Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
the literary scene in post world war 2 america quizlet
the impact of the world wars on literature
the impact of the world wars on literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Gabriel Garcia Marquez, an established author and journalist, is a product of the Post Modern Era. This era is the immediate time after World War II which ended in 1945. His writings depict the literary characteristics of blurring of distinctions between genres, in addition to over lapping with other eras, including Colonialism and Post Colonialism. “Ultimately, literature is nothing but carpentry. With both you are working with reality, a material just as hard as wood.” The quote in the line above gives you an impression of Gabriel Garcia Marquez’s outlook toward his literary writing and techniques. Growing up, quiet and shy, he was the oldest of 12 children, Gabriel Marquez had the reputation of being intelligent, as well as, being a great writer (Allen). These traits helped Marquez later in life to become a journalist for a newspaper in Bogota (Fulton). Many of the authors in Marquez’s era believed that there is no truth; they believe life is an illusion (McHale).
The Postmodern Era or Post War Era is said to have begun in 1940 (Wang). Postmodernism is defined by Brian McHale as, “A main international current of literature and at after the waning of modernism, both continuous and dis-continuous with modernism” (McHale). Gabriel Garcia Marquez, without any problems, exemplified the postmodern “Literature of Replenishment” (McHale). The characteristic that mainly defined the era is the lack of a good narrative (McHale). Postmodernists also believed that all religions are valid (McHale). This era was full of politics, as World War II had just concluded. Writers who experienced World War II are said to be the people who shaped this era (McHale).
The president at the beginning of the Post-modem Era was Harry S. Truman. He held...
... middle of paper ...
...tion (2009) : 1-7. Literary Reference Center. Web. 30 Oct. 2013.
Gabriel Garcia Marquez Article – Cited "Gabriel García Márquez - Biography." Gabriel García Márquez. N.p., n.d. Web. 22 Nov. 2013.******************
“Gabriel Garcia Marquez.” Famousauthors.org 2012. Web. 30 Oct. 2013.
"Gabriel Garcia Marquez." BrainyQuote.com. Xplore Inc, 2013. 12 November 2013. http://www.brainyquote.com/quotes/authors/g/gabriel_garcia_marquez.html
McHale, Brian. “Afterword: Reconstructing Postmodernism.” Narrative 213 (2013): 357-364. Academic Search Complete. Web. 29 Oct. 2013.
Ruch, Allen. “Garcia Marquez.” The Modern World. 2 Jun. 2003.Web. 23 Oct. 2013. .
Wong, Ning. “Introduction: Historicizing Postmodernist Fiction.” Narrative 21.3 (2013): 263-270. Academic Search Complete. Web. 30 Oct. 2013.
Macey, David. “Postmodernity.” The Penguin Dictionary of Critical Theory. London: Penguin Books, 2001. 307-309. Print.
Christopher, J. (2011, July). The Life and Influence of Gabriel Garcia Marquez - Yahoo Voices - voices.yahoo.com. Retrieved 2014, from http://voices.yahoo.com/the-life-influence-gabriel-garcia-marquez-8776677.html
Morley, D. 1996, ‘Postmodernism: the rough guide’, in J. Curran, D. Morley & V. Walkerdine (eds) Cultural Studies and Communication, Arnold, New York
McGuirk, Bernard and Richard Cardwell, edd. Gabriel Garcia Marquez: New Readings. Cambridge: Cambridge University Press, 1987).
The Postmodernist movement begun after World War II in which, high and low culture are questionable in the view of society and Art. The postmodernist movement in literature creates a new set of ideals for fiction, such as the metafiction, the fable like representation in novels, the pastiche, irony, and satire. Fredric Jameson speaks about the movement and its theory in his essay “Postmodernism and Consumer Society”. He questions postmodernism in society as it creates the new societal norm of popular culture. On the other hand, Jean Baudrillard analyzes the simulacra of postmodernism in “The Precession of Simulacra”. Baudrillard speaks of the “truth” and “reality” also as a questionable representation for the reader. Yet, both critics agree that postmodernist literature is depthless. Spiegelman’s Maus series is a metafiction, which tells the story of Art Spiegelman’s journey of writing this novel through the present-day retelling of Vladek Spiegelman’s life during the Holocaust. However, as a postmodernist text, Jameson and Baudrillard calls it depthless and an “unreal” representation. Nevertheless, the representation of Maus presents the characteristics of a postmodernist text, but argues that it is not depthless because of the representation of an authoritative view, a historical continuum, and the text does not depict itself as a mode of pop culture.
Characters are made to present certain ideas that the author believes in. In Gabriel García Márquez’s Chronicle of a Death Foretold there are many characters included that range from bold, boisterous characters to minuscule, quiet characters but one thing they all have in common is that they all represent ideas. Characters in the novel convey aspects of Marquez’s Colombian culture.
Another important sign of postmodernism in literature is the abandonment of strict time lines, sometimes called discontinuous time. Often an author will construct a sequence of events that have no time relationships to e...
Postmodernism movement started in the 1960’s, carrying on until present. James Morley defined the postmodernism movement as “a rejection of the sovereign autonomous individual with an emphasis upon anarchic collective anonymous experience.” In other words, postmodernism rejects what has been established and makes emphasis on combined revolutionary experiences. Postmodernism can be said it is the "derivate" of modernism; it follows most of the same ideas than modernism but resist the very idea of boundaries. According to our lecture notes “Dominant culture uses perception against others to maintain authority.”
Style: The typical Magical- Realistic story of García Márquez placed in a familiar environment where supernatural things take place as if they were everyday occurrences. Main use of long and simple sentences with quite a lot of detail. "There were only a few faded hairs left on his bald skull and very few teeth in his mouth, and his pitiful condition of a drenched great-grandfather took away and sense of grandeur he might have had" (589).
Rosenburg, Alyssa. “What Gabriel García Márquez taught us about literature, journalism and history” The Washington Post. 18 April 2014. Web. 21 April 2014.
In the 1950s, authors tended to follow common themes, these themes were summed up in an art called postmodernism. Postmodernism took place after the Cold War, themes changed drastically, and boundaries were broken down. Postmodern authors defined themselves by “avoiding traditional closure of themes or situations” (Postmodernism). Postmodernism tends to play with the mind, and give a new meaning to things, “Postmodern art often makes it a point of demonstrating in an obvious way the instability of meaning (Clayton)”. What makes postmodernism most unique is its unpredictable nature and “think o...
I would like to explore one of the questions posed to us by Professor which is “How can we make the positive aspects of postmodernism work in our favor?” Or even more specifically, the positive and neutral elements of postmodernism, work in the favor of the Christian worldview and thought. We will start by first exploring the basic tenants of postmodernism and a brief history of where it has been and where it is currently, revealing multiple advantages for the Christian worldview in the engagement of a postmodern.
Estorino, Maria R. "Gabriel Garcia Marquez and His Approach to History in One." Gabriel Garcia Marquez and His Approach to History in One. N.p., n.d. Web. 26 Apr. 2014.
Parpart, Jane and Marchand M. (1995) “Part one: Exploding the canon: an Introduction/Conclusion”, in Marchand, Marianne and Parpart, Jane (eds) Feminism Postmodernism Devlopment, London; New York: Routledge: 1-23.
Postmodernism attempts to call into question or challenge the notion of a single absolute unified master narrative without simply replacing it with another. It is a paradoxical, recursive, and problematic method of critique.