Giotto di Bondone : Brief Biography

1008 Words3 Pages
bulb-icon

Recommended: Influence of renaissance on art

Giotto di Bondone was born in Vespignano, near Florence, Italy around 1266 and lived up to 1337. Cimabue (1240 – 1302), a famous Italian painter at the time, was astonished by the naturalistic sketching of a sheep on the sand done with a flat rock by a young, talented boy. Rumor has it that Cimabue was so impressed by the sketching that he was motivated to ask the father of the young boy to allow di Bondone to be his apprentice. According to Wikipedia.com, Cimabue was known to be di Bondone’s teacher and the “pioneer in the move towards naturalism”. Under the teachings of the well-known Italian artist, di Bondone’s reputation grew as did the opportunity of gaining experience and ability to practice his work. Influenced by his master’s idea of lively paintings, he became a legendary artist initiating the Renaissance by his extraordinary works of art. Di Bondone was considered the “Father of the Renaissance” as he influenced many artists to expand their artistic talent by creating paintings that would express a realistic and approachable appearance.

Before the renaissance began, everything was focused around the church including art. Though di Bondone was not alive during this era he made a tremendous affect in how people began to view the idea of art. In medieval times, art was about the religious idea of the afterlife and spiritual figures, people would not dare to create anything non-religious. During the renaissance was when people began to question faith and began to involve themselves in work not related to the belief of the church. Di Bondone was one of many that helped initiate this era.
According to Beautifulcreepypeculiarart.blogspot.com, di Bondone “brought his own sense of what he thought a painting should look by reje...

... middle of paper ...

...>.

"Giotto di Bondone." Artble: The Home of Passionate Art Lovers. Web. 25 Mar. 2014.

"Giotto Di Bondone Biography." Giotto Di Bondone: The Complete Works. Web. 26 Mar. 2014.

"Ortolan Studio." The Giotto’s fresco of the Peruzzi Chapel influenced Michelangelo’s painting.
2 Jan. 2012. Web. 31 Mar. 2014. .

Pioch, Nicolas. "Giotto di Bondone." WebMuseum. 22 July 2002. Web. 25 Mar. 2014.

Suckale, Robert, Manfred Wundram, Andreas Prater, Hermann Bauer, and Eva-Gesine Baur.
"Gothic." Masterpieces of Western art: a History of Art in 900 Individual Studies from the Gothic to the Present Day. Köln: Taschen, 2002. 9, 13-14, 29. Print.

Show More
Related

  • Giralamo Savonarola and the Development of the Renaissance in Florence

    2211 Words  | 5 Pages

    Far into the cultural and intellectual rebirth of Florence, Giralamo Savonarola used religion to reclaim the minds of the citizens and bring the city back into the Middle Ages. Under the Medici rule, especially the leadership of Lorenzo de’Medici, art thrived and new revolutionary ideas emerged, furthering the Renaissance in Florence while challenging the stronghold of the church. Florence became an edifice for art and the greatest painters of the time flocked to the city including Fra Filippo Lippi, Verrocchio, Botticelli, Leonardo da Vinci, and Michelangelo (Greenblatt 13).... ... middle of paper ...

    Read More

  • 5 Paragraph Essay: Renaissance Closure

    475 Words  | 1 Pages

    The The Renaissance lasted from 1350 to 1550 and was known as the rebirth of knowledge in urban society. After the Middle ages occurred there was no education, no common language, and no true form of unity within the people of Europe, so the Renaissance was the reintroduction of education, language, urban society and a sense of togetherness within the countries of Europe. During the Renaissance it was important to have more than one important or major tripe or specialty the people who possessed this quality where classic Renaissance man. Many of these Renaissance men writers, artists, and inventors; Leonardo da Vinci, Michelangelo, Niccolo Machiavelli, Desiderius Erasmus, Johann Gutenberg and more. Leonardo Da Vinci had an endless curiosity for invention he enjoyed sketching nature dissected corpses and painted he studied things such as botany anatomy optics and music making him a perfect example of a Renaissance man. Michelangelo was also quite similar to DaVinci he enjoyed sculpting he was an engineer a painter and architect architect and a poet he focused on religion and actually had painted the Sistine Chapel in room. another creative inventor was Jonathan Gutenberg who invented

    Read More

  • The School of Athens by Raphael and Judith Decapitating Holofernes by Artemisia Gentileschi

    671 Words  | 2 Pages

    Raphael Sanizo, usually known just by his first name, was born in 1483 in Urbino, Italy. He was an Italian painter and architect of the High Renaissance. He was celebreated for the perfection and grace of his paintings and drawings. He was very productive in his life, but had an early death at the age of thirty-seven years old, letting his rival Michelangelo take the reins on the art world. He is one of the great masters of his time. He died on March 28 of 1483 at the age of thirty-seven years old.

