Offred’s avoidance of her real name allows her to perceive herself as a person who lives two different lives. She is able to ignite her memories of a time where she used to find a true purpose in life and is able to distract herself from the dystopia’s manipulation. This motivation she gains through the avoidance of her real name helps her realize that she can both become a handmaid physically but also can keep her mind filled with forbidden thoughts. The narrator tells the audience that her “name isn’t Offred,” and continues to say “I have another name, which nobody uses now because it’s forbidden… your name is like your telephone number, useful only to others; but what I tell myself is wrong, it does matter. I keep the knowledge of this name like something hidden, some treasure ill come back ...
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...stalgically says, “It’s a Saturday morning in September, I’m wearing my shining name. The little girl who is now dead sits in the back seat, with her two best dolls, her stuffed rabbit... I know all the details, (84)” which shows that she is using memories of her family to keep her thoughts flowing. “I’m wearing my shining name” expresses that her name is something that brings light to her darkness. This exact phrase shows the reader that her memory enables her mind with positive vibes. When the narrator then says “The little girl who is now dead sits in the back seat” shows us that Offred is indecisive about her own child’s life. At this moment, the reader realizes that her indecisive thoughts keep her distracted from Gilead’s communist ideals. This quote shows that Offred not only thinks about her memories but analyzes them to prolong her escape from this dystopia.
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