Edgar Allen Poe’s The Cask of Amontillado exhibits a narrative between two characters: Montresor, who is the narrator, and Fortunato, an overtly proud man who fails to see the foreshadowing of his own death by the hand of his friend. Although a short horror story, the ideas of pride and temptation are tossed around frequently. Montresor uses a fictitious cask of wine to ensnare Fortunatos’ wandering and fleeting senses. The downfall of Fortunato is because he held too much pride within himself, and Montresor is trying to show him that in a vengeful way. The story starts with Montresor vowing revenge on Fortunato for disgracing him, thus damaging his pride. Pride is a feeling a satisfaction from one’s own achievements. The opening line of the story demonstrates this exact thought: “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge” (Poe 1). One could surmise that Fortunato has wronged Montresor multiple times and he is now exacting revenge on him. He brings up his family’s coat of arms as well as if to say something about Fortunato disgracing his family. The coat of arms depicts a serpent being crushed by a foot, and the serpents’ teeth sinking deep into the foot. Fortunato is the undulating serpentine character in this, and the fangs embedded in the foot represent his cavalier vengeance striking upon the opposing force. It seems that even the family, with their motto of “nemo me impune lacessit”, meaning “no one insults me with impunity” (3), felt the same way Montresor did in the sense that they would take nothing lying down. Adding insult to injury, Fortunato barely remembered what the family’s coat of arms was. The whole story takes place 50 years after the inci... ... middle of paper ... ...ell off side of society. This is the side Montresor loses pride in and must somehow eliminate. He could have been Fortunato’s confidant at one point, thus forming the similarities, and the resulting consequence being Montresor overcoming Fortunato’s power and creating his own. Another similar factor they both have is they’re masons. A trowel materializes from Montresor’s being to assure Fortunato that he is indeed a mason. Platizky explains this fact, “Montresor uses Fortunato's pride in being a Mason . . . to entrap his adversary”. It’s using this fact to enhance both of their self-importance, and also to make Fortunato more agreeable and credulous in the situation. Overall, Edgar Allen Poes’ use of imagery, metaphors and character development display the desire to abstain others from being prideful. The story also flaunts the determination to inflate ones pride.
Fortunato “takes possession” of Montresor’s arm, for which he suffers (716) in order to carry out his plan. Poe’s use of possession and suffer give the impression that Montresor is being afflicted again by Fortunato. Once Montresor reveals this meeting at this evening is no coincidence by divulging he made sure none of his attendants would be home. By giving the direct orders to be home. Poe shows us that Montresor was not respected or feared by his servants’ actions. The servants’ leaving after being given a direct order to stay does give credence to the fact that Montresor must be very methodical and unyielding to his schedule. Only once Fortunato to the catacombs does he betray his own premise. Montresor refers to Fortunato as his “poor friend” (716). At this point Poe has depicted this instigator of a “thousand injuries” as a drunken jester that can barely catch his breath at this point in the story. Now Montresor is showing some sympathy towards him. At this point the transition is complete. Where the two men stopped at the entrance to Fortunato’s tomb, this is the moment that leaves no doubt that Montresor is the villain and Fortunato is the
Montresor is a man who feels pride in himself and in his family, so when Fortunato—an acquaintance of Montresor— “venture[s] upon insult,” Montresor “vow[s] revenge” against him (1). Montresor hastily decides that he must kill Fortunato, even though his use of the word “venture” implies that Fortunato had not yet insulted him, but nearly did. Montresor’s impulsive need for revenge causes him to formulate a plan to murder his acquaintance. He keeps Fortunato intoxicated by “presenting him…[with] wine,” he “fetter[s] him to the granite,” and he “plaster[s] up… [a wall of] new masonry” to trap Fortunato in the catacombs (39, 71, 89). All of these acts are signs that the need for revenge has made Fortunato insane. A person who has any sense of morals would not commit crimes such as Montresor’s. His impetuous decision to exact revenge caused him to lose his
