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Renaissance literature essay
Literary criticism of renaissance age
Renaissance literature essay
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Each of us is defined to some degree by our suffering. When we experience a great loss, the grief can be overwhelming. We can become crippled by our emotions, plagued by questions, our faith is challenged. “On My First Son” by Ben Jonson describes a father’s tortuous conflict caused by the death of his firstborn son. John Milton searches for answers and self worth after he becomes blind in his sonnet [When I consider how my light is spent]. Both poems are powerful messages of pain and affirmation that address our universal need for connection. Each work is as relevant today as it was when it was written in the seventeenth century. Although they differ in form and the nature of their losses, each poem asks the same question: What is the purpose of my suffering? Both poems are written in iambic pentameter. [When I consider how my light is spent] is an Italian sonnet with the rhyme structure abbaabbacdecde. Milton’s sonnet is very formal in tone and the words are gently delivered, as if he had already spent much time considering and coping with his loss of sight. “On My First Son” is written in heroic couplets. Line 3 is two beats longer than the rest of the lines, as Jonson laments the too short time that he had with his son. He thrashes about from loving memories to rage and confusion. His thoughts and emotions come across as a fresh wound, raw and painfully wrought. Milton wonders what his purpose is now that he can no longer write words on a page, “that one talent which is death to hide” (line 3) “lodg’d with me useless,” (line 4). His work has been to serve God through his writing for most of his life up until he became blind. He fears that he will spend the next half of his life in darkness, with nothing of... ... middle of paper ... ...one something differently. In this society, we tend to hide our weaknesses and pillory those who don’t pull their own weight. When we lose the ability to work, we sometimes lose our identity and our sense of purpose. It can be even worse to lose a loved one; we wonder how we could possibly survive without them. We can find ourselves through a renewed faith in a higher power, we can console ourselves by seeking out others who understand our plight, and we can restore ourselves by connecting with the wonderful abundance of fine art and great literature. “On My First Son” and [When I consider how my light is spent] are timeless snapshots of the human condition. We suffer because we have the ability to love and to serve and to lose. We suffer because we realize our fondest wishes and our worst nightmares. We suffer simply because we have the capacity to suffer.
Edward Taylor’s Upon Wedlock, and Death of Children and Upon a Wasp Chilled with Cold are similar in their approach with the illustration of how beautiful and magnificent God’s creations are to humankind. However, each poem presents tragic misfortune, such as the death of his own children in Upon Wedlock, and Death of Children and the cold, enigmatic nature of human soul in Upon a Wasp Chilled with Cold. Both poems create an intriguing correlation between earthly life and spiritual salvation while maintaining the element of how cruel reality can be. Both poems manifest a correlation between earthly life and spiritual salvation, which is how you react to the problems you face on Earth, determines your spiritual karma and the salvation that God has in store for you.
Art is not life. More, it is a deception, mirroring experience and emotion, but never truly becoming that which it reflects. Art is attractive in that it is a controlled balance between rigid structure, which is too mundane for its purposes, and chaotic discord, which is too feral. Poetry is art. Loss is not. In her villanelle “One Art,” Elizabeth Bishop proves this to be so. The poem itself is an emotive crescendo, and while its speaker struggles to hold the pain of loss within the confines of art, its readers note the incongruity of such an effort. One word prompts them, and fuels Bishop’s crescendo with a momentum, a tone, and a coda; “disaster” impels the poem “One Art.”
As the first poem in the book it sums up the primary focus of the works in its exploration of loss, grieving, and recovery. The questions posed about the nature of God become recurring themes in the following sections, especially One and Four. The symbolism includes the image of earthly possessions sprawled out like gangly dolls, a reference possibly meant to bring about a sense of nostalgia which this poem does quite well. The final lines cement the message that this is about loss and life, the idea that once something is lost, it can no longer belong to anyone anymore brings a sense...
In spite the basic requirements for human’s survival, personal relationships should be added because not many people are able to function well without intimate relationship with other people or valuable things. Due to this fact, grief occurs when there is a loss either through death, divorce, and theft or when something valuable to an individual can no longer be reached. Grief is that period of time when loss is felt acutely, and the feelings of loss are still very raw to the person. This paper is based on the book of Lament for a Son which was written by Nicholas Wolterstorff, a collection of narratives by this author who is going through grief due to the premature death of his 25 years old son, Eric, who died by an accident when climbing
Living in a period of important religious and cultural flux, John Milton's poetry reflects the many influences he found both in history and in the contemporary world. With a vast knowledge of literature from the classical world of Greek and Roman culture, Milton often looked back to more ancient times as a means of enriching his works. At other times, however, he relies on his strong Christian beliefs for creating spiritually compelling themes and deeply religious imagery. Despite the seemingly conflicting nature of these two polarized sources of inspiration, Milton somehow found a way of bridging the gap between a pagan and a Christian world, often weaving them together into one overpowering story. The pastoral elegy Lycidas, written after the death of a fellow student at Cambridge, exemplifies this mastery over ancient and contemporary traditions in its transition from a pagan to a Christian context. Opening the poem in a setting rich with mythological figures and scenery, then deliberately moving into a distinctly Christian setting, Milton touches upon two personally relevant issues: poetry and Christian redemption. In this way, Lycidas both addresses the subject of being a poet in a life doomed by death and at the same time shows the triumphant glory of a Christian life, one in which even the demise of the poet himself holds brighter promises of eternal heavenly joy.
