Francis Bacon´s Writing Style in "Of Friendship" Essay

Francis Bacon´s Writing Style in "Of Friendship" Essay

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Bacon's writing style in 'Of Friendship'
Francis Bacon is known to be a preeminent English essayist, lawyer, philosopher and statesman having leverage on the philosophy of science. Francis Bacon was one of the eminent crackerjack of English prose. He used to write a terse, epigrammatic, utilitarian prose, a prose well-structured and prescriptive, logical and illustrative. Bacon's prose was impregnated with practical wisdom, and he addressed his readers in an oracular voice which makes his works not only engaging for the readers but also easy to grasp. Many of Bacon's observations have become proverbial expressions in the English language. Bacon's style is most noteworthy for its terseness and displays a great expertise over condensation, such that each of his sentence manifolds several others. Bacon is an ace of aphoristic style and excels in expressing the truth in shortest possible meaningful words. As a pragmatic and as an empirical thinker Bacon followed two major renaissance doctrines i.e Sepantia or Search of Knowledge and Eloquentia , the art of rhetoric which shows that his writing was permeated with impassioned presentation of ideas and aphoristic style.

Bacon's essay "Of Friendship" is stylistically different from his other essays as it contains passionate and flattering statements along with examples to support or explain his arguments. Stylistic difference between “Of Friendship” and other Bacon’s essays is said to be eventuated because the essay was on his friend’s request. In the first paragraph he invokes basic aspects of human nature. First he mentions the saying of Aristotle that is “Whosoever is delighted in solitude, is either a wild beast or a god”. According to Aristotle , a man that has natural...


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...cates the level of concern and the importance he has in his heart for friendship.
If we compare “Of Friendship” to Bacon’s other essays, it has more in-depth explanations over the topic, which either shows that the writer is spiritually connected to the topic or the topic is sensitive it-self and demands better understanding.
The essay bear witness to Bacon’s learned mind in the extensive use of quotations and allusions drawn from various sources and classical fables.
It was a natural incident of this dispersed way of writing that the expression of each thought should have a felicity of its own, independent of its relation to the others; and Bacon did not mar this by trying to force them into a arrangement such as they might have had if one had risen out of another in an extended stretch of thought. If we forget this, we are about to do another injustice to Bacon,


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