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Symbolism in stanley kubrick's "the shining
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1980. Warner Bros. Directed by Stanley Kubrick. Music by Wendy Carlos and Rcachel Elkind. Cinematography by John Alcott. Editing by Ray Lovejoy. With Jack Nicholson, Shelley Duvall, Danny Lloyd. Stanley Kubrick’s “The Shining” presents the audience a twisted tale of a man named Jack Torrance and his wife Wendy and son Danny, who spend a few winter months in isolation as caretakers of the Overlook hotel. This is no typical horror movie. Viewers are slowly lead though a slow film journey following the Torrance family in their moments of horror and insanity with help from bizarre events connected to the haunted Overlook Hotel. Through unique camera shots, Stanley Kubrick vividly captures and displays an emotional roller coaster of the facial expressions of Jack, Wendy, and Danny as they experience horror straight from hell. The Shining goes above and beyond the average horror film because of Kubrick’s brilliant vision and technical understanding of camera, lighting, and film. His choice of actors is phenomenal, and the script is changed in ways from the book that benefit the film medium and pulls on the emotions of its viewers. The film begins with aerial camera shots taken from a helicopter that reveal the long secluded path to the Overlook Hotel. Kubrick did this to give a peaceful and calming feeling that misleads the audience about what is soon to be the winter home for the Torrance family. As the scenery changes, the different landscapes foreshadow the end of the film. The aerial shots make the forest look like the hedge maze next to the hotel, which is a huge part of the plot and where Jack ends up at the end. The idea of a maze is crucial to the plot, as well as the confusion and feeling of being lost that “The Shini... ... middle of paper ... ...ze and hotel were a maze for Jack, Wendy, and Danny. It will always be a wild journey in and out, and “The Shining” will always provide something new to mystify viewers. The movie will not quell the fears that Kubrick pulled out of the audience, but viewers are left to ponder and reflect on their meaning. And the Overlook Hotel is an embodiment of immortality and all the fears and unknowns associated with it. Works Cited Nelson, Thomas Allen. Kubrick: Inside a Film Artist’s Maze. New & Expanded Edition. Bloomington: Indiana University. Press, 2000. Print. The Making of The Shining. Dir. Vivian Kubrick. Warner Bros. 2007. Blu-ray. The Shining. Trivia. The Internet Movie Database. Web. 11 May 2014. View from the Overlook: Crafting The Shining. Dir Gary Leva. Warner Bros. 2007. Blu-ray.
Wizard of Oz, The. Dir. Victor Fleming. Perf. Judy Garland, Frank Morgan, and Ray Bolger. Warner Bros., 1939.
...a film that was revolutionary in its production, its subtext as understood in historical reference, and its lasting effects on the horror genre.
Saw is a American horror film directed by James Wan. The film is about a killer who calls himself the Jigsaw. He kills and/or “teaches” his victims to respect life. He watches his victims and then abducts them when learning their problems in life.
Suspense is a 1913 film that portrays the story of a tramp intruding into a family’s home, where a mother takes care of her child while her husband is away. The plot is a common one that had been used previous times before the film’s release, such as in The Lonely Villa (1909). However, through taking advantage of the single frame shot, the filmmakers were able to create a masterful aesthetic of two separate stories that turn a basic plot into a complex story. The film created an inventive way of illustrating stories within cinema by allowing the audience the chance to consume more narrative in less time within just one take.
The film begins with a title card sequence upon a static backdrop of shrubbery, mountains and distant clouds; a lingering sight that doesn’t truthfully establish forthcoming events in Vienna’s saloon. Her saloon may be quiet, but it is always occupied, and whilst the opening sequence, in which we are introduced to Johnny Guitar, is filled with a bravado of horns and orchestral accompaniment, the saloon itself is inversely populated by the sound of wind, tumbleweed, and stark silences - something perhaps more associated with the western expanse in which the story takes place. Yet for this dichotomy in sound, the initial visuals after the credit sequence foreshadow the destruction of locale, and the audience takes the place ...
Stanley Kubrick's The Shining. Dir. Stanley Kubrick. Perf. Jack Nicholson, Shelley Duvall, and Danny Lloyd. Warner Home Video, 1980. DVD.
The film, Out in the Night documents a 2006 case in which a group of young African American lesbians were accused of gang assault and attempted murder. The film portrays how unconscious bias, institutional discrimination and racism contributed to the convictions of seven African American lesbian women. Three of the women pleaded guilty to avoid going to trial, but four did not. Renata Hill, Patreese Johnson, Venice Brown, and Terrain Dandridge maintained their innocence and each were charged with several years in prison. I cried through out the documentary because it dawned on me that it’s not safe for women, especially gay women of color. The four-minute incident occurred in Greenwich Village where Dwayne Buckle sexually and physically harassed
The film Sunset Boulevard, presented in 1950 is a black and white film. The film is about Norma Desmond an old actress, who has issues accepting that she is becoming old. The main actor in the film is Gloria Swanson, who plays Norma Desmond, an older woman who believes she is still young. Desmond is not content with the fact that Hollywood has replaced her with younger actresses. The next actor Nancy Olson, plays Betty Schaffer who falls in love with Gillis despite being engaged to his friend. The third actor is William Holden who plays as Joe Gillis, who has financial problems and decides to turn himself into a gigolo to earn money. The dilemma with Joe is he does not want Betty to know about his job because he knows he might lose Betty as
In the film, Kubrick makes better use of symbolism and the archetypical characters in the story than King did. Stanley Kubrick has taken advantage of the words written by King and turned them into a genius image. The film is loaded with copies and cycles, individuals existing in two time periods with clashing personas, which are constantly battling each other throughout the movie.
With the setting in a hotel in the snowy Colorado Mountains, it is about a man taking a job as a sitter for the Overlook Hotel throughout the winter time frame. The father and husband Jack took his wife Wendy and son Danny with him to live while he takes care of the place even after finding out about the pass events that happened there. The film provides a visual output for the text of what the author was trying to say. Which could be the way the way that the readers could not have seen the text, even if they have read the book before. Carr said “The Shinning doesn’t necessarily come off as a horror film” (Critical Genre). It may be that way because of the beautiful scenery in the film, but many claim for the time that is being created it is better than the book. Which is for everyone to decide based on their own perspective. Faye Carr states that King “directs the audience towards a psychological explanation for the apparitions” (Critical Genre). The Shining is not like other horror films during its time. In the movie when Wendy said “It wasn’t your daddy trying to hurt me” and that it was “the Overlook has gotten into [him]”(The Shining). During his time at the hotel while trying to write his novel, Jack mind slowly starts to be submissive to both auditory and visual hallucination. That soon started to make him act in irrational ways to, showing why Jack went on the rampage in the hotel to kill his wife and
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
...the predominant theme of disorientation and lack of understanding throughout the film. The audience is never clear of if the scene happening is authentic or if there is a false reality.
In recent decades, many have argued that the line between realism and fiction in cinematic endeavours has become increasingly blurred. It has not been until recently that the world has truly been exposed to this completely innovative cinematic style, which has captivated audiences with its new approach to filmmaking. This new cinematic style was first introduced in Eduardo Sánchez and Daniel Myrick’s The Blair Witch Project. Here I will focus on breaking down the various levels of realism within The Blair Witch Project, in order to convey why it had such a monumental impact on the cinematic world, while still remaining a popular and modern horror film to today’s audiences. In order to achieve this I will pay particular attention to the style of filming, the clever marketing campaign and the combination of fact and fiction, which helped captivate even the most, experienced of cinemagoers.
‘Our interest in the parallels between the adaptation inter-texts is further enhanced by consideration of their marked differences in textual form,’