I remember when Lars and the Real Girl first came out. I was looking through the newly released movies one evening and as I did Lars and the Real Girl‘s movie cover caught my eye. I recall being puzzled by the movie cover and by the title of the movie. I thought, I would like to watch this movie, but tonight is not the night. After that night I forgot about that movie until we watched it for class. It is great that we are able to apply the frameworks we have be taught to this amazing movie. The frameworks I will discuss are first order cybernetics, lifecycle, and construcvism. First, let’s discuss Lars and the Real Girl with the lens of a first order cybernetics thinker. Lars, Karen, and Gus are a family or a system, which means they impact Lars and Karen have an interesting relationship. She tends to be pushy towards Lars and he reacts with resistance. Lars and Gus don’t really know how to talk to each other, but they try with hesitance. Karen and Gus are happily married and expecting a baby, but it seems like Karen sways Gus in her direct often. Karen and Gus seem to have a symmetrical relationship, which means they have equal roles in the family (Gerhart, 2013). I think this because Karen always seems to want to be supportive towards Lars and she gets Gus to be as well. In the movie it shows us that Lars is living in the garage alone, which is where he isolates himself when he is not at work. I feel Lars has a complimentary relationship with both Gus and Karen, which means he doesn’t have equal roles to them. Also, we see that Karen and This event occurs because of the developmental stage that Lars is in. It is considered to be socially normal to have a girlfriend at Lar’s age. The people in town demonstrate this in the movie by telling Lars he is a good looking guy and that he is at an age where he should find a nice girlfriend. I feel Lars decides to get the doll because of these pressures from the people in town while meeting his own needs. This event is considered non-normative because buying a doll to be your girlfriend and then communicating with that doll is definitely a deviation from social norms. Although Lars is very pleased about having this doll as his girlfriend this event puts a lot of stress on Gus and Karen. Lars changes by being happy and outgoing while spending time with Bianca. Gus and Karen change by being stressed and worried about Lars. This deviation from the social norm causes a social change in the Gus, Karen, and the community because they begin to accept Bianca as being a real girl to help
Intimacy versus isolation is the sixth stage of Erikson's theory. During this period of time, the major conflict centers on creating an intimate, loving relationships with other people. At the age of twenty-eight Suzy had transform to completely new person. She was happily married with two sons. She met her husband at the age of twenty- two. She stated that her marriage brought her the confidence and happiness that she inquired. Her husband, Rupert Dewey is a lawyer .She live in the big house away from the country, because as a child she stated she felt sheltered by parent. She doesn’t have a nanny. Suzy is a stay at home mom. Suzy has gotten her life back on track and seems happy and content.
I received a free copy of The Girl from Everywhere by … from Hot Key Books in exchange for an honest review, this has in no way influenced my thoughts and feelings about the book.
Dakota Hoffman Changes and Choices Mrs. Srittmatter. Have you ever felt like you were socially awkward? Well in the book of the perks of being a wallflower a kid named Charlie has a hard time knowing what to do to socialize, in the movie Mean Girls a girl named Katy comes from Africa and also doesn’t know what to do socially, so they both have similar social skills, both causing them to be social outcasts. In the book Charlie starts his freshman year out friendless and he is not really sure on what he is to do to make a friend. But he meets Sam and Patrick and just goes with them because he feels comfortable around them.
Donna Haraway’s 1984 “A Cyborg Manifesto” is an enduring essay unceasingly analyzed, critiqued, and adored by scholars and students. The piece, in which Haraway uses the cyborg as a metaphor to scrutinize hegemonic problems and refuse the binary, claims that “the boundary between science fiction and social reality is an optical illusion.” In other words, like the cyborg who cannot distinguish whether it is a machine or an organism, in society there is no difference between male and female; rich and poor; black and white. There is only gray, and there are countless shades of it. “A Cyborg Manifesto” is an influential essay that has been relevant to the past and is still relevant to the present. Hence, it is no surprise that it has inspired
Victor’s determination of creating “life” made him ignorant of properly preparing for how to control his creation. Victor became increasingly immersed in his research, spending “days and nights of incredible labour and fatigue” working towards his goal of “bestowing animation upon lifeless matter” (38). Victor did not think about nor concern himself with anything besides his work, for he was deeply engrossed in his occupation (42). As he became more disillusioned with the thought of bringing life to a motionless figure, he did not ponder what his actions should be after his experiment was complete. Once his creature had been b...
