The first exchange between Beatrice and Benedick is always greeted with delight in the theatre? Explain why this is so.
Act one scene one of Much Ado About Nothing is always greeted with delight in the theatre for many reasons. It begins when Don Pedro and company enter a "golden world" in Messina where the women are already located. In this situation, people fail to take things seriously, causing the war of swords to soon turn into a war of words. Benedick and Beatrice are the main examples of male/female rivalry that converts into belligerent wordplay. The scene is greeted with delight because it is the first encounter between Beatrice and Benedick and Leonato has already explained the situation between them, stimulating the audience with the want to know more about the relationship between them. ?There is a kind of merry war betwixt Signor Benedick and her: they never meet but there?s a skirmish of wit between them.? Leonato explains the relationship between Beatrice and Benedick to the messenger. We also already know what Beatrice thinks of Benedict from her first line in the play whereupon she asks ?I pray you is Signior Mountanto returned from the wars or no?? Here she makes a joke about Benedick?s arrogance as Signior Mountanto can be translated as Signior Stuck up. However there may be more to this than meets the eye, it is obvious that she cares about him otherwise she would not have asked but the covers this up with a snide comment bout the ego of Benedick. Here the audience has already established that both Beatrice?s verbal wit and dexterity and her apparent disdain for Benedick and what might be seen as her attempt to mask her true feelings and this is greeted with delight in the theatre.
The clash of wit between ...
... middle of paper ...
...and mistrust. He is grateful for his mother, but plans to have no other women in his life. Like Beatrice, by insulting the female gender, he is proclaiming the male gender as supreme.
From this we see that Beatrice and Benedick are actually very similar. Both believe that they are joyous and pleasing, for example Benedick states ?I am merry? and is described as ?from the crown of his head to the sole of his foot, he is all mirth?. Beatrice also states that she was ?born to speak all mirth and no matter? and is described as ?a pleasant spirited lady?. Beatrice and Benedick are also similar because of their desire to stay single. We see this in the comments, ?I will live a bachelor? by Benedick and ?She cannot endure to hear tell of a husband? by Leonato about Beatrice. This shows Shakespeare?s dramatic irony as they end up falling in love with each other at the end.
The difference between Beatrice,Benedick,and the other two Claudio and Hero though is that, these two are very headstrong characters with a different outlook on love, but have very much love for one another. Benedick believes in just being a bachelor and spending the rest of his life messing with as many women as he pleases, well as for Beatrice she believes there is no man good enough and willing to show her the love she wants so she much rather be left alone. But the fact that they honestly want to believe what they say is what makes this get way more interesting. What they don’t know is that they are going to soon become curious trying to figure out what they truly feel for one
Set in the sixteenth century, Much Ado About Nothing is revolved around the thought of love and marriage. Primarily, this is prevalent in the two main characters, Beatrice and Benedick. They have once been courted which suggests more maturity than the majority of couples in Shakespeare’s various plays. In the duration of the play, the violent language between Benedick and Beatrice is most evident through their ridicule. Both characters always speak critically regardless of whether they are talking to each other or out loud about one another. This is highlighted when Beatrice exclaims, “What should I do with him—dress him in my apparel / and make him my waiting gentlewoman? He that hath a / beard is more than / a youth, and he that hath no beard is less than a/ man; and he that is more than a youth is not for me, and he that is less than a/ man, I am not for him...
Beatrice and Benedick in Act 1 of Much Ado About Nothing by William Shakespeare. In Much Ado About Nothing we learn about Beatrice and Benedick. Benedick is a very confident, witty man who appears to have a love. hated her relationship with Beatrice.
In the play of `Much Ado About Nothing', Beatrice is portrayed as a witty and strong willed woman who talks a great deal, appearing determined not to marry. However, Don Pedro concocts a plot that brings her together with Benedick and they marry at the end.
Much Ado About Nothing is a tale of two very different relationships. The relationship between Beatrice, the niece of the Governor of Messina and Benedick, a close friend of the Nobleman Don Pedro and that of a young soldier called Claudio and The Governor’s young and beautiful daughter Hero.
Beatrice's courtship with Benedick greatly contrasts with the courtship of Hero and Claudio. Hero gladly and willingly submitted to marriage, and she accepted the role of the relatively powerless woman. In contrast Beatrice chose her submission after openly criticizing the institution of marriage.
Viola and Beatrice both take on men's roles, Viola that of a manservant and Beatrice that of the perpetual bachelor and the clown: "I was born to speak all mirth and no matter," she says to Don Pedro [II.i.343-4]. They appear to be actors and manipulators, much more so than their female predecessors, who are mostly reactive and manipulated, such as Hermia, Helena, Titania, and Gertrude. None of these women seemed in charge of her own destiny, but tricked by the schemes of men and later scorned or humiliated as a result of male machinations. Viola and Beatrice, although they both seem fiercely independent and comfortable in a man's world, reveal themselves to have only the trappings of manhood, and not its full capacity for action. They are undone by unrequited love, made desperately unhappy by their inability to woo the man of their choosing. In the end, it is only coincidence and the plotting of other characters that bring the true nature of their affections into the open and thus force the plays to their respective matrimonial conclusions.
