Technology has propelled the film industry into investing in cheaper, more effective means of receiving the same cinematic look and quality while providing a streamlined process to easily manipulate the image in post production. R.C. Varenas, a writer and filmmaker tells us upfront that digital filmmaking is cheaper (Varenas). “What once cost $100,000 might now cost $10,000” (Varenas). The cost for a celluloid camera can vary from $100,000 to $500,000, whereas the cheapest digital cameras can start at $99 and go upward of $100,000. The price differences give different variations on quality and versatility of the cameras allowing anyone on a small budget to purchase or rent one. In a film, the limitations for the production come down to the budget; this extends to beyond filming it, but editing the image as well.
Digital film allows for the image to be easily edited in post production, such as adding visual effects or changing the color of a shot. Though this is effective for many motion pictures trying to achieve this outcome, it does n...
... middle of paper ...
...has to show to the investors and determine if the decisions were worth it.
Barry, Nora. "Digital Shanachies." Ars Electronica, n.d. Web. 26 Nov. 2013.
Hurlbut, Shane. "Digital Cinematography vs Film: Tides Are Turning." Hurlbut Visuals. N.p., 06 Feb. 2013. Web. 04 Dec. 2013.
Lackey, Rich. "Film vs Digital – The Debate (and War) Is Over." Digital Cinema Demystified. WordPress, 29 Jan. 2010. Web. 06 Dec. 2013.
Manovich, Les. "What Is Digital Cinema?" Manovich. N.p., n.d. Web. 25 Nov. 2013.
Sheffield, Caroline C. "Technology and the Gifted Adolescent: Higher Order Thinking, 21st Century Literacy, and the Digital Native." NCSU. N.p., n.d. Web. 25 Nov. 2013.
Smith, Alvy Ray. "Alpha and the History of Digital Compositing." Princeton, n.d. Web. 26 Nov. 2013.
Varenas, R. C. "Film vs. Digital: Do Labels Matter?" FilmSlate. N.p., n.d. Web. 06 Dec. 2013.
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