Forbidden love is explored by Gatsby’s misunderstanding of why he cannot fall in love with Daisy, because it is almost as he perceives society to be egalitarian and not hierarchical. This is shown by vivid imagery.
‘He stretched out his arms towards the dark water in a curious way … a single green light, minute far away, that might have been the end of a dock?’ (Fitzgerald, 2010, p. 25)
Gatsby ‘stretched out his arm’, to grasp the ‘green light’, which is an inanimate representation of Daisy, or more significantly his ideal perception of society. The colour ‘green’ infers that Gatsby’s addiction is chronic: he cannot live without her, and is very distressed as a cause of this. From a social viewpoint, ‘green’ also represents Daisy’s innate wealth. Additionally, the stationary ‘dock’ shows that reality is still and that he will never form a relationship with Daisy or anyone in West Egg. However, ‘minute’ reinforces this because it represents that his past love is ‘far away’ and will never be in Gatsby’s hands.
Furthermore, the materialism demonstrated by Gatsby tendency to hold extravagant parties,...
... middle of paper ...
...ciety in the 1920s, because of his over-ambitious dreams and his dynamic character. In the context of American society itself, it is cruel and discriminatory against equality, which is shown by the shocking contrasts between the poor and the rich. Therefore, Fitzgerald conveys that the poor will always be poor and live a discriminatory and socialist established by the superiority of the rich.
BIO. 2014. F. Scott Fitzgerald Biography. [online] Available at: http://www.biography.com/people/f-scott-fitzgerald-9296261 [Accessed: 26 Mar 2014].
Cowley, J. 2012. The great Gatsby, F. Scott Fitzgerald. Harlow: Pearson Education.
Fitzgerald, F. S. and Tanner, T. 2000. The great Gatsby. London: Penguin.
Thoreau.eserver.org. 2014. Thoreau's Civil Disobedience - 1. [online] Available at: http://thoreau.eserver.org/civil1.html [Accessed: 28 Mar 2014].
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