Just as Katherine Philips, poet Ben Jonson also wrote two elegies, for his son Benjamin and daughter Mary, entitled “On My First Son” and “On My First Daughter”. Jonson’s son died the early age of seven, and he expressed the strong, personal bond between them through the years Benjamin was “lent” to him. Jonson really comes from a place of sorrow and self-condemnation while writing this elegy. His approach to “...
There is a great similarity between the three elegiac poems, The Wanderer, The Wife of Lament, and The Seafarer. This similarity is the theme of exile. Exile means separation, or banishment from ones native country, region, or home. During the Anglo Saxon period, exile caused a great amount of pain and grief. The theme is shown to have put great sadness into literature of this time period. The majority of the world's literature from the past contains the theme of exile. The Wife of Lament is another perfect example of literature with exile, and was written by an unknown author.
early poets such as William Shakespeare who portrays loss in many of his tragedies including the loss of sanity in ‘King Lear’ and the loss of his life. of reputation in ‘Othello’, through to Keats’s ‘Odes’ and into the. twentieth and twenty-first century. Loss is an important aspect of life and many modern poets find it to be an interesting theme to deal with. with in their work,. The poems chosen for the anthology show a range of responses to different types of loss, from death to material.
Once an author publishes their work, the meaning that piece is out of their control. It ceases to contain the connotations that it was built with as each generation adds to and interprets its material differently. Today, unlike in the past, the message taken away from Milton’s ‘Sonnet XIX: When I Consider How my Light is Spent’ is more likely a satirical interpretation on how individuals can overcome any obstacle that they face and must continue to persevere through their lives. The religious aspect is today interpreted in different ways because of the debate over the intent under which the poem was written. This delicious controversy remains a prominent reason for why the poem is still read, discussed and analysed in academia today as a result of Milton’s command over the sonnet form and impeccable use of imagery and satire.
...ks to be the "greater Man." Later in his letter to Diodati, Milton quips: "You ask what I am thinking of? So may the good Deity help me, of immortality!" (Patterson 27). With his chaste epic ambition, Milton seeks to place himself in the role of savior, using his poetic brilliance to undo the Death engendered by the Fall.
Hayden's poem moves from a description of the father, to the speaking "I" of his young son, to the matured recognition and remorse of the now grown poet. The shattering paradox of a laboring father who warms the house and polishes his son's good shoes but is greeted with indifference is not lost on the reader. Yet, the affection demonstrated by the father is through the provision of physical comforts (survival) and the son seems to yearn for something more, or at least is not able to see the affection demonstrated in his father's labors.
Death is a prevalent theme in the poetry of both Sylvia Plath and Emily Dickinson. They both examine death from varied angles. There are many similarities as well as differences in the representation of this theme in their poetry. Plath views death as a sinister and intimidating end, while Dickinson depicts death with the endearment of romantic attraction. In the poetry of Plath death is depicted traditionally, while Dickinson attributes some mysticism to the end of life.
John’s continuous encounters with situations throughout his life have helped shaped this poem. John dealt with many heartaches when the people he cherished the most wasn’t there anymore. It started with his younger brother being incarcerated because of his catholic beliefs and shortly died there. Then his beloved wife died while giving birth. The birth of this poem happened while he suffered the most emotionally from his losses and his ongoing battle with his illness.
The Theme of Death in Poetry Robert Frost and Emily Dickinson are two Modern American Poets who consistently wrote about the theme of death. While there are some comparisons between the two poets, when it comes to death as a theme, their writing styles were quite different. Robert Frost’s poem, “Home Burial,” and Emily Dickinson’s poems, “I felt a Funeral in my Brain,” and “I died for Beauty,” are three poems concerning death. While the theme is constant there are differences as well as similarities between the poets and their poems. The obvious comparison between the three poems is the theme of death.
In "Lycidas" Milton speaks through many voices. From Greek Gods to Biblical figures, Milton shields his voice and personifies these figures who address the subject of death in a less worldly language. This method of writing not only demonstrates Milton's broad education, it also serves to lighten a heavy subject. Shielded by Mythology and motivated by the optimism of Christianity, one can approach the subject of mortality with hope and give meaning to life. Without hope this subject would most likely force the reader to spiral down into deep despair.