From Routine to the Renovation of the Spanish Scene During the Second Half of the Twentieth Century.

From Routine to the Renovation of the Spanish Scene During the Second Half of the Twentieth Century.

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Although the case of Xirgu’s exile is, without doubt, the most striking, it was far from it the unique one. Nevertheless, beyond the absences, what will further handicap the evolution of the Spanish theatre after the Civil War will the paralyzation of the reviving experiences that, with a special drive, were carried out during the Second Spanish Republic. A paradigmatic case is that of La Barraca, the university theatre group created and animated by Fererico García Lorca (Sáenz de la Calzada, 1998), whose staging, within a concept of itinerant theatre was very infrequent in Spain in those years, they even influenced the post-war Spanish theatre.
The rejection of innovations and the isolation in which the Francoist regime initially installed itself, has as first consequence in the theatrical world, the consolidation of the business system prior to 1936. A system that rested on the commercial exploitation of the establishments, in a highly hierarchical regime within the companies and nearly a total submission to the publics taste as main criterion to establish repertoires an...

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