At the center of where it all begins at "Fun Home," Alison helps us envision her desperate need to make a connection with her father, Bruce Allen Bechdel. Father and daughter are playing a game of "airplane" that ends almost as soon as it begins because of her fathers obsession with keeping his old Victorian house he personally restored clean and what he seems to always want kept in perfect condition. Bruce "could spin garbage into gold" and "cultivate the barren yard into a lush flowering landscape." "He treated his furniture like children, and his children like furniture." Alison makes it clear by telling her story and drawings that he was so emotionally distant, that even before his death, she "ached as if he were already gone."
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... these stories with others. This novel really shows how comics are moving in new directions and demonstrates a willingness to engage readers in new and challenging ways. Each image seems to give a very specific emotion that is carried throughout her story and the pictures contain elements of beauty, longing, memories, and hope.
The bittersweet relationship of parent and child is held again and again in "Fun Home." The memoir ends with two images that portray the bad times and the good. The top half of the final page shows the truck about to strike; the bottom half shows daughter, in jumping into a pool, waiting to be caught in her father 's arms. The bonding of the two images is compelling and striking. They also offer reader and author a choice appreciate what was had or continue to yearn. In completing "Fun Home" Alison Bechdel may have finally ended her longing.
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