Gender Defines It All
Gender roles seem to be as old as time and have undergone constant, but sometime subtle, revisions throughout generations. Gender roles can be defined as the expectations for the behaviors, duties and attitudes of male and female members of a society, by that society. The story, “The Yellow Wallpaper,” is a great example of this. There are clear divisions between genders. The story takes place in the late nineteenth century where a rigid distinction between the domestic role of women and the active working role of men exists (“Sparknotes”). The protagonist and female antagonists of the story exemplify the women of their time; trapped in a submissive, controlled, and isolated domestic sphere, where they are treated as fragile and unstable children while the men dominate the public working sphere.
In the story, “The Yellow Wallpaper,” the role of a woman in society is one of domestic duties. Jeenie, the protagonist’s sister-in-law, is a great example of this. The protagonist is forbidden, by her husband, to “work” until she is well again, so Jeenie steps in and assumes her domestic identity of a woman and wife. The protagonist calls her “a perfect and enthusiastic housekeeper” and says she “hopes for no better profession” (Gilman 343). Jeenie clearly has no aspirations outside the confines of her domestic role. The protagonist herself worries she is letting her husband, John, down by not fulfilling her domestic duties. She says “it does weigh on me so not to do my duty in any way” (Gilman 342). Besides the domestic role, which she is unable to fulfill, the protagonist plays the helpless, fragile, role of a woman where she is deemed incapable of thinking for herself and is reduced to acting more or les...
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...status of men. The short story, “The Yellow Wallpaper,” by Charlotte Perkins Gilman, exemplifies such roles and constraints. The protagonist of the story, who is isolated, patronized, and dominated, is forced to the inner confines of her mind where her imagination runs free, slowly sending her into insanity.
Works Cited
Gilman, Charlotte P. "The Yellow Wallpaper." The story and its writer: An introduction to short fiction. Ed. Ann Charters. Compact 8th ed. Boston: Bedford/St. Martins, 2011. 340-351.
"Historical Collections :: Reflections on Health in Society & Culture." Claude Moore Health Sciences Library | www.hsl.virginia.edu. 13 Feb. 2012 .
"SparkNotes: The Yellow Wallpaper." SparkNotes: Today's Most Popular Study Guides. 13 Feb. 2012 .
As a result, women were stuck at home, usually alone, until their husbands got home. In the story, Jane is at home staring at the wallpaper in her room. The wallpaper’s color is described by Jane as being “repellent, almost revolting” (3) and the pattern is “torturing” and “like a bad dream” (10). The description of the wallpaper represents Jane’s and all women’s thoughts about the ideologies and rules upheld by men prior to the First World War. It is made evident that this wallpaper represents the screen made up of men’s ideologies at the time caging in women. Jane is subconsciously repelled by this screen and represents her discovering continuously figuring out what she wants. Metaphorically, Jane is trapped in that room by a culture established by men. Furthermore, Jane compares the wallpaper’s pattern to bars putting further emphasis on her feelings of being trapped and helpless. Later in the narrative, she catches Jennie staring at the wallpaper’s pattern and then decides to study the pattern and determine what it means herself. Her study of the pattern is representative of her trying to analyze the situation in which she’s in. By studying the pattern, she progressively discovers herself, especially when she sees the woman behind the
Gilman, Charlotte Perkins. "The Yellow Wallpaper and Other Stories." New York: Dover Publications, Inc., 1997.
In society, there has always been a gap between men and women. Women are generally expected to be homebodies, and seen as inferior to their husbands. The man is always correct, as he is more educated, and a woman must respect the man as they provide for the woman’s life. During the Victorian Era, women were very accommodating to fit the “house wife” stereotype. Women were to be a representation of love, purity and family; abandoning this stereotype would be seen as churlish living and a depredation of family status. Charlotte Perkins Gilman’s short story "The Yellow Wallpaper" and Henry Isben’s play A Doll's House depict women in the Victorian Era who were very much menial to their husbands. Nora Helmer, the protagonist in A Doll’s House and the narrator in “The Yellow Wallpaper” both prove that living in complete inferiority to others is unhealthy as one must live for them self. However, attempts to obtain such desired freedom during the Victorian Era only end in complications.
Wagner-Martin, Linda. "The Yellow Wallpaper." Reference Guide to Short Fiction. Ed. Noelle Watson. Detroit: St. James Press, 1994. 981- 982.
Additional themes include how marriage kept women in a childlike passive state, the importance of self-expression and communication, the mental oppression against women, and the relationship of reading the wallpaper as text.