    Read More

  • Giorgione: the Adoration of the Shepherds

    3228 Words  | 7 Pages

    Giorgione or Giorgio Barbarelli da Castelfranco was born in 1477 or 1478, the exact date is not known, in Castelfranco. Even though there were no more than about twenty paintings officially associated with him, of which only about six are attributed to him without doubt, his originality was so powerful that these few works have come to represent not only the first stage in the Venice High Renaissance, but a new trend in Italian art as well. Surviving documentation of his life and work is sparse.

    Read More

  • Rediscovering Virtuosity: A Production of Classical Antiuquity

    999 Words  | 2 Pages

    When a person thinks about the Renaissance, the first thing that comes to mind is more than likely knights in shining armor fighting off dragons and saving the princess. However, lets look at a more realistic approach towards the Renaissance and talk about what really brings out the brilliance and the beauty of this time period, which is nonetheless the art that was informed and inspired by classical antiquity from the Greeks and the Roman civilizations. The artist during the Renaissance was pure genius and masters of draftsmanship and distinguished techniques in displaying a command of lighting, flawless perspectives of image, accurate portrayals of flora and fauna, and the complexities and intricacies of human anatomy and physiology. This period was heavily influenced by religious relic and concepts and these artists expanded beyond the ideas of religious intuitive. Renaissance art was a movement of rediscovering people as individuals as a person and not just another being and this proven through the faces on paintings that have profound and very distinctive displays and expression of emotion. Artwork during the Renaissance became the it thing to do spreading into the households of wealthy merchants, bankers, popes, and princes spending large amounts of money on portraits, miniatures, and still life photographs.

    Read More

  • Art From Baroque Period Through The Postmodern Era

    1462 Words  | 3 Pages

    Goldstein, C., Visual Fact over Verbal Fiction: A Study of the Carracci and the Criticism, Theory, and Practice of Painting in Renaissance and Baroque Italy, Cambridge, 1988.

    Read More

  • Donatello: The Renaissance During The Renaissance Art Movement

    1000 Words  | 2 Pages

    The Renaissance started in Italy in the 14th century. It was referred to as the “rebirth” because it brought back attention to art and science. The Middle-Ages was really religion-dominated. The Renaissance turned the attention to being an individual and worldly experiences; they were the main themes of the Renaissance art movement. Art benefited from the patronage of such influential groups as Medici family of Florence, the Sforza family of Milan and the Popes Julius II and Leo X. This movement helped art become more sophisticated. Many ideas from the renaissance art movement spread to different parts of Europe.

    Read More

  • Titian

    1116 Words  | 3 Pages

    No one knows exactly when the Italian artist, Tiziano Vecellio, was born. Over the centuries, there has been a great deal of confusion concerning the date, due to a misprint in his biography by sixteenth century art historian, Girgio Vasari. Vasari recorded the date as 1480, but the progress of Tiziano Vecellio’s work, as well as other documented sources, announce his date of birth to be sometime between 1488 and 1490. (Magill 2310) The place of his birth was Pieve de Cadore, in the Alps north of Venice. Tiziano Vecellio, also known as Titian, was a great master of religious art, a portraitist, and the creator of mythological compositions, which have been so decorative and inventive that no other artist has yet surpassed them. People such as his wife, Cecilia, Giovanni Bellini, and the Holy Roman Emperor, Charles V, influenced Titian. (Magill 2311) Titian is considered to be one of the greatest artists of the Italian High Renaissance. Titian developed an oil-painting technique during his time as an artist of successive glazes and broad paint application that influenced many generations of artists to follow along with his other various important accomplishments.

    Read More

  • Analytical Essay on the Renaissance Art Movment

    1305 Words  | 3 Pages

    In this paper I'm focusing mainly on Renaissance art work, since that was the assignment, but I feel it's important to also mention the other important parts of the Renaissance, architecture, science, politics and religion.

