Cultural Dissonance In Okey Ndibe's 'Foreign Gods, Inc.'

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In Okey Ndibe’s novel Foreign Gods, Inc., readers are introduced to Ike Uzondu, a struggling Nigerian failing to live up to the expectations he sets for himself. Though Ike graduates cum laude from Amherst with a degree in Economics, he is ironically never given any opportunities in the “land of opportunity” because of his accent. Because of his lack of economic success, Ike falls into a repetitious cycle of indulging his wife Queen B, gambling, and drinking. However, he is prompted to action when he learns about Foreign Gods, Inc., a store that buys and sells statues of foreign gods for large sums of money. As Ike embarks on a quest to return to his hometown in Nigeria and steal a statue of the god Ngene, his motives and actions are constantly
Through a Nigerian cultural standpoint, Ngene plays an important role of linking the past to the present and preserving a unique cultural identity that many in Utonki still hold strongly to. This becomes painfully personal and obvious to Ike when his mother is hospitalized after he steals Ngene: “On finding out that Ngene had disappeared, Pastor Uka had proclaimed it an act of the God he served…Uka and his congregants were in the delirium of celebration when, just after midnight, an army of idol worshippers stormed in. Pastor Uka was beaten to a near-comatose state. Ike’s mother, after taking several blows and slaps to the face, had dashed to the low-lying window and lifted herself over. She had broken a leg and badly bruised her hip in the jump.” (309). Clearly, the commercialization of foreign gods benefits a culture centered around commerce more than a culture of tradition. However, because Ike adamantly holds to his misconceptions of the cultures that he is caught in between, he applies the American cultural view of foreign gods as a source of commerce to Ngene. Though “Mark Gruels had argued that, in a postmodern world, a god that didn’t travel was dead. There was a ring of truth to it, perhaps a chic kind of ring, but he found it comforting enough. In an age
The cultural inconsistency that Ike experiences as a Nigerian in America is also evident in Utonki, most notably when Ike visits Tony Iba. At Tony Iba’s mansion, Ike notices that many of the young boys have a skewed perception of how money is made in America. For example, when they are watching a basketball game, the native Nigerians tended to oversimplify things and instead, focus on the money. “‘I hear its enough money to fill a large room like this one,’ said the gray-haired man. Ike nodded again. ‘And all they have to do is drop a ball in a hole?’ the man asked, his tone wistful. Ike chuckled. It looks easy, but its not.’ ‘What’s so difficult in it?’ asked one of the boys. ‘I can do it’” (239). The views that the young people of Nigeria share are similar to those of Ike, as both seem to have an exaggerated perception of the American Dream. To them, the American Dream only symbolizes great financial success. Ironically, Ike’s observations of these boys shed insight on his own life: “Ike suspected that they were not moved by the spectacle of nimble men slicing, gliding, feinting, flying. They hardly cared for the dunks, the pump fakes, the cross-over dribbles, the fade-away jump shots dropped from impossible angles. It was not the grunts and hard fouls or the fluidity of movement that astonished them.

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