Montresor seeks revenge on Fortunato by stating, “A succession of loud and shrill screams, bursting suddenly from the throat of the chained form, seemed to thrust me violently back” (Poe 379). Montresor is now getting revenge on Fortunato by chaining him up deep in the catacombs behind this big wall that he has just created. He is doing this to get payback for the things that Fortunato did to him at an earlier date and going by a plan he made to do everything. Montresor gets revenge and satisfies himself. He undergoes the action of doing so when he explains, “I forced the last stone into its position; I plastered it up, against the new masonry I re-erected the old rampart of bones. For a half of a century no mortal has disturbed them” (Poe 379). Montresor is building a huge wall deep in the catacombs with Fortunato behind that so no one can hear him scream and so he can die there and if that is not bad enough he is even chaining him up and drugging him in the process and then after that he is putting the bones back where he found them so even if someone did go back there no one would see or hear anything. That is some smart and painful planned revenge. This is how Montresor got revenge on
Edgar Allan Poe’s “The Cask of Amontillado,” is a short psychological thriller. The murder of Fortunato haunts Montresor so greatly that he feels the compulsion to tell the story some fifty years after the fact. He appears to be in the late stages of life desperately attempting to remove the stain of murder from his mind. That it is still so fresh and rich in specifics is proof that it has plagued him, “Perhaps the most chilling aspect of reading Poe’s ‘The Cask of Amontillado’ for the first time is not the gruesome tale that Montresor relates, but the sudden, unpredictable, understated revelation that the murder, recounted in its every lurid detail, occurred not yesterday or last week, but a full fifty years prior to the telling” (DiSanza).
The Cask of Amontillado is an eloquent story narrated from the murderer’s point of view. Montressor seeks revenge against Fortunato for numerous insults the reader can only imagine. In order to determine the severity of the apparent injustices, Fortunato himself must be understood. Montressor describes him as being “rich, respected, admired, [and] beloved,” as well as “a man to be … feared” (Poe 274-276). Fortunato was a flawed individual, however. His greatest imperfection was his love for wine. Fortunato’s “connoisseurship” (274) of wine resulted in his intoxicated state throughout the short story. His physical and mental capacities were impaired by his drunkenness, and as a result, he was unable to resist Montressor’s lure into the catacombs.
“The Cask of Amontillado” is a dark piece, much like other works of Edgar Allan Poe, and features the classic unreliable narrator, identified by himself only as Montresor. This sinister central character is a cold ruthless killer that is particularly fearsome because he views murder as a necessity and kills without remorse. Montresor is a character who personifies wickedness. Poe uses this character and his morally wrong thoughts and actions to help the reader identify with aspects of the extreme personage, allowing them to examine the less savory aspects of their own. The character of Montresor detailing the glorious murder he committed is a means of communicating to the reader that vengeance and pride are moral motivators that lead to treacherous deeds and dark thoughts.
1. What can the reader infer about Montresor’s social position and character from hints in the text? What evidence does the text provide that Montresor is an unreliable narrator? We learned from paragraph 23 to 24 that Montresor owns a Palazzo and also has lot of retainers based on that evidence, the reader can infer that Montresor is a very wealthy and successful man. About his character, the reader can imply that Montresor is a heartless, cold blooded, sneaky, manipulative, and untrustworthy man, as well as a man who hold on to grudges. Moreover, Montresor is an unreliable narrator, because he reveals in the first paragraph that he intends to have a revenge on Fortunato, but he did not indicate or clearly prove to the readers how Fortunato
"The Cask of Amontillado" is one of Edgar Allan Poe's greatest stories. In this story Poe introduces two central characters and unfolds a tale of horror and perversion. Montresor, the narrator, and Fortunato, one of Montresor's friends, are doomed to the fate of their actions and will pay the price for their pride and jealousy. One pays the price with his life and the other pays the price with living with regret for the rest of his life. Poe uses mystery, irony, and imagery to create a horrifying, deceptive, and perverse story.