    Read More

  • Lamentation and the Evolution of Technique

    920 Words  | 2 Pages

    The Renaissance was a time of rebirth, as its name entails. In Italy, more people were becoming literate and more books were being printed. More scientific discoveries were being made and therefore more theories were being published. In this time of intellectual prosperity, art also made a great leap. Perspective was the main change during this time period, and throughout the years, starting around 1400, it became more involved and more intricate. Eventually artists were so adept at using it, that it became the primary way to insert intimacy and feelings of emotion into a painting. This evolution of technique paved the way for later artists to play with new approaches to allow the viewer to experience an image in different ways.

    Read More

  • The Betrayal of Christ Depicted in the Italian Paintings by Duccio and Giotto

    945 Words  | 2 Pages

    In the two different depictions of the scene Betrayal of Christ, Duccio and Giotto show their different styles on how they compose their paintings. The first decision into the composure of the painting would be the comparison of the size of surface they chose to paint on. Duccio in comparison to Giotto chooses to work on a wooden panel no wider than a foot, and Giotto went with a plaster surface with a width of ten feet. This detail alone lets the viewer know that Giotto’s artwork is embedded in detail and visual consumption. The size difference is the factor between who see’s it and what they see; the fine details and symbolism of the narrative will be better understood if the viewer can see every detail.

    Read More

  • How did artists and writers reflect Renaissance ideals?

    674 Words  | 2 Pages

    Artists in the Renaissance aided the continuation of Renaissance ideals. Renaissance art, including paintings, sculptures, and architecture,...

    Read More

  • Early Italian Renaissance Art

    1470 Words  | 3 Pages

    The artistic theme in which an artist depicts the Virgin Mary with Jesus Christ as a child is known as the ‘Madonna and Child’. This depiction has its roots in Early Christian art due to the iconic roles that Christ and Mary play in the Christian religion (Dunkerton 37). The ‘Madonna and Child’ has had a place in many of the early periods and traditions of art. Religious themes were able to command such a strong presence in the history of art due to their role as devotional aides in churches and other religious buildings (Dunkerton 27). Religious art was well maintained by religious orders and churches, and many patrons throughout early history were tied to the Catholic Church. In the 1400s, religious artwork continued to play a prominent role, but a revival of the Classical form also started to occur. The period known as the renaissance was marked by a desire to look back on the past and a sense of individualism. The era also brought about the use of new and classical techniques for art such as naturalism, perspective, and proportion. Nonetheless, art during this period remained diverse as several art traditions, influences, and patrons contributed to the outcome of an artist’s work. The National Gallery of Ireland possesses a few of depictions of the Virgin Mary and Child in its collection of Early Italian work. The first work I will discuss is a work by Zanobi di Jacopo Machiavelli known as ‘Virgin and Child Enthroned with Saints’, which was complete in 1470. The second work is known as, ‘The Virgin and Child Enthroned with Saints John the Baptist and Lucy’, and was completed by Marco Palmezzano in 1513 (National Gallery of Ireland: Essential Guide). While created around the same time period and within close geographical proxim...

    Read More

  • Art in the Italian Renaissance

    1757 Words  | 4 Pages

    The Italian Renaissance included some of the greatest artists we have ever seen from Leonard Da Vinci, to Michelangelo, and Raphael. The Renaissance took place from the late thirteenth to sixteenth centuries and is know as the ‘rebirth’. The idea that the rebirth of the arts after being asleep for a thousand years is an amazing thing to grasp. This time brought back light to liberal arts, which were on the brink of being extinct. (Murray 2) What is also interesting about art during this time was that most of the art had Christian in its roots, for example, Botticelli’s The Allegory of Spring (Faure 1) is said to have had a Christian interpretation. (Murray) “Every Italian artist, willingly took the title of architect, sculptor, and painter” (Faure 2). At the beginning of the fifteenth century, the Italian painters had asked the Flemish painters for their secret techniques because the Italians felt like the language of painting was one that was always meant for them. (Faure 4) The sculptors claimed their inspiration from ancient works. Lastly the Renaissance introduced idea of individualism, which helped the Italians get away from everything that was going on during that time. Art during the Renaissance included painting, sculpting and architecture, all of which were an important part in expressing the idea of individualism and making art what is is today.

    Read More

  • An Essay About Leonardo Da Vinci

    870 Words  | 2 Pages

    “The painter will produce pictures of little worth if he takes for his standard the pictures of others… Giotto the Florentine, who was not content with imitating the works of Cimabue, his master… he excelled not only all the masters of his time but all those of many centuries past…” 3

    Read More

More about Giotto di Bondone : Brief Biography

Open Document