Film Analysis: King Kong

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King Kong was a revolutionary film, in the aspect of the music score it accompanied. Max Steiner known as “the father of film music,” was responsible to writing the legendary score for King Kong. Steiner made a revolutionary move in the way sound is presented in a movie by introducing “Mickey Mousing.” This concept is where the sound matches what is going on in screen, such as when the leader is walking towards the lady in the beginning of the movie; the music matches his footsteps. What is also interesting in King Kong was some scenes had action that did not require music—the fighting scene with the dinosaur. The noise was enough to convey the feeling of intensity that music was not needed for that point, also the scene with the planes flying around King Kong. King Kong’s personality is shown through the music, with intense music at parts and solemn music at others, conveying his emotions through the music played. Elmer Bernstein’s score of To Kill A Mockingbird is one that will not be soon forgotten. The score consist of only strings, an accordion and a piano. These choices of in...

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