Peter Weir uses violence to emphasise the destructive nature of war as w...
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... his side, which makes them feel like they are doing the right thing (1). Explosions are also seen to differentiate Kotcheff’s cinematic style with Weir’s as they are used continuously throughout the film. Julian Murphet explains that in film, “the suspension of disbelief” (2, p. 48) occurs, for example, as they witness an explosion. The viewer enjoys this suspended disbelief for long enough that they feel like they are experiencing a thrill, yet they are free of the suffering of the thrill. They are comforted by this idea, and therefore these explosions become somewhat spectacular. As Monaco (2009) explains, it is only the viewers’ perceptions that are experiencing these moments, yet they are so powerful. The audience is attracted to both this spectacular explosion as well as the feeling of being close to the protagonist, which makes Kotcheff’s film so enticing.
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