within the Anglo-Saxon’s and their values. Gardner’s novel reveals that evil is everywhere as it is seen in not only Grendel's but also in human lives and is presented in a more complex way than the epic as both have their own dark sides.
In Tolkien world, evil is the antithesis of creativity, and is dependent on destruction and ruin for its basis. Conversely, goodness is associated with the beauty of creation as well as the preservation of anything that is created. The symbolic nature of these two ideologies is represented in the Elven Rings, which symbolize goodness, and the One Ring, which is wholly evil. A main theme of "The Hobbit", then, is the struggle within our own free will between good will and evil. "Early in the (Lord of the Rings) narrative, Frodo recalls that his uncle Bilbo, especially during his later years, was fond of declaring that… there was only one Road; that it was lik...
Good and evil in Tolkien's work are, to put it simply, that which is natural and that which is unnatural, respectively. That is, what is left alone to follow the cycles of nature is good. Any time that the cycles of nature are disrupted (such as the felling of a forest or the enslavement of a free people), there is evil. There are constant references to this in Tolkien's stories, as when Bilbo Baggins' neighbors remark on his mysterious vigor and extreme old age, "It isn't natural, and trouble will come of it" (21). Or when Sam Gamgee says of the Gandalf the wizard, "Don't let him turn me into anything unnat...
The Narnia Chronicles have already established themselves as timeless works of literature. They appeal to both the atheists and the God-fearing, to both the uneducated and to scholars; to children and adults. An understanding of the Biblical allegory in these books is not essential to their appreciation. A critical analysis of these works, however, does allow the reader to more fully appreciate Lewis' unique gift to simplify complex narratives and craft beautiful children's fantasies. This, in turn, allows the reader to gain both a deeper understanding of Lewis as a skilled creative writer, and a deeper satisfaction of his art. To be able to appreciate C.S. Lewis as such an artisan can only add to one's enjoyment of his works.
The following analysis deals with the nature and source of evil and whether, given our innate motives and moral obligation, we willingly choose to succumb to our desires or are slaves of our passion. From this argument, I intend to show that our human nature requires that we play into our desires in order to affirm our free will. This is not to say that our desires are necessarily evil, but quite the opposite. In some sense, whatever people actually want has some relative value to them, and that all wanted things contain some good. But given that there are so many such goods and a whole spectrum of varying arrangements among them, that there is no way we can conceive anything as embodying an overall good just because it is to some degree wanted by one or a group of persons. In this light, there arises conflict which can only be resolved by a priority system defined by a code, maybe of moral foundations, which allows us to analyze the complexities of human motivation. I do not intend to set down the boundaries of such a notion, nor do I want to answer whether it benefits one to lead a morally good life, but rather want to find out how the constructs of good and evil affect our freedom to choose.
J.R.R. Tolkien's concept of too much power is summed up by Lord Acton when he once said, "Power corrupts, but absolute power corrupts absolutely." In Tolkien's first book of his fantasy based trilogy, Lord of the Rings, the Fellowship of the Rings tells a story of a quest to destroy a powerful ring throughout Tolkien's created "Middle Earth". This quest was headed by a "Hobbit" named Frodo Baggins who, in the end, becomes corrupted by power himself. This corruption begins when Frodo uses his ring to become invisible over and over again to escape certain situations. The quest to destroy the powerful "Ruling Ring" forms the basis for this story.
In conclusion, the secondary world of Narnia in C.S Lewis' epic tale offers much by way of literary significance. It provokes debate over abstract, complex ideas such as truth and faith. It allows reflection on our role in the real' world. It inspires hope that we all serve a purpose; that we are capable of affecting change. It provokes new reflections on the story of Jesus and the meaning of sacrifice. Finally, it presents us with a vision of clear values; stripping good and evil down to their cores so that we may return to the real world more certain of our own convictions.
True Evil can only be defined as a being so vile and wicked that no feeling is present other than greed, and fury, and hatred. Two antagonists share these qualities in J.R.R Tolkien's The Hobbit. First comes the creature Gollum, a small, twisted creature living deep under the tunnels of the Misty Mountains. Next comes Smaug, the dragon, brutal, bold, and strong. Smaug is the reason for the quest, the reason Thorin and Co. must regain their home under The Lonely Mountain. Together, these two antagonists, show true evil in their cunning, greed, and hatred.
Urang, Gunnar. "J. R. R. Tolkien: Fantasy and the Phenomenology of Hope" Fantasy in the Writing of J. R. R. Tolkien. United Press, 1971