For my final essay, I have chosen the movie “Fatal Attraction”, and I will focus on Alex Forrest and her mental disorder. Borderline Personality was displayed in the movie and Alex had almost every symptom of this disorder. Throughout this essay, I will be discussing Alex’s characteristics, intelligence, motivation, stress, social influences and/ or personality theories, treatment, and if the depiction of the disorder and treatment is consistent with what was discussed and read in the course.
In society today, we are conditioned to believe certain sets of ideals. We use these ideals to interact and get along with the other people we surround ourselves with. These ideals are often the societal norms that form common ground amongst individuals. However, living life based off these basic and unchanging beliefs is not beneficial to humanity, nor does it make life any easier to live. In fact, holding on to the most accepted beliefs holds back society as a whole. Judith Halberstam, in her essay “Animating Revolt and Revolting Animation” challenges these societal norms through the analysis of animated movies and, in doing so, carves a path for a new way of thinking.
...t this theory in development, Tracy must decide what is truly important in her life and head in the right direction. She still has a lot of growing up to do.
The 1967 movie Valley of the Dolls connects to Susan Sontag’s definition of camp in her essay “Notes on ‘Camp.’” Its characters act seriously in the film, the world inside is an entertaining comic that fosters laughter, and everything is seen in quotation marks.
Unbalanced relationships in Henrik Ibsen’s A Doll’s House are shown through the symbolism of a doll. Characters in A Doll’s House live according to the assurance and pressure of society in the Victorian era. These unbalanced relationships shown through the symbolism of A Doll’s House is commonly displayed among the main characters, and minor characters, and can also be shown through social class. A Doll’s House is an empowering book that inspires women and educates men. The multiple “dolls” in A Doll’s House can connect to the audience on a personal level because there is a type of doll for
Linde and Krogstad are the two characters who had suffered the most throughout their lives. Mrs. Linde, a widow and former friend of Nora, was searching for work. Krogstad, a lawyer, was about to be fired from his job at the bank, by Torvald. He was going to be replaced by Mrs. Linde. As the play unfolds, it is revealed that Mrs. Linde and Torvald were past lovers. Krogstad, due to his past indiscretions, loses his job at Torvald’s bank, and Mrs. Linde replaces him. When Krogstad discovers this, he is upset, and rightly so. Losing a job to a woman would have been very degrading for a man, especially one that was raising his children alone. After a long discussion, and through the power of forgiveness, they manage to come together and, we assume, turn their lives around.
Terminator and Bladerunner, portrayed cyborgs or cybernetic organisms as creatures of destruction. Are they really as horrible as the movies make them out to be? They can be more useful than perceived; it is necessary to first perfect the technology involved in creating and operating them. In this paper, I will describe how these cyborgs work and how they are portrayed in the movies. Furthermore, I will explain the helpful ways that they are expected to perform in the future.
It may seem trivial and go unnoticed to most, but by assigning Barbie a real career, people are able to identify with and recognize her. The marketers also provide Barbie with a life other than modeling, such as friends and a home. The Ken doll, which is commonly known as Barbie’s boyfriend, makes her appear more real to the audience. Girls are able to identify with the idea of a boyfriend, which makes the notion of Barbie seem more realistic and desirable. The same idea is applied to the many friends Barbie has been accompanied by over the years. Lastly, and perhaps most famously, Barbie, like almost all of the girls who play with her, have a home. The Barbie Dream House is just another clever way her marketing team has presented her to society as a real person. Humanizing Barbie, and portraying her in such a manner makes her more attractive to potential buyers. The girls who engage in play with dolls do not want merely a doll; they desire something they can relate to and envision in the real world. Imaginative play is a large portion of childhood, and the ability for children to posses a doll like Barbie , who represents a real person in society, is extremely valuable. The use of social constructionism in the marketing of products such as Barbie is both brilliant and effective.
In "A Doll's House", Ibsen portrays the bleak picture of a role held by women of all economic classes that is sacrificial. The female characters in the play back-up Nora's assertion that even though men are unable to sacrifice their integrity, "hundreds of thousands of woman have." Mrs. Linde found it necessary to abandon Krogstad, her true but poor love, and marry a richer man in order to support her mother and two brothers. The nanny has to abandon her children to support herself by working for Nora. Though Nora is economically advantaged, in comparison to the other female characters, she leads a hard life because society dictates that Torvald be the marriages dominant member. Torvald condescends Nora and inadvertently forces Nora to hide the loan from him. Nora knows that Torvald could never accept the idea that his wife, or any other woman, could aid in saving his life.
“The Little Match Girl,” gives readers an insight on what it is like to be a starving, freezing, homeless, and mistreated little girl.