Beginning with Freud’s summary, although it is accurate, it is not complete. Freud focuses solely on the perspective of Nathanael. In doing so, Freud finds the fertile ground needed to plant and cultivate his views. It is through Nathanael’s perspective that readers eventually learn that Coppola is indeed the lawyer Coppelius and the Sand-Man. By itself, this effectively negates the idea of intellectual uncertainty. However, in failing to acknowledge the other perspectives from Hoffmann’s story Freud also diminishes Hoffmann’s expert abilities. In agreement with this, Michiel Scharp’e asserts:
So Freud only focuses through Nathanael and never speaks from a coordinative perspective. And yet, one of the more remarkable narrative techniques of the story is precisely the us...
... middle of paper ...
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Bresnick, Adam. "Prosopoetic compulsion: reading the uncanny in Freud and
Hoffmann." The Germanic Review 71.2 (1996): 114+. General OneFile. Web. 2 Dec. 2013.
Carriker, Kitti. Created In Our Image : The Miniature Body Of The Doll As
Subject And Object. Bethlehem, Pa: Lehigh University Press, 1998. eBook Collection (EBSCOhost). Web. 2 Dec. 2013.
The European Graduate School (EGS) Web. 2 Dec. 2013.
Freud, Sigmund. The Uncanny. San Diego State University. Regent University.
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Hoffmann, Ernst T.W. The Sand-Man. Weird Tales, Vol. one of two. Trans. J.T.
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