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MEDIA influences and moulds our behaviour
Effects of representation in the media
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In Gallipoli, the final running sequence mirrors the opening sequence in order to draw the viewer’s attention to the destructive nature of war. This is emphasised by the film concluding with a freeze frame of Archy being mowed down by gunfire. The use of a medium shot assist in emphasising his movements and facial expressions as he runs (5). This in conjunction with the repetition of the whistle sound that indicates the start of Archy running, along with the mere sound of heavy breathing, reveals the similarity in the opening running scene and the final sequence of the film. In the opening sequence, Archy’s running was seen to be an act of freedom, which is created through the smile on his face and the warm lighting created by the sunrise. However in the final scene, the drawn out sombre orchestral music and abundance of crosscutting between shots, assists in creating suspense. Loud diegetic sounds of yelling and devastating war sound effects, build up to the final sequence which inturn created a sense of fear (6). The disparity between the two scenes is how Archy finishes the run both times. The first time he is seen running he wins the race, and the journey the viewer takes with him as the protagonist begins. However the second time he runs he is shot and the screen fades to black and the film concludes. As the viewer expects the protagonist to live, as they do in most films, their ideologies are challenged and they are left with the harsh reality of the destructive nature of war, with no exceptions. Through the final sequence, along with its ties to the opening sequence, the destructive nature of war as a key demonstration throughout the film, is evident.
Peter Weir uses violence to emphasise the destructive nature of war as w...
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... his side, which makes them feel like they are doing the right thing (1). Explosions are also seen to differentiate Kotcheff’s cinematic style with Weir’s as they are used continuously throughout the film. Julian Murphet explains that in film, “the suspension of disbelief” (2, p. 48) occurs, for example, as they witness an explosion. The viewer enjoys this suspended disbelief for long enough that they feel like they are experiencing a thrill, yet they are free of the suffering of the thrill. They are comforted by this idea, and therefore these explosions become somewhat spectacular. As Monaco (2009) explains, it is only the viewers’ perceptions that are experiencing these moments, yet they are so powerful. The audience is attracted to both this spectacular explosion as well as the feeling of being close to the protagonist, which makes Kotcheff’s film so enticing.
The Anzac Legend is the source of the Aussie Fight and bravery that will live on for future generations to understand and to acknowledge their courage and bravery.
The Importance of Success of the Gallipoli Campagin It was important for the Gallipoli campaign to succeed for several important reasons. There were important military reasons, important political factors which had helped persuade the British and French cabinets to approve the plan and there were important personal reasons for those who planned and backed the campaign. There were many important military reasons for the campaign to succeed. The campaign made strategic sense because if successful it would break the military deadlock on the Western Front. It would also knock Turkey out of the war.
The Gallipoli campaign was a military disaster but it is still one of the most important conflicts in which Australia was involved. On 25th April 1915 between 4:30 and 6:30 am the Gallipoli Peninsula was invaded by British, Australian and New Zealand forces. This was to start the long, hard weeks in which the troops were fighting for ground that the enemy controlled in Turkey. They were attempting to gain a supply route to Russia to aid them in repelling the German and Turkish soldiers from their country. I will be discussing the willingness of Australians to volunteer for the war effort and the love and respect they had for their Mother Country, England. I will also discuss how the young, naive soldiers arrived at war not knowing what warfare entailed. They were shocked by the conditions and casualties. I will also discuss the bravery that was shown by the ANZACS in the most dangerous conditions. I will conclude with my reasons of why the Gallipoli campaign holds such value and importance in Australian history and ideology.
All Quiet on the Western Front, by Erich Remarque, is a classic anti-war novel about the personal struggles and experiences encountered by a group of young German soldiers as they fight to survive the horrors of World War One. Remarque demonstrates, through the eyes of Paul Baumer, a young German soldier, how the war destroyed an entire generation of men by making them incapable of reintegrating into society because they could no longer relate to older generations, only to fellow soldiers.
Peter Weir’s 1981 film Gallipoli can in every sense of the phrase be called an ‘Australian classic’. The impact and effect this film has had upon the psyche and perspective of several generations of Australians has been significant. Whilst it can be argued that every Australian is aware of the ANZAC legend, and the events that occurred on the Turkish beaches in 1915, Weir’s film encapsulates and embodies a cultural myth which is now propagated as fact and embraced as part of the contemporary Australian identity. The film projects a sense of Australian nationalism that grew out of the 1970’s, and focuses on what it ‘means’ to be an Australian in a post-colonial country. In this way Gallipoli embodies a sense of ‘Australian-ness’ through the depiction of mateship and through the stark contrast of Australia to Britain. A sense of the mythic Australia is further projected through the cinematic portrayal of the outback, and the way in which Australia is presented in isolation from the rest of the world. These features combined create not only a sense of nationalism, but also a mythology stemming from the ANZAC legend as depicted within the film.
