After Amanda’s husband had abandoned the family, Amanda felt the need to push her children for perfection. After reminiscing on the many gentlemen callers she had when she was Laura’s age, Amanda begins to dream of the same for her daughter. When Laura begins to clear the table, Amanda instructs her,"No, dear, you go in front and study your typewriter chart. Or practice your shorthand a little. Stay fresh and pretty! – It’s almost time for our gentlemen callers to start arriving.”(Williams 9). Laura knows she isn’t expecting any visitors that evening, but Amanda’s desire for Laura to interact with possible husbands blinds her from seeing that there will be no one knocking on the door. Although Amanda has good intentions for Laura, she goes about helping her children in a destructive manor; “Instead of acknowledging her children as individuals both gifted and flawed, she subconsciously denies them their humanity by insisting on t...
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...aura is seated in the delicate ivory chair at the small clawfoot table. She wears a dress of soft violet material for a kimono – her hair is tied back from her forehead with a ribbon. She is washing and polishing her collection of glass”(Williams 11). Laura is described as one in the same with her figurines. Ivory, being a soft and easily stainable color demonstrates the purity of Laura that can easily be destroyed. As Laura continues to live in her fantasy world of her glass menagerie, “[...her] separation increases till she is like a piece of her own glass collection, too exquisitely fragile to move from the shelf"(). The more Laura chooses to isolate herself from reality, the more identical she had become to her collection of glass. Although Laura’s escape helps consoul her emotions, the remedy is only temporary, thus creating more damage to her mental condition.
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