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The importance of fashion to France
The importance of fashion to France
The importance of fashion to France
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As Cole Porter once sang “Only in Paris one discovers the urge to merge with the splurge of the spring” (LyricsFreak), the French have always had a “je ne sais quoi” about them, an unforgettable charm and an unrepentant tendency for overindulgence that makes their footprint in the fields of architecture, cuisine, art, fashion and even war, ever so lasting. From Coco Chanel’s simple designs to Victor Hugo’s enchanting prose to Claude Monet’s detailed paintings, it is clear that the French have an unmeasured value for artists, innovators and people who appreciate the intrinsic value of beauty.
France has always been the epicenter of the art world; being the birthplace of the greatest forms of art and renowned artists. One of the artists that exemplify the importance of art to the French is Claude Monet. His detailed paintings are worldwide known. However, the visual arts are not the only type of art that the French people admire; fashion, literature and architecture also have a profound importance in this society. Paris is known for being the fashion capital of the world since Marion Antoinette’s times. Furthermore, France is the birthplace of perhaps one of the most successful fashion designers: Coco Chanel, who created a legacy for her brand, the fashion world and her country. Her designs broke barriers and combined elements of simplicity and beauty flawlessly. Moreover, the French people’s passionate intellect and essence can be witnessed through their literature. Authors like Victor Hugo, who belonged to the romanticist movement portrayed France’s patriotism and his personal opinion on social issues through his poems and drama works. France’s passion for art not only reflects on its talented people but in the cities themselves...
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In the Enseigne, art is also shown to serve a function that it has always fulfilled in every society founded on class differences. As a luxury commodity it is an index of social status. It marks the distinction between those who have the leisure and wealth to know about art and posses it, and those who do not. In Gersaint’s signboard, art is presented in a context where its social function is openly and self-consciously declared. In summary, Watteau reveals art to be a product of society, nevertheless he refashions past artistic traditions. Other than other contemporary painters however, his relationship to the past is not presented as a revolt, but rather like the appreciative, attentive commentary of a conversational partner.
Clothing style is dictated by three particular interests. First is popular fashion, which was most influenced by either the church or the rulers, as styles were copied from the ruling class, and, as they grew more and more extreme, criticized by the ecclesiastical element. Second is commercial interests. The strong merchant class will always know how to push the richest and most expensive materials into the mode. And thirdly is personal artistic expression. Fashion is dictated by many factors such as geography, time, and social and ethical standards. But superseding these is the influence of strong personalities, the brave people who will don the unthinkable, and in doing so, create the latest trend. Personal expression and creativity will only be found in the bravest, and usuall...
There are only a few items in this world, that will never lose its value and identiy. One of them, is the classic chanel bag, originally designed by Coco Chanel herself. In this essay I will analyse the history of the bag and how it became such a phenomenon, as well as looking into the past life of fashion icon, Coco Chanel. In conclusion, a quick glimpse at other works that the chanel world produced will be explored.
Although France was politically divided and hurt, France managed to be a major center of beautiful culture and expression, which ...
Paris is the home of Western World cultures and many famous designers and artist even after the end of world war II United States of America even tried to take over the control and leadership of vital art areas France was still determined to keep the records of the past arts as well as the leadership. ...
The world famous designer and fashion icon Coco Chanel once said “Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, and what is happening.” Fashion is something that has evolved multiple times and is also something that has stood the test of time since the very beginning. It’s something that effects society from things like people’s first impressions of what they assume about you to defining your social class from the wealthier to the not so wealthy. Fashion itself is a reflection of social, economic, political and cultural changes. It expresses modernity, symbolizing the spirit of the times. "Fashion is the most powerful art there is. Its movement, design,
In a time when artistic freedom was severely limited, the French Impressionists tirelessly explored new artistic frontiers despite hostile encounters with the public, ultimately redefining the world’s perspective on art.
