Troy Maxon experiences a tumultuous life, beginning with his departure from his parents’ home at the age of fourteen. Living on an impoverished farm in the Deep South, Troy describes his father, who beats him regularly and only cares about work, as the devil. In Troy’s dialogue with Bono and Lyons, Troy remarks, “My daddy turned to face me, I could see why the devil had never come to get him…cause he was the devil himself” (Wilson 52). The most influential person in Troy’s early life was, as Troy believes, the devil. His...
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...eless, he essentially lived his life in a constant low point. Troy’s anger is undoubtedly misguided, but entirely permissible considering his hardships. The story of Troy Maxon begs the question: is it ever justifiable to pass judgment on someone without understanding his or her life story? After analyzing Troy’s struggle and resulting attitude, it seems that passing judgment is exceptionally risky. Without recognizing the early hardships of Troy’s life, it is easy to dismiss him and his cynical outlook. What can be learned from his story is evident. Never judge someone for his or her seemingly unwarranted attitude because there is a good chance it is completely defensible.
Rich, Frank. "Theater: Wilson's Fences." New York Times 7 May 1985: n. pag. Print.
Wilson, August. Fences: A Play in Two Acts. New York, NY: New American Library, 1986.
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