The concept how woman are treated in modern times have changed drastically compared to woman who lived in the conservative period. That period was the time where the perception of individuals in general dealt with countless restraints. The women were the ones who were affected the most because these values had strongly influenced them. Woman behaved in a way how their husband’s wanted because they were living their lives by the controlled ways of the man. The story of “The Yellow Wallpaper” by Charlotte Perkins Gilman and the story of “The Awakening” by Kate Chopin are two stories that show accurately the way how women were treated at that time; exactly Edna and the other women. I want to discuss that the main characters of these two stories; Edna and the other women’s liberty were interdicted by their husbands. Finally, the way how both stories end; Edna’s suicide, and the other women’s insanity; demonstrates their inability to escape from the unhappy reality. None of them found the real strength, to outdo the restriction and effects of society, to attain their independence and freedom that they continuously wanted to achieve.
Gilman, Charlotte Perkins. “The Yellow Wallpaper”. The Story and Its Writer. Ann Charters. Boston: Bedford/St. Martin’s, 2011. 462-473. Print.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Anthology of American Literature. New York: W.W. Norton & Company, 2007. 1684-1695.
Gilbert, Sandra M. and Susan Gubar. “A Feminist Reading of ‘The Yellow Wallpaper’.” The Story and Its Writer. Ann Charters. Boston: Bedford/St. Martin’s, 2011. Print.
Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers and nurturers of the children. Only recently with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Two interesting short stories, “The Yellow Wall-paper and “The Story of an Hour, “ focus on a woman’s plight near the turn of the 19th century. This era is especially interesting because it is a time in modern society when women were still treated as second class citizens. The two main characters in these stories show similarities, but they are also remarkably different in the ways they deal with their problems and life in general. These two characters will be examined to note the commonalities and differences. Although the two characters are similar in some ways, it will be shown that the woman in the “The Story of an Hour” is a stronger character based on the two important criteria of rationality and freedom.
One of the most notable feminists of that period was the writer Charlotte Perkins Gilman. She was also one of the most influential feminists who felt strongly about and spoke frequently on the nineteenth-century lives for women. Her short story, "The Yellow Wallpaper" characterizes the condition of women of the nineteenth century through the main character’s life and actions in the text. It is considered to be one of the most influential pieces because of its realism and prime examples of treatment of women in that time. This essay analyzes issues the protagonist goes through while she is trying to break the barter from her marriage and love with her husband.
The Yellow Paper is a short story published in 1892, and written by Charlotte Perkins Gilman. Charlotte tells of a disheartening tale of a woman who struggles to free herself from postpartum depression. The Yellow Paper gives an account of an emotionally and intellectual deteriorated woman struggles to break free from a mental prison her husband had put her into, in order to find peace. The woman lived in a male dominated society and wanted indictment from it as she had been driven crazy, because of the Victorian “rest-cure” (Gilman 45). Her husband decided to force her to have a strict bed rest by separating her from her only child. He took her to recuperate in an isolated country estate all alone. The bed rest her husband forced into made her mental state develop from bad to worst. The Yellow Paper is a story that warns the readers about the consequences of fixed gender roles in a male-dominated world. In The Yellow Paper, a woman’s role was to be a dutiful wife and she should not question her husband’s authority and even whereabouts. Whereas, a man’s role was to be a husband, main decision maker, rational thinker and his authority was not to be questioned by the wife.
Traditionally, men have held the power in society. Women have been treated as a second class of citizens with neither the legal rights nor the respect of their male counterparts. Culture has contributed to these gender roles by conditioning women to accept their subordinate status while encouraging young men to lead and control. Feminist criticism contends that literature either supports society’s patriarchal structure or provides social criticism in order to change this hierarchy. “The Yellow Wallpaper”, by Charlotte Perkins Gilman, depicts one women’s struggle against the traditional female role into which society attempts to force her and the societal reaction to this act.
Women have struggled for decades to carve out their place in society, but before they could do that they were tasked with standing their ground in their own marriages. Charlotte Perkins Gilman is a journalist, feminist and women’s rights activist who used her writing to shed light on women’s unequal status in the institution of marriage. In Gilman’s time it was a social norm that women were concerned only with the domestic trappings of the marriage, while the husband took the active role. In Gilman’s most famous short story “The Yellow Wallpaper”, Gilman uses a captivating plot, the symbolism of some frustrating wallpaper, and an overall theme of the importance of self expression to articulate the sometimes harmful aspects of a woman’s place
"The Yellow Wallpaper" motivated the female mind of creativity and mental strength through a patriarchal order of created gender roles and male power during the nineteenth century and into the twentieth century. While John represented characteristics of a typical male of his time, the yellow wallpaper represented a controlling patriarchal society; a sin of inequality that a righteous traitor needed to challenge and win. As the wallpaper deteriorates, so does the suppressing effect that male hierarchy imposed on women. Male belief in their own hierarchy was not deteriorating. Females began to think out of line, be aware of their suppression, and fight patriarchal rule. The progression of the yellow wallpaper and the narrator, through out the story, leads to a small win over John. This clearly represents and motivates the first steps of a feminist movement into the twentieth century.