For as long as I can remember, I’ve been mesmerized by all things French; their language, cuisine, and their distinctly chic simplicity speak to me in ways very few other things can. My dreams of experiencing these exoticisms first-hand have always seemed distant and unreachable due to my relentlessly tight budget, until now. With the help of the Benjamin A. Gilman International Scholarship, I hope to overcome my financial encumbrances and spend a semester abroad amongst the people who have inspired me all my life.
Jean Paul Gaultier finds a symbolic tension, which highlights the desire to emulate the clothing, and associated gender paraphernalia. He is often described as Frencher than French, the enfant terrible of French couture. This essay will expose reactions of ridicule and intolerance exceptional technique and ability to never confine to the norm, the ways he has shaped and challenged the conventional idea of fashion. The modes of male self-presentation will be shown with the consideration of each fashion collection. “Clothes don’t have a gender except those of function.” Discussion will investigate male self-presentation, Gaultier ability to tread the line between gender identity and cross-dressing, between provocation and originality. Fashion is full of outdated clichés, which no longer fit with the times.
Haute couture can be referenced back as early as the 1700s. Rose Bertin, the French fashion designer to Queen Marie Antoinette, can be credited for bringing fashion and haute couture to French culture. French leadership in European fashion continued into the 18th century when influence was sourced from art, architecture, music, and fashions of the French court at Versailles were imitated across Europe. Visitors to Paris brought back clothing that was then copied by local dressmakers. Stylish women also ordered fashion dolls dressed in the latest Parisian fashion to serve as models.
..., transcendental lighting, and color contrast. No less is this a religious experience than the visits to classic cathedrals that dominate the French landscape from the shores of Mont St. Michel, to the Ile de la Cite’s Notre Dame, to the countless other examples of the French expression of faith through architecture. I must admit to surprise at this overwhelming reaction on my part to Matisse’s talent as an architect and designer. Winding up the mountains to this remote convent, my mind questioned the wisdom of the trek as my comrades enjoyed the Riviera once more at the beach and I thought to myself, just one more church. Never did I expect such a transcendental experience as my visit to this modern masterpiece. Long after the suntans will fade, my memory of this place will deepen my appreciation of Matisse’s art and the importance of the effect of art on culture.
The French Revolution, indeed, changed the structure of economics and social sphere of the old regime, and also the ideology of that time. In the years that followed the Revolution, the always increasing senses of both freedom and individuality were evident, not only in French society, but also in art. As stated by Dowd, “leaders of the French Revolution consciously employed all forms of art to mobilize public sentiment in favor of the New France and French nationalism.” In between all the artistic areas, the art of painting had a special emphasis. After the Revolution, the French art academies and also schools were now less hierarchical and there was, now, more freedom of engaging into new themes, not being the apprentices so tied up to their masters footsteps, not being so forced to follow them.
...t is Impressionism. We see that without Paris and its artists there would have been be no break from the traditions and regulations laid down by the L’École des Beaux-Arts and Le Salon. Without Paris the movement would not have gained the recognition that it did. It was aided by the industrial revolution, the Haussmann project, the growth of le café and the revenue from trade by Parisian art dealer Paul Durand-Ruel. We also note how Paris was highly influential in the subjects of impressionist paintings. We see how the camera and colour theory influenced their work as well as how the modern cityscape and social interactions consumed their creations. Even today Paris plays a role in Impressionism. Its museums house some of the greatest examples of period impressionist work on view, showing that nearly two centuries later Paris is still at the heart of Impressionism.
Gabrielle Chanel remains one of the most well-known fashion designers of all time. She was born on August 19, 1883 in France and died in 1971. Chanel revolutionized the fashion industry with her distinctive style. After the death of her mother, she spent much of her childhood in an orphanage. The challenges of her early life helped build her strong character which influenced her path in life. Chanel was nicknamed “Coco” after a lost dog in a popular song she loved to sing. Her early career was funded by a succession of her rich lovers. This allowed her to open her first shop in Paris in 1910. She sold hats as well as some garments. Coco developed a significant following of clientele who enjoyed her practical sportswear creating great success.