Furthermore, just as Fortunato's words may have caused Montresor years of distress, as does both characters fulfillment of Montresor's coat of arms. Montresor is the heel, crushing and ending the life of a serpent, which fittingly represents Fortunato.
The Cask of Amontillado, the narrator, Montresor, want to seek out revenge after Fortunato because Fortunato irreparably insulted him. Throughout the whole story, Montresor made it his mission to get back at Fortunato. The major theme is vengeance as it can drive a person to go as far as committing murder. The author uses many literary devices to elaborate this theme in the story, such as where the story is taken place, Irony, and Foreshadowing.
In the Cask of Amontillado, our narrator’s situation is one he is quite happy being in. Our narrator is Montresor, an Italian man rich with pride, and you quickly learn through his narration that he is intelligent, conniving, and extremely sinister. Throughout the story, everything Montresor does is motivated by one thing, his own thirst for vengeance. Montresor explains his actions are a result of Fortunato constantly abusing him and finally going too far, but he never explains anything Fortunato has done to insult him. When we meet Fortunato, he is extremely friendly towards Montresor, albeit a little intoxicated, so much that he makes Montresor’s story of “a thousand injuries” seem unbelievable (Cask 1). Compared to Gilman’s narrator whose spiral out of control was triggered by her forced seclusion from the outside world, it seems that Montresor’s insanity come from inside his own head. There is no evidence that suggest any attempts by Fortunato to belittle or insult Montresor in any way. I believe that Montresor may have been jealous of Fortunato’s success in life, and that is what drove him to vengeance. For example, on their way to the catacombs Fortunato makes a hand gesture of the Masons, a secret brotherhood, which Montresor doesn’t understand. Fortunato ask if Montresor is a Mason and for him to prove it, and Montresor lies and shows his trowel (Cask 5). This proves that
When they arrive at the Montresor estate, Montresor leads Fortunato down the stairs into the catacombs. Down here is where the Amontillado Fortunato is going to taste and where the revenge of Montresor is going to take place. As he get closer and closer, the narrator opens up more and more to how he is going to kill his "friend". It sound like it is a premeditated murder. Montresor seems so inconspicuous that he acts like he cares about Fortunato which is still a part of his plan.
Edgar Allen Poe uses irony and poetic justice all throughout “The Cask of the Amontillado”. The places where irony and poetic justice hold the most significance are the scenes where, Montresor speaks of the wronging done to him by Fortunato, where Montresor and fortunato speak of the coat of arms, and where at the very end when Montresor traps Fortunato in the catacombs and leaves him to die. These scenes clearly show the use of these two tools that Poe used to tell the story of Montresor and
Edgar Allen Poe’s tale of murder and revenge, “The Cask of Amontillado”, offers a unique perspective into the mind of a deranged murderer. The effectiveness of the story is largely due to its first person point of view, which allows the reader a deeper involvement into the thoughts and motivations of the protagonist, Montresor. The first person narration results in an unbalanced viewpoint on the central conflict of the story, man versus man, because the reader knows very little about the thoughts of the antagonist, Fortunato. The setting of “The Cask of Amontillado”, in the dark catacombs of Montresor’s wine cellar, contributes to the story’s theme that some people will go to great lengths to fanatically defend their honor.
In Edgar Allan Poe’s “The Cask of Amontillado,” Montresor sets out on a vengeful mission that will end Fortunato’s life in an untimely fate. Montresor appeals to Fortunato’s love for wine to tempt the unsuspecting fellow to his impending doom. While Montresor tricks the foolish Fortunato frightfully, it is ultimately Fortunato’s pride that leads to his demise in the crypt. Poe uses several literary devices to foreshadow this murderous exploit of Montresor. Through the use of irony, symbolism, and imagery, the story entices readers to delve into the relationships and differences between Montresor and Fortunato.