Due to her ability to see through the misogynistic Chilean ideals that Elisa reinforces, Patri is labeled an outsider to her family and others. Throughout the course of the novella, Elisa and the other women in the Chilean society that reside in the building constantly thrust their archetypes for women upon their children, more specifically Patri. Elisa believes that in order to fulfill ones duty as a woman, one must find the perfect man and reproduce. Elisa’s feelings are most evident when she states that “women live in a world of stories… smothered, submerged by fascinating stories” (page 75). Due to the society they live in, the Chilean women don’t have much, if any, power. In turn, they seek comfort and solace in the fanciful stories that are “stupid” and unrealistic such as the soap...
... middle of paper ...
...oin ghosts that “haunt” and reside at the building grounds to which Patri’s family and friends work. Not only is this unique in that Patri is the only one invited, but also in this situation, she is a woman with the power to say yes or no. “The ghosts put her in a position where she had to think, had to attend to thinking” (page 108). Unlike other women, Patri has the decision to both jump off the ledge and join a new group of people that seem to value her presence, or remain at the bottom rung of a large society to which she is a social outcast. On the final page of the novella, Patri decides that the time has come to take the leap and join the ghost society. In the end, Patri, in essence, was pushed over the ledge by the society to which she belonged due to her inability to adapt to social norms, to ultimately find a community where she could thrive as an equal.
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