Go Down Moses, by William Faulkner

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Go Down Moses by William Faulkner is an artful collection of short stories that connect in a biblical fashion to create a coherent novel. Within each story Faulkner beautifully illustrates the tensions arising from man’s struggle to overcome the curse of Adam, and how that biblical narrative plays out in the South. A complex family tree plagued by sin and encompassing two “races” with a heavily mixed bloodline slowly unfolds from chapter to chapter. In nearly every story, the black characters are juxtaposed against their white counterparts, neither race can be understood without the presence of their opposite. Faulkner uses this set up to repeatedly contrast the black slave community’s humanity and capacity to love, against the white community’s refusal to treat them as more than heartless pieces of property. Rider, Eunice, and Molly Beachem are all outstanding pictures of the true humanity and compassion of the black community. While the Sheriff, Old McCauslin, Roth Edmonds, and Ike demonstrate the white man’s inability to see these qualities in blacks, and the sin that results from this blindness. Rider, the protagonist of “Pantaloon in Black” and a classic renaissance picture of manhood thinking from his waist down, demonstrates his capacity to love through violent grief over the death of his wife. Rider, previously a man about town, turns from his drunken ways upon meeting Mannie, his future wife of just six months. As a true pantaloon should, Rider naturally expresses his grief through the strength and intensity of vigorous activity and violent anger. He is first seen shoveling dirt so fast that “the mound seemed to be rising of its own volition, not built up from above but thrusting visibly upward out of the earth itself” ... ... middle of paper ... ...tension continues when Gavin visits the Worshams in their home as they grieve. When Mollie and her husband Hamp start singing the old spiritual “Go Down Moses,” Gavin attempts to explain to them that Samuel’s fate is not Roth’s fault, but the Worshams won’t stop singing. Gavin quickly grows uncomfortable and races for the door, thinking, “Soon I will be outside… There will be air, space, breath” (362). As he leaves, he asks for Mollie’s forgiveness, and she remarks “It’s all right… It’s our grief” (363). This statement succinctly conveys Mollies acknowledgment of Gavin’s attempt to care for her and Hamp in their grief, while simultaneously noting that he doesn’t fully understand the way in which they mourn or how they see the situation. Despite his effort, as a white man, he will never fully understand slave culture or be able to see things from their perspective.

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