According to Pedro, people get unsure about an image produced digitally for the documentary. The digital age has opened a whole new world of alterations. He finds any such alteration no different than what ordinary film was editing. One can create a documentary story by creating a stronger image by organizing and adding pics of information to complete a picture. It could be be the way the photographer chooses to place the angle of his camera or for a computer alteration. Pedro encouraged photographers everywhere to apply digital technology and coming up with a stinger documentary work. There are risks of abuse, but those risks have been there in ever other field as well. It is time to realize that Documentary Photography has been refined (Meyer 2000).
As discussed earlier, there are questions being raised regarding the concept of fact and fiction. The very act of a photographer raising the viewfinder to their eye, the manipulation of a photograph begins. It is how the photographer hold the camera and what angle, will influence what is being recorded and what the photograph will appear. The control exercised by the photographer accurately suggest his aesthetic and technical intentions (A photo Teacher 2015). The nature of technical execution, what is being photographed and how the subject is photographed is at the discretion of each photographer. In the documentary practice particularly, there is a why and what the photographs will serve.
When Pedro presents his digital pictu...
... middle of paper ...
...ience to get the image one has imagined. For him, photography presents a wonderful opportunity today, and one can pull the right strings to create a stronger image for a documentary story. One can add,s eliminate or reorganize those pics of information to make the final picture. In his picture, there is nothing with the frame that wasn’t there in the reality of the world. He feels there is no difference in his style of working with images and to a photographer who chooses his angle to place a camera to get a more favorable light or position. He encourages photographers to test the new waters an apply digital technology in their documentary work. The risks of abuse cannot be ignored, but one cannot overlook the amount of creativity the new media has to offer. Documentary Photography has indeed been redefined by Pedro and other documentary photographers like him.
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