At the beginning of Fight Club, Jack, the protagonist, is a disaffected corporate peon, another “slave to the IKEA nesting instinct”. His apartment reflects his personality, but not in the way he thinks—what his addiction to “clever furniture” does, is reveal the commercially dependent worker-bee for what he is. The film has caricatured modernity, mocking our dependence upon comforts and extravagance, while suggesting that—with the crack at maternity (“nesting instinct”)—masculinity has departed. Jack represents the decay of conceptualized masculinity; his society needs his intellect, not his back. Jack finds himself drawn t...
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Kristeva, Julia. “Women’s Time”. Adams, Hazard and Leroy Searle. Critical Theory Since 1965. Gainesville: Florida State University Press, 1986. 471-484.
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