Greek And Roman Art

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The Greek Theater:
"The arts of the western world have been largely dominated by the artistic standards established by the Greeks of the classical period" (Spreloosel 86). It is from the Greek word theatron, meaning a place for sitting, that we get our word theater. According to James Butler, "The Greeks were the first people to erect special structures to bring audiences and theatrical performers together" (27). "The theaters were normally located near a populated area at the bottom of or cut out of a carefully selected, sloping hillside overlooking a seascape, a plain, or a city" (Butler 30). "They eventually with few exceptions consisted of three distinct parts: theatron (viewing place) for spectators, orchestra (dancing place) where the chorus and actors performed; and a later addition, a skene (scene building), which provided a scenic backing" (Butler 30).
The theatron was the place where the audience sat. At first the spectators sat on the ground, later on wooden bleachers and finally on tiers of stone seats which followed the circular shape of the orchestra and the natural contours of the countryside. The theatron surrounded the orchestra on three sides. Describing the theater of Dionysus, David Taylor writes, " The spectators seats were in a curving area, a little more than a semi-circle and slope down to the center" (Taylor 19). Even though all classes of people attended the theater there were reserved areas for the more prestigious, such as the king.
" The audience arranged in rows, looked out across a rounded orchestra" (Kennedy 1102). Because most of the early dramas were religious and required a sacrificial ceremony, a thymele (an altar or sacrificial table) was located in the center of the orchestra. The orchestra was where the chorus and actors performed. Arnott states, " the nucleus of the drama was the chorus" (Arnott 9). David Taylor comments, " The theater actually did start without any separate actors; there was only the chorus" (15). Later actors were added, but the chorus still remained the center of attention. The audience sat at a considerable distance from the orchestra and looked down on the performance. Although the amount of detail perceived was limited, they of...

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... cook it and the figures would still show up as red, while the background would come out black. This allowed for more attention to detail as well as the ability to use foreshortening and shadowing. The use of shadowing is more than obvious on the Kylix with the figure of a youth sitting on a stone surrounded by large apatropaic eyes. The ability to foreshadow is shown in many other red-figured works that were done during and around that time.
The differences that are found between these four pieces of art can be traced back to the differences that existed between the two cultures. Even though there are similarities, the differences outweigh them by far. The purpose of the Roman Mummy Portrait of a Man and the Mummy Portrait of a Young Woman differ completely from that of the Greek Black-Figured Psykter and the Red-Figured Kylix Depicting a Young Athelete. The styles of the paintings are also very different as well. The amazing thing that is to noticed is that regardless of the differences that exist, both the Greek and the Roman pieces are considered to be masterpieces of art. The differences that are found add to the uniqueness that each one entails.

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