Analysis Of God Of Carnage

721 Words2 Pages

God of Carnage is an excellent play. At first, I was doubtful, but after having the pleasure to view the University of Arkansas’ production of this piece, I was absolutely blown away by the performance of each actor in terms of their delivery and overall responsiveness to their respective source material. Smaller directing elements made for promising scene conflict that was always capitalized on by the actors. For instance, each awkward pause in the group’s conversation was the cue for the actors to use non-verbals that brought to light the idea that there was constant underlying tension between the two parties. The characters all had layers and dimensions to their personalities making them more than just characters in a play. They were real …show more content…

The director who directed this play built the best platform for the actors to showcase their skills. The directing was robust in that the audience was made aware as to what was happening, one-hundred percent of the time. Due to this, confusion was kept to a minimum and the audience was able to pick up on certain ideas and themes that revolved around the play. Certain aspects of the play were emphasized on purpose to illustrate specific key elements that drove the play’s themes. The fact that every character had very obvious internal issues that prevented them from understanding one another was constantly in the audience’s face through verbal and physical conflict that brought these issues to light. The staging of the play was also effective. Being set in a living room, of a seemingly modern house, exotic and colorful household items were placed everywhere making the set gorgeous and interesting to look at. With thrust theatre, actors can sometimes be lost by one or two sides of the viewing space; however, this rendition of God of Carnage accounts for this by putting in place blocking that showcases each character to every side of the audience, at different portions of the production. God of Carnage is a well written play, and the production I had the pleasure of seeing didn’t disappoint in the slightest. All the appropriate elements were present whether those elements fell to the actors or the director.

Open Document