Frida Kahlo is one of the most famous female painters to originate from the twentieth century, and for good reason. Her art is filled with beauty and creativity, but Frida’s main source of fame comes from the emotions that these paintings invoke, rather than the actual paintings. This is because Frida put herself into every painting she did, leaving traces of her presence all throughout this world and these traces remain long after her physical departure. Frida was a very peculiar and unique individual, hence, Frida’s definition of what a person is, or rather, what a self is, follows accordingly. The self is the reality that one conceives, and this self will live long after the physical body dies, continuing on as long as their memories endure. This is what Frida Kahlo defines as the self, according to her artwork.
Frida’s paintings are very diverse, but they all have at least one thing in common: they all allow a glimpse into Frida’s own reality, and some more than others. In the painting, Self-Portrait with Thorn Necklace and Hummingbird (Kahlo, p1), Frida is seemingly in a jungle or garden with a cat and a monkey on opposite shoulders with dragonflies buzzing about her head. She also has a hummingbird tied to an adorned necklace of thorns, which is making her neck bleed. The real emotion in this painting comes fully from Frida’s face. Frida’s eyes are blank and staring straight forward. No happiness emanates from these eyes, only a cold, anguished spirit radiates. Even in this paradise-like setting she is chased by her torment. Although Frida has fabricated a beautiful piece of scenery, she still cannot enjoy the lush flora and fauna around her. This follows her definition accordingly. Although Frida wants noth...
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...he will never be forgotten because she has gone to great lengths to traces of her presence everywhere she went.
Frida Kahlo is inarguably the most famous painter from the twentieth century because she puts such emotion into her paintings. She put her own reality into every painting that she ever fabricated. She never painted stories or fiction, she only painted what she saw in her own mind, and what she saw in her mind was her life. Much of her life was bad, and much of her life was good, but it was all on canvas, and it’s all open to interpretation. If her paintings mean something specific to a specific person, Frida would say that is all that matters. Frida’s paintings had very intense meanings for her, but she would never want to take a person’s own interpretation away from him or her. Frida would say that the only reality anyone has is of their own make.
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