"Mrs. Robinson, you are trying to seduce me," says Benjamin Braddock (Dustin Hoffman). The Graduate, directed by Mike Nichols in 1967 is an influential satire/comedy film about a recent East Coast college graduated who finds himself alienated and aimless in the changing, social and sexual general public of the 1960s, and questioning the values of society. The theme of the film is of an innocent and confused youth who is exploited, mis-directed, seduced (literally and figuratively) and betrayed by a corrupt, self-indulgent, and discredited older generation (that finds stability in “plastics”) that I found to be quite clear and understanding, while also capturing the real spirit of the times and allows America's youth to perceive onscreen an image of themselves which they can both identify with and emulate. The Graduate is a significant film even today due to its use of abstract camera angles, telephoto lenses, excellent cinematography, and great acting. Few visual effects were used, however, matting and numerous point of view shots were used. These characteristics and the fabulous use of mis-en-scene, great writing and the era of the film all made The Graduate what it is today, magnificent. Benjamin Braddock is at a crossroads in his life. He has just graduated college which means he has reached adulthood and must decide what to do with his life. The problem is Benjamin is too immature to handle it. He is passive and watches the world around him move on. Ben prefers to lie around in his parent's pool rather than consider graduate school or finding good quality job. He is beginning to realize that the path his parents have chosen for him isn't the one he wishes to follow. He is lost young man in search of high dreams, ... ... middle of paper ... ...t he has faced his conflicts and found resolutions. The Graduate is a cult classic. Not only was it a movie for the generation of baby-boomers in the Sixties, but it still remains a symbol of the teenagers today that are searching for something and those that are "a little unsure about their future". Benjamin Braddock, a college graduate comes home only to be seduced by his father's business partner's wife. He then falls in love with her daughter, Elaine, which in turn leads to a rollercoaster of events which end up leading to the final scene of Benjamin taking Elaine away after getting married to another man. This film is a classic example of coming of age; Benjamin is boy in the beginning, and a man at the end. Without the direction of Mike Nichols, acting by Dustin Hoffman and great cinematography this film would have been forgotten and ill represented.
Incohesive, long, and dialogue-heavy, Inherent Vice has all the potential to flounder. Yet under the steady (or rather, wild) hands of director Paul Thomas Anderson, the film becomes a psychedelic, incredibly enjoyable ride brimming with wit and melancholy. The film follows Larry ‘Doc’ Sportello (played in routinely magnificent fashion by the now ever-reliable Joaquin Phoenix), and his exploits to help his ex-girlfriend, Shasta Fey (Katherine Waterston, also exquisite) investigate a kidnapping of notorious real-estate billionaire Mickey Wolfmann. From there, the plot descends (or ascends, depending on your perspective of the film) into sumptuous lunacy; a mystery involving the coveted and secretive
Clyde receives a job with his uncle's company, and he sees himself as quickly climbing the social ladder as well as feeling he is on his way to succes...
In this essay, I claim that the use of Mise-en-scene in The Graduate (1967) and Jaws (1975) suggests that a major issue within these films is the difference in social class and background. Class can be portrayed in many different way some based on gender, family, and ethnicity. Being that each film has a variety of different characters and how there portrayed in plot shows each character coming with different standpoints and backgrounds based on the situation that their faced with. The Graduate (1967) it tells a story about Ben a recent college graduate that unsure about what he wants in life and coincidentally is seduced and has an affair with an older married woman then falls in love with her daughter Whereas Jaws
The college graduate, Benjamin Braddock, returns to his parent’s home until he figures out graduate school. Feeling confused and unsure about his future, Benjamin becomes depressed and quiet until Mrs. Robinson, who is also discontent with her unfulfilling life, seduces him into committing adultery. As their relationship comes to a close, he is still haunted by his sinful past as he begins to fall in love with Mrs. Robinson’s
The film chronicles the histories of three fathers, and manages to relates and link their events and situations. First is Mitchell Stephens and his relationship with his drug-addict daughter. Second is Sam, and the secret affair he is having with his young daughter Nicole. He is somewhat of a narcissistic character because of his preoccupation with himself and pleasing himself, and his lack of empathy throughout the film for the others in the town. Third is Billy, who loves his two children so much that he follows behind the school bus every day waving at them. Billy is also having an affair with a married woman who owns the town’s only motel. On the exterior the town is an average place with good people just living their lives. But, beneath all the small town simplicity is a web of lies and secrets, some which must be dealt with in the face of this tragedy.
and his need or desire to be alone all the time, he doesn’t like to be
Foster, Gwendolyn Audrey. Class-passing : social mobility in film and popular culture (Carbondale : Southern Illinois University Press, 2005).
Since the birth of movies, Hollywood has strived to delve into the human experience and present certain aspects of life to the general population. Mental disorders are just one of many topics that are often explored for use in the media. The film A Beautiful Mind focuses specifically on paranoid schizophrenia, and follows protagonist John Nash’s life as he lives with the disorder. The film details Nash’s presymptomatic life at Princeton University, follows him through the early stages of the disorder, and continues as the symptoms begin to overrun his life. Luckily for Nash, his disorder is eventually clinically diagnosed and he is treated. The movie not only shares the tale of Nash’s life, but also shares with audiences a lesson about the
The film, Fruitvale Station, is based upon a true story of a young, unarmed African American male, Oscar, who was shot by a Caucasian BART police officer. The film displays the final twenty-fours of Oscar Grant’s lives going through his struggles, triumphs, and eager search to change his life around. There will be an analysis of the sociological aspects displayed throughout the movie that show racism, prejudice, and discrimination.