Beatrice is, without a doubt, one of the strongest female characters that Shakespeare ever came up with in his time of writing. Shakespeare shows, through Beatrice, how every woman should act in an era where only the men were even able to have control. In this era, or the renaissance time, no woman had free will; they were always told what they could and could not do, as well as, who they were to marry. In the play “Much Ado About Nothing” Beatrice has many qualities but the ones that stand out the most in the play are: her independence, her feistiness, and of course her openness to defy male subjection.
Beatrice and Benedick in Much Ado About Nothing by William Shakespeare Much Ado About Nothing opens in a situation with a war that has just ended. The men enter a "golden world" in Messina where the women are already located. In this situation, people fail to take things seriously causing the peace soon to turn into a war of words. Benedick and Beatrice are the main examples of male/female rivalry that converts into belligerent wordplay. The first confrontation between Beatrice and Benedick appears in Act One Scene One.
All characters are initially insulting and rude towards one another. The witty banter and back and forth arguing between Beatrice and Benedict is abundant in Much Ado About Nothing. An example of this is when Beatrice states “I wonder that you will still be talking”(1.1.114). Essentially Beatrice is saying she wonders when Benedit will stop talking because no one is listening. Immediately following, Benedict replays “What my dear Lady Disdain! Are you yet living?” (I.i.116-117). Benedict is saying that Beatrice is a lady he can't stand, and asks her if she's still alive.
At the beginning, Benedick’s attitude is negative towards women in general. He swears he will never marry, as he is very critical of women and does not trust any of them not to cheat on him. He seems to oppose with Beatrice in a competition to outwit, outsmart, and out-insult each other. Obviously he has been in some sort of past relationship with Beatrice because when he meets her at the masked ball, she describes him as a selfish pig. We can infer that Benedick has some kind of deep feelings for her because after she insults him he is hurt and says, “Will your grace command me any service to the world’s end? I will go on the slightest errand now to the Antipodes that you can devise to send me on. I will fetch you a toothpick from the furthest inch of Asia . . . do you any embassage to the pigmies, rather than hold three words’ conference with this harpy” (II.i.229–235). This blatantly means that he does not wish to talk to her.
Beatrice is an extremely crucial character in ‘Much Ado About Nothing’. She is one of the reasons that many plans and schemes fall into place to provide us with the outcome that the play finally reaches. Shakespeare depicts Beatrice as a very strong character who knows what she wants and how she wants to achieve it. Her characteristics of sharp wit and her ability to be acutely opinionated allow her to be a notable contrast from the other women in the play, whether this be in a positive or a negative way.
...he other hand, Beatrice and Benedick are comedy-makers and Beatrice is not ruled by her father as Hero clearly is. It does take Don Pedro’s benevolent plot to bring Benedick and Beatrice together, however. A modern audience would prefer Beatrice to Hero as she is her own self and admirable. The relationships also differ because Benedick and Beatrice’s relationship slowly grew whereas Claudio and Hero’s relationship was love at first sight. Perhaps it was a little hasty as we see in Act 4 how their love turns sour.
...o asks Hero about Claudio she responds with: "So you walk softly, and look sweetly, and say nothing, I am yours for the walk, and especially when I walk away." (2.1.81-83). Beatrice is what a woman should be. A more modern view of feminism would have had Beatrice not only make her own decisions but follow through with them on her own. While Much Ado About Nothing seemingly questions the traditional gender roles of men and women in Messina through Beatrice's resistance to them, at the same time, the play decidedly ends Benedick saying, "Peace! I will stop your mouth" (5.4.96), silencing Beatrice with a kiss. Still, it cannot be denied that Beatrice, for a time, equates herself with men and the power they hold. Unfortunately, she gives in to love and in so doing, she relinquishes her independence and self-control in the male-dominated world of Much Ado About Nothing.
Jane Bennet is the eldest daughter in the Bennet family at 23 years old and is deemed the most beautiful of all the daughters and of all the ladies of Hertfordshire. She is amiable, and her “sweetness and disinterestedness are really angelic” (132). She never wishes to think shamefully of anyone as long as she can help it. Her modesty is strong enough that those who do not know her may believe her to be reserved. Elizabeth and Jane have opposing dispositions yet their relationship is vital as they balance each other out. Jane brings out the benevolent qualities of others for Elizabeth while Elizabeth keeps Jane weary of ill-intent.