When I watching this movie, I notice that I felt less separation from the movie. Initially I could not find a reason for that but, soon after I realize that the camera is not static but it wobbling slightly. In most movie, camera does not move and it creates the frame. In the other hand, this movie’s handheld camera type of camera works imitate the human eyesight feeling and make people feels like to experience the event in a movie as a one of the character. In this perspective, do not explain too much about the detail is emphasizing this experience. Consider these things, I really excited and enjoyed couple of scene which are the running through battle field and engaging to the baby. In the every day world, both scene is pretty rare to experience. For the battle field scene, majority of the people have avoiding to be in there so that is rare. The engaging to the baby experience is quite normal event for most people and of course it is grate experience but, in this movie setting, baby is extremely rare and seeing baby is truly miracle event. To emphasize and provide this miracle event, this camera work is perfect to apply.
An eight month battle of the British Empire and France against the Ottoman Empire resulted in the Gallipoli Campaign. This Campaign began in April 1915, the same time World War 1 was taking place. The British and French began a naval campaign to force a passage through a narrow area located in northwestern Turkey, known as Dardanelles, because they wanted to secure a sea route to Russia. This plan failed and the Ottoman Empire was prepared for what was to come. The failure of the Allied naval and land operations were essential factors in the Ottoman victory at Gallipoli.
Throughout the movie Peter Weir uses running to draw Frank and Archy together. It began in how they met, at a running race and that was the start
In conclusion, I have demonstrated how Coppola exploits a wide array of sound and editing to create suspense, intensity, and anxiety in the sequence to affect the audience’s emotions, using diegetic ambient sound effects, non-diegetic music, voice over and four editing types. With this sequence, Coppola has shown the savagery of war and our complicity in this violence as an audience.
The sound used in this scene are all diegetic, the sounds of gunfire and explosions show that the characters in this scene are in very real danger of being shot or blown up, this helps the viewer develop a more personal connection with the characters since the scene is towards the end of the film, the viewer has developed a personal connection with the characters and do not want them to die. The diegetic sounds of military personnel can be heard, this is used to show the urgency that the military personnel have to get The Sapphires and Dave out of the dangerous situation. This scene is used to emphasise the danger that Dave and The Sapphires are in very real and very lethal danger, the mixture of sinister camera angles to emphasise the visual danger that the characters are in to the inhospitable sounds portrayed by the scene to highlight the explosive danger that the characters are in. The lighting used features the darkness and the difficulty to see due to the night sky.
Throughout their lives, people must deal with the horrific and violent side of humanity. The side of humanity is shown through the act of war. This is shown in Erich Remarque’s novel, “All Quiet on the Western Front”. War is by far the most horrible thing that the human race has to go through. The participants in the war suffer irreversible damage by the atrocities they witness and the things they go through.
"One is left with the horrible feeling now that war settles nothing. That to win a war is as disastrous as to lose one."
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
Due to the film’s quality and interest it became an award winning film. The film had excellent sound effects such as the battle scenes. The image quality was also outstanding; it used many different angles to depict the actor to make you feel involved in the scenes. In the action scenes the most common viewpoint used was a close up shot which allows the audience to see and feel the intensity of the scene. The second viewpoint mostly used was a tracking shot due to the actors c...
Therefore, it is possible to notice how the cinematography, the mise-en-scene and the editing are used to resemble the peculiarities of the space in which the actions are taking place. For instance, the first part is characterized by long pan or tilt shots, the camera is steady but still manages to follow the characters actions. The editing points to the linear occurring of the events. Also, the characters and the objects are usually methodically placed in the scene. All of the elements are used to convey the rigid organization, efficiency and control typical of the military environment. On the other hand, in the second part, there are usually shorter shots and steadicam shots. The camera is free to investigate the space of action. Here, the editing is used to create a dynamic perception of the events. In this way Kubrick is able to bring in the spectators’ minds the chaotic reality of the war. Moreover, colors become another tool to communicate to the audience this sort of split within the film. In fact, after Pyle’s death the viewer can notice how those metallic and cold colors, that are present at the beginning of the film, shift into wormer colors. It is actually through Pyle’s suicide that the the spectator gets this switch. In that scene the dark red blood stains, and ideologically violates, the cold white tiles of the bathroom. This film is also different on