The graduate is based on Charles Webs novel. After World War II, baby boomers enjoyed good financial health, it’s in those revolutionary years that the young Benjamin graduated from College and has been the center of attention for his parents and his acquaintances. Ben’s wants his life different from these empty materialists because then his life will take on a meaning. The film takes place in 1967, Benjamin returns home on vacation and The Robinson couple, friends of their parents for years, are interested in him. The husband wants him to go out with his daughter Elaine, while his wife, Mrs. Robinson (Anne Bancroft) wants to have intimacies with him. At first, he is terrified of the idea, but under the demeaning control of his eccentric parents,
Of all the 1980’s films, that can be described as “Eighties Teen Movies” (Thorburn, 1998) or “High School Movies” (Messner, 1998), those written and (with the exception of “Pretty In Pink” (1986) and “Some Kind of Wonderful”(1987)) directed by John Hughes were often seen to define the genre, even leading to the tag “John Hughes rites de passage movies” as a genre definition used in 1990s popular culture (such as in “Wayne’s World 2” (1994 dir. Stephen Surjik)). This term refers to the half dozen films made between 1984 and 1987; chronologically, “Sixteen Candles” (1984), “The Breakfast Club” (1985), “Weird Science” (1985), “Ferris Bueller's Day Off” (1986), “Pretty In Pink” (1986) and “Some Kind Of Wonderful” (1987) (the latter two being directed by Howard Deutch). For the purpose of this study, “Weird Science” and “Some Kind of Wonderful” shall be excluded; “Weird Science” since, unlike the other films, it is grounded in science fiction rather than reality and “Some Kind of Wonderful” as its characters are fractionally older and have lost the “innocence” key to the previous movies: as Bernstein states “the youthful naivete was missing and the diamond earring motif [a significant gift within the film] was no substitute” (Bernstein, 1997, p.89). Bernstein suggests that the decadent 1980s were like the 1950s, “an AIDS-free adventure playground with the promise of prosperity around every corner … our last age of innocence” (Bernstein, 1997, p.1). The films were very much a product of the time in terms of their production (“suddenly adolescent spending power dictated that Hollywood direct all its energies to fleshing out the fantasies of our friend, Mr. Dumb Horny 14 Year Old” Bernstein, 1997, p.4), their repetition (with the growth of video cassette recorders, cable and satellite with time to fill, and also the likes of MTV promoting the film’s soundtracks) and their ideologies.
Almost everyone in America today has seen one of John Hughes’ iconic 1980’s teen movies. From Pretty in Pink, to Ferris Buellers Day Off, these iconic 80’s hits are still viewed as pop culture even two decades after their release. None of John Hughes movies has had as great an impact on society in America as The Breakfast Club. The 1980’s in America were filled with nuclear threats from the Cold War, President Reagan’s war on drugs and an increasing gap in wealth distribution. Even with America experiencing these heightened tensions, American teenagers were able to be more carefree, in a large part due to the draft being over, and worry about “teenage” problems. The Breakfast Club was able to capture this newfound freedom among teenagers as well as the feelings of anxiety, fear, and drama that came with high school. The film showed that one’s parents don’t determine your life, that breaking out of a label is possible, and that the emotions and issues that take place during this period of life aren’t any less important than the ones you face later on. The Breakfast Club by John Hughes was so impactful on 1980’s American culture because it gave hope for social class mobility, fought against the conservative politics of the era, and was one of the first movies to be shot from an accurate teenage perspective.
There is one event that unites all human beings. This event is the process of growing up and becoming an adult. The transition into adulthood from childhood can be very long and confusing. As a kid most of them can not wait to become an adult but once you experience adulthood you miss your childhood. The novel Catcher in the Rye shows how a teenager on the break of entering adulthood can get scared. Through the main protagonist Holden Caulfield, J.D. Salinger captures the confusion of a teenager when faced with the challenge of adapting to an adult society. Holden is faced with many problems as some teens
There is one event that unites all human beings. This event is the process of growing up and becoming an adult. The transition into adulthood from childhood can be very long and confusing. As a kid most of them can not wait to become an adult but once you experience adulthood you miss your childhood. The novel Catcher in the Rye shows how a teenager on the break of entering adulthood can get scared. Through the main protagonist Holden Caulfield, J.D. Salinger captures the confusion of a teenager when faced with the challenge of adapting to an adult society. Holden is faced with many problems as some teens are now a days of not wanting to grow up,immaturity, and his struggle of romantic relationships.
“The Mission” is based on a true story that occurred around the borderlands of Argentina, Paraguay and Brazil in the years 1750’s according to the film and history. The Treaty of Madrid of 1750 with the Spanish and Portuguese caused both havoc and death for the people of the Guarini and the members of the Jesuits. The Jesuits, members of the church, tried to bring Christianity and civilization to the natives while keeping at peace with Spain and Portugal. The Jesuits were the teachers for the natives; Teaching them not only the Christian religion but also civilization. Father Gabriel, a Jesuit, is first introduced in the film when he is showing his respects to a former Jesuit priest killed by the natives. He walks through the South American