God’s Bits of Wood is his third book and one of the most famous novels ever to be written. The author and also an award winning filmmakers Ousmane Sembene was born on 1923 in Ziguinchor, Senegal then a French Colony. Ousmane Sembene literature crosses the geographical and national borders of his home country of Senegal, Mr. Sembene's literary and inspiring output places him today as the father of African films and as the most creative French-speaking African writers in this first century of creative writing in Africa. He published his first writing in 1993 from Marseilles. Sembene has produced five novels, five collections of short stories, and a whole lot of numerous films, four shorts, nine features, and four documentaries “He has given few hundred interviews to teachers, researchers, students, and to dozens of film and literary critics from around the world.” (Gajigo 2) Educated articles on his work have appeared in many international journals. Particularly here, in the US, publications and invitations to university and college campuses almost equal those of Wole Soyinka, and Chinua Achebe. “Of Sembene's ten published literary works, seven have been translated into English, and all of his films are subtitled in English, French, German, Japanese, and Chinese.” (Gajigo 3) In Unites States universities, the attraction to Sembene's work crosses disciplinary boundaries. His literary work has entered the academic program of many high schools and universities throughout Africa.
The novel begins with Ad’jibid’ji the oldest daughter of Bamayako, as she sneaks into a meeting in Bakayo. The first major point was the relationship between Ad’jibid’ji and Niakoro. At first glance we see Niakoro wanting to instruct everyone she can in the h...
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...toulaye, a woman in the industrializations times, stands up for her right against a police officer, and she did before against her brother who tried to cheat her again. Another strong point is the overall action of the women in the village. As the novels begins, they are the house wives who stand firmly behind their husband, as the novel goes forth, the women also go forth as now they stand besides their husbands. Finally they take a step forward and actually go to lead the men. I feel as though the author, Mr. Sembene, mobilizes the women in the novel and empowers them. The novel in many ways made me think about the struggles peoples faces as time went on. From the European industrialization of Africa, to the degrading of men, and simply lowering them down to objects, and the women being able to march and change the aspect of the whole strike, quite astonishing!
I found it very interesting and educational to learn about the history of Uganda, a country often forgotten by the Western World. Before reading this novel I had no idea about the struggle that Indians and Africans underwent during this countdown. As a result of this novel I also learned more about the issues of systematic racism and the various downsides of class systems. Before this novel I had learned about class systems, such as the caste system in India, but by infusing history with the struggles of a young girl really helped me connect with the themes in a stronger way.
The women in this novel are fairly passive and tend to let the men manipulate them. According to Martha Duffy, Smiley sees a link between the exploitation of women and that of the land. The land is stronger than the women in this novel in that despite the fact that men manipulate and attempt to change it as much as possible, it is still its own entity. This presents a contrast to what occurs when the women are dominated.
Themes: One of the main themes of the text is gender roles. According to Boydston, gender spheres were put into place in response to chaotic changes occurring in society (143). Work outside of the home (man 's work) was very seasonal and inconsistent and therefore a man 's "manhood" was always being challenged. Women were placed into their specific roles in order to offset that challenge to manhood, and when a women entered the wage-earning world (and worked for less than a man at that) she was challenging the manhood. Women also faced challenges to their roles as time went on. Household roles changed and women 's work became less valued over time, and
...found that the book gave perspective to each of the individual classes, rather than covering only the bourgeois or the proletariat. Today you will scarcely find a job or institution were women are not allowed, had I not read this chapter it would have been very difficult for me to understand what women at this time went through.
In the novel Segu, Maryse Conde beautifully constructs personal and in depth images of African history through the use of four main characters that depict the struggles and importance of family in what is now present day Mali. These four characters and also brothers, by the names of Tiekoro, Siga, Naba, and Malobali are faced with a world changing around their beloved city of Bambara with new customs of the Islamic religion and the developing ideas of European commerce and slave trade. These new expansions in Africa become stepping stones for the Troare brothers to face head on and they have brought both victory and heartache for them and their family. These four characters are centralized throughout this novel because they provide the reader with an inside account of what life is like during a time where traditional Africa begins to change due to the forceful injection of conquering settlers and religions. This creates a split between family members, a mixing of cultures, and the loss of one’s traditions in the Bambara society which is a reflection of the (WHAT ARE SOME CHANGES) changes that occur in societies across the world.
Historical facts are cleverly infused into the body of the novel that gives the reader an authentic and classic impression of the story. A clear view of the discrimination that existed in that time period against non-whites and women was evident by the time the conclusion of the book was reached. For instance, a conversation takes place between characters in the novel in which civilization is said to be going to pieces as a result of "The Rise of the Coloured Empires". Women are also constantly referred to as "girls".
First to understand why this story is critical to empowering women who wished to remain tied to their domestic roots, we need to look at the limitations imposed upon their resistance. Within the public sphere women had the option of peaceful protest which allowed for them to sway the political system that had oppressed them for so long. Unfortunately public protest could not change the oppression that took place in the private sphere of domesticity. We can see in the story that Mother has no intere...
Her realization that she is not alone in her oppression brings her a sense of freedom. It validates her emerging thoughts of wanting to rise up and shine a light on injustice. Her worries about not wanting to grow up because of the harsh life that awaits her is a common thought among others besides the people in her community. As she makes friends with other Indians in other communities she realizes the common bonds they share, even down to the most basic such as what they eat, which comforts her and allows her to empathize with them.
Sembene Ousmane’s novel, “Gods Bits of Wood,” gives a highly detailed story of the railway strike of 1947-48 in French West Africa. It contains conflicts of political, emotional and moral nature. Ultimately, Sembene’s novel is one of empowerment. It brings to light the tension between colonial officials and the African community among the railway men as well as the struggle of the African community to free itself from being subjected to colonial power. Frederick Cooper’s article, “Our Strike: Equality, Anticolonial politics and the 1947-48 Railway Strike in French West Africa,” helps reveal the strike’s true meaning and agenda by analyzing the conflicts present in Sembene’s novel. In fact, it paints a very different picture of the railway strike than Sembene’s novel.
...introduction I believed Nigro thought the novel was important because it gave every working-class person a representation in today's literature. But by the end it's clear she meant it gave the African-American working-class person, if not the whole race a representation in today's literature. Even though each group, African-American's and the working-class community, are missing from today's literature; I think Nigro could have made her purpose or thoughts a little more clear.
The theme that has been attached to this story is directly relevant to it as depicted by the anonymous letters which the main character is busy writing secretly based on gossip and distributing them to the different houses. Considering that people have an impression of her being a good woman who is quiet and peaceful, it becomes completely unbecoming that she instead engages in very abnormal behavior. What makes it even more terrible is the fact that she uses gossip as the premise for her to propagate her hate messages not only in a single household but across the many different households in the estate where she stays.
I am going to analyze this text using the intrinsic and feminist literary theory analysis. With the intrinsic analysis, I will brood mostly on the style and characterization of the text. According to Eaglestone, 2009, intrinsic analysis is a look into the text for meaning and understanding, assuming it has no connection, whatsoever, to the outside world. “Style is said to be the way one writes as opposed to what one writes about and is that voice that your readers hear when they read your work” (Wiehardt, n.d). The text uses mostly colors, poems and songs to deliver its messages. The main characters in the...
...e relationship with men, as nothing but tools she can sharpen and destroy, lives through lust and an uncanny ability to blend into any social class makes her unique. Her character is proven as an unreliable narrator as she exaggerates parts of the story and tries to explain that she is in fact not guilty of being a mistress, but a person caught in a crossfire between two others.
The novel God's Bits of Wood by Sembene Ousmane is an account of the strike Senegalese trainworkers underwent in pursuit of equal benefits and compensation from their French employers. In an effort to coerce the workers into returning to their jobs, the French cut off the water and food supply to the three villages wherein these events transpire: Thies, Dakar, and Bamako. Ousmane's novel explores the way in which these hardships evolve the worker's and their families till the strike is ultimately resolved. Arguably the most significant transformation that takes place is in the role of women within these societies. Prior to the strike, the women were expected to be subservient to their husband, with exclusively domestic roles consisting of cooking, cleaning, and caring for the children. As a result of the strike and the famine that accompanied it, the women were forced to alter their role to provide food for their families. The goals of the men in women differed in that the men were fighting for equality and better pay, whereas the women were fighting a battle for their own and their children's survival. So despite the fact that the declaration of strike and refusal to work until their demands were met was the campaign of the men, it was the women who ultimately forced the Frenchmen to see their resolve and succumb to their demands.
In the novel “Things Fall Apart” by Achebe which was written in order to respond to the stereotype of Africa by Joseph Conrad in his text “Heart of Darkness” it viewed women as powerless, second-class citizens and